Ithaca Page #4

Synopsis: Fourteen-year-old Homer Macauley is determined to be the best and fastest bicycle telegraph messenger anyone has ever seen. His older brother has gone to war, leaving Homer to look after his widowed mother, his older sister and his 4-year-old brother, Ulysses. And so it is that as spring turns to summer, 1942, Homer Macauley delivers messages of love, hope, pain... and death... to the good people of Ithaca. And Homer Macauley will grapple with one message that will change him forever. Based on Pulitzer Prize-winning author William Saroyan's 1943 novel, The Human Comedy, ITHACA is a coming-of-age story about the exuberance of youth, the abruptness of change, the sweetness of life, the sting of death, and the sheer goodness that lives in each and every one of us.
Genre: Drama, War
Director(s): Meg Ryan
Production: Playtone Pictures
  2 nominations.
 
IMDB:
5.5
Metacritic:
36
Rotten Tomatoes:
13%
PG
Year:
2015
96 min
231 Views


- It's nothin'. I guess I...

...twisted a ligament

or something.

I was running

the 220 low hurdles.

- Hmm.

- And, uh...

...it's all confused.

Everything's...

Changed out there.

I guess I'll rub some liniment

on it tonight or something.

- Yeah, that might be good.

You've changed, you know.

In the week or so you came

to work, you've changed.

- Yeah.

I didn't know anything

before I got this job.

I don't like the way things are.

I just want things to be better.

How can any man

ever get it all straight

so that it comes out even

and makes sense?

Everything's so...

Sad or mixed up...

And wrong.

And...

I don't even care if Helen Eliot

doesn't like me anymore.

Sure, I wish she... would,

but if she doesn't, that's okay.

Yeah, something's the matter

with it.

It's five after 12.

I guess I'll go home now.

Tomorrow's Saturday.

Saturdays used

to be my best day.

You sure you wouldn't like

a sandwich now?

- Yeah, I'll have a sandwich.

Changed my mind.

Please...

Thank your mother for me.

- Nah, it's nothing.

- No!

It's somethin'.

Thank her.

Please thank her for me.

- Yes, sir.

- You do love me, don't you?

I know that you do.

You do love me, don't you?

I know that you do.

What do you think about...

What do you think about a woman

who says to you:

"You do love me, don't you?

I know that you do."

- That you'd be a fool

to let her get away.

- What do you think

of that new messenger?

- He's the best I ever seen.

- Stop! Wait! Don't go!

Don't go there!

Leave them alone!

Dad!

Don't go!

We will sing one song.

- No!!

- Homer. Alright, lie down.

- Oh...

- Oh...

It's alright.

He's alright, Ulysses.

Go back to sleep.

- It's Marcus.

- Ma?

Ma?

- Yes, homer.

- I never cried

when I was little.

Even Ulysses never cries.

Because, well, what's the use?

I thought a fellow would never

cry when he got to be grown up.

'Cause that's when you start

finding out about things.

- There will always be pain

in this world, homer.

And a good man will seek

to take the pain out of things.

- Mrs. Macauley,

Ulysses and me have already been

to Mr. Henderson's tree

with Auggie, Enoch, Shag,

Nickie and Alf,

but the apples aren't ripe.

- Well of course they're not,

Lionel. They need more time.

- Well,

they're gonna play football now,

and Ulysses's too small,

and Ulysses and me,

we're partners

and I wanna ask permission

to take Ulysses

to the public library.

- You have my permission.

- Was Marcus like Ulysses

when he was little?

- In what way?

- Fearless.

- Well,

Ulysses is like his father.

Except...

No one is fearless.

- I wish I could be

like Ulysses.

You know, ma, you're just about

the most wonderful person

anyone could ever know.

There goes Auggie.

Another touchdown.

I'm gonna go

to the telegraph office.

I told them I'd come,

just in case they needed me.

Oh, and Mr. Grogan,

he ate one of the sandwiches.

He told me

to tell you thank you.

So thanks, ma, from Mr. Grogan.

- Katie.

Katie?

- Yes, Matthew?

- Katie.

- Yes.

- Marcus?

Marcus?

You okay?

- Yeah.

- So, uh...

So, Ulysses...

What's he like?

- Let me tell you about him.

- Hi, homer!

Homer's going to work.

Homer's going to work!

: Okay, in a minute!

Saved by the bell.

- So, uh... thank you, Lily,

and... I'll be seeing you.

- Mm-hmm.

- Telegram for Dolly Hawthorne?

- Oh, she's out. I can take it.

Hold on a minute, will you?

Boy, would you come here

a minute, please?

Oh. Would you mail this letter

for me?

It's very important.

It's my sister.

Send it air mail,

special delivery, registered.

There's money in it.

Um... I haven't got any stamps.

Would you do this for me?

- Yes, ma'am.

- Here is a dollar.

Put the letter in your hat,

don't let anybody see it,

and don't tell anybody.

- I won't tell anybody.

I'll do it right now.

I'll bring you your change.

- No!

Don't come back here.

- No, it can't be.

It's a machine!

- I don't think so, Auggie.

- I don't know.

- No, Auggie's right.

It's a machine. I'm telling you.

- Ah, lookit!

- It's a man.

- Oh, what do you know, Lionel?

: Marcus?

- You okay?

Come on, Ulysses,

let's go home.

We've seen him

go through all the cards.

I'm going, Ulysses.

- Papa, mama!

Ma!

- He got lost, ma.

Auggie found him and brought him

to the telegraph office.

- Thanks, homer.

- Careful, there's a busted egg

in his pocket.

Homer.

I've never believed in wars.

I know them to be foolish,

even when they're necessary.

I'm glad that I'm the Macauley

who is in this war,

for it'd be a pity

and a mistake if it were you.

I can write to you what I would

never say in person.

You are the best

of the Macauleys.

You must go on being the best.

You must live in the years

of your life forever.

You are

what we are fighting for.

Yes, you, my brother.

- "Now I'll write your name here

to remind you, homer Macauley,

"that's who you are.

"I miss you very much.

"I can't wait

until I see you again.

"God bless you.

"So long, your brother,

Marcus."

If my brother...

Is killed in this stupid war,

I'll spit at the world.

I'll hate it forever.

I won't be good.

I'll be the worst of them all,

the worst that's ever lived.

- Uh, you be grateful

for yourself.

You... be thankful.

That's what your brother's

trying to tell you.

- Mr. Grogan, are you drunk?

- Yeah... I'm a little drunk.

I feel better when I'm drunk.

I probably wouldn't be telling

you the things I'm telling you

if I wasn't drunk!

You're a man, homer!

Fourteen years old

and you're a man!

Now who knows who made you

such a thing.

I don't know, you don't know.

But it's true!

Know that it's true!

You understand me?

- Hello, Lionel.

Going to see the movie?

- Haven't got any money.

- Why are you standing in line?

- Me, Auggie, Enoch, Shag,

Nickie and Alf

went out to the jailhouse

to talk to the criminals,

but then Shag chased me away.

I don't know where to go.

- Well, do you wanna see

the movie?

- No.

- Come on with us.

We're only taking a walk around.

The sun's going down.

- Come on with us, Lionel.

- Okay.

Thanks. I sure was getting

tired standing there.

Stop it, Ulysses!

- Hey, come on now.

- Stop it!

- I'm gonna say hello

to Mr. Grogan.

I'll catch up.

- Homer?

- It's me, Mr. Grogan.

I'll hurry and get the coffee.

Coffee!

- Oh, I'm cooking a new pot

right now, homer.

It'll be just a minute.

- You don't have any?

- There'll be coffee

in a minute.

Mr. Corbett's making a...

Mr. Grogan?

What's the matter?

- What's the matter, homer?

What's wrong with the old man?

- He's dead.

- Oh, you're crazy.

- No.

He's dead.

- Auggie?

- Uh, it's Mr. Grogan.

Homer says he's dead.

- I'll stop that.

Auggie?

Um, I want you to go over

to Corbett's.

Alright?

Um, you have them telephone...

...dr. Nelson.

His number's 1133.

He'll take care of everything.

Okay, have him come

right on over here,

and then also have him telephone

Harry Burke.

He's the other

Rate this script:0.0 / 0 votes

Erik Jendresen

Erik Jendresen is an author as well as a writer and producer for plays, television, and film.As co-creator, lead writer and a supervising producer of the critically acclaimed mini-series Band of Brothers for HBO in 2001, Jendresen was one of the recipients of that year's Emmy Award for "Outstanding Miniseries", which he shared with Tom Hanks and Steven Spielberg, among others. Jendresen also shared an Emmy nomination for that show in the category of "Outstanding Writing for a Miniseries, Movie or a Dramatic Special". The show also resulted in a Golden Globe Award for "Best Mini-Series or Motion Picture Made for Television", and 20 other awards, including the Peabody Award. As a writer/ producer for film, his current projects include The Mariner (directed by Christopher McQuarrie for FOX); Mission: Blacklist (directed by Rodrigo Cortés); Saint-Ex (directed by Christopher McQuarrie); Aloft (starring Robert Redford); Solo (directed by Antonio Banderas); and an adaptation of Walter Tevis's The Man Who Fell to Earth (directed by David Slade). Earlier film projects include Star Trek: The Beginning (Paramount), Sublime, starring Tom Cavanagh and Kathleen York, Otis and The Big Bang (starring Antonio Banderas and Sam Elliott), and Ithaca - an adaptation of William Saroyan's The Human Comedy (directed by Meg Ryan and starring Sam Shepard and Hamish Linklater). As a writer, producer, and showrunner for television, his current projects include Special, a series based on the documentary filmmakers of the 1960s (with Marti Noxon, for the National Geographic Channel); a series based on the stories of the French Foreign Legion (with Thomas Bidegain and Dimitri Rassam); The War, a five-season series about the unending interconnected conflicts of the 20th century (with Christopher McQuarrie); The 43, a six-hour mini-series about WWII British ex-servicemen fighting fascism on their home soil (BBC/NBC); A Coloured Man's Reminiscences, an eight-hour miniseries chronicling the story of James Madison’s slave, Paul Jennings (with Tyger Williams and Rodrigo Garcia, for ABC); Castner's Cutthroats, a six-hour miniseries about the Battle of the Aleutians (Discovery Channel); Rocket Men, a ten-hour miniseries about Wernher von Braun and the men who took us to the moon and beyond; Climb to Conquer, a ten-hour miniseries about the 10th Mountain Division in World War II (with Wildwood); and Shot All to Hell, a four-hour miniseries about the James-Younger Gang and the Northfield, Minnesota, raid (TNT). Previous projects include Killing Lincoln, co-produced with Tony and Ridley Scott for the National Geographic Channel; a series based on the Francis Ford Coppola film, The Conversation (with Christopher McQuarrie); The Pony Express (with Robert Duvall); an eight-hour adaptation of Gregory Maguire's novel, Wicked (ABC); an eight-hour miniseries Majestic-12; and The Command - a series set in the world of the Joint Special Operations Command (FIC). Jendresen also has to his credit several books, most of which deal with the socio-anthropology of Peru and the Amazon Basin, including Dance of the Four Winds and its sequel, Island of the Sun (both based upon the journals of and co-written with Alberto Villoldo), and the children's book, The First Story Ever Told (also with Villoldo). Hanuman (with Joshua M. Greene, and Li Ming) is a re-telling for children of a portion of the Ramayana. He is also a playwright (The Killing of Michael Malloy, Excuse My Dust, Malice Aforethought). Jendresen lives in Sausalito, California, aboard the M.V. Hindeloopen, 112-year-old riveted wrought iron vessel which saw service during the evacuation of Dunkirk in 1940. He is married to Venus Madora Aslee Bobis, Program Director of the Partial Hospitalization Program at Langley Porter Psychiatric Institute of the University of California, San Francisco, and his partner in Pilothouse Pictures. He is an advisor at the Sundance Screenwriters Lab. more…

All Erik Jendresen scripts | Erik Jendresen Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Ithaca" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/ithaca_11068>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Ithaca

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who wrote the screenplay for "Chinatown"?
    A Francis Ford Coppola
    B John Milius
    C William Goldman
    D Robert Towne