Jack and the Cuckoo-Clock Heart Page #3
Superb volcanic mechanics,
mon ami.
I need to find a clockmaker.
Do you know one?
I'm no clockmaker,
but I'm a handy fellow.
I'd enjoy tinkering with that.
Would you care to pay a visit
to my workshop in Paris
to put you back in working order?
Extraordinaire!
Your Dr. Madeleine is a genius!
The way it's pieced together is...
It's a labor of love.
Down to the tiniest detail.
Trouble is,
love is dangerous for me,
according to Madeleine.
- Is it badly damaged?
- No, it works fine.
That's an idea for my camera!
If I use a spring
identical to the one I used in
the barrel of your arteries,
crank back into life.
Just like yours, my friend.
Mister...
Call me Georges.
Georges Mlis.
Mr. Mlis,
I met a little singer.
These things happen.
When I first saw her,
I felt an earthquake in my clock.
My gears creaked,
my tick-tock raced.
I gasped for breath,
hands whizzing, head spinning...
Did you like it?
I loved it!
Well then?
I became scared Madeleine was right,
that love would kill me.
Fear of being hurt
increases the chances of being hurt.
Do you think a tightrope-walker
stops to think about falling off?
No, they savor the thrill
of braving danger!
If you wrap yourself
in cotton wool,
you'll die of boredom.
You want to embark on
adventures with this girl?
If I can find her.
She may be in Grenada.
Nothing's more thrilling
than recklessness!
When you're 14
and chasing a girl across Europe,
you must have highly developed
reckless genes, right?
Look!
It works!
It functions like your heart.
A device that absorbs emotions!
I could make a film about
your cuckoo-clock heart now.
That sounds fun.
You know, when I was in love,
I kept inventing new gadgets.
Gadgets and more gadgets,
all to amuse my fiance.
I think she was sick
of my gadgets in the end.
One day, I chopped up
two of her shelves
and put them on wheels
from an old hospital cart,
for us to go gliding
in the moonlight.
She refused to get on and
made me repair the shelves.
Love isn't easy every day,
my boy.
Come with me to Andalusia.
Anything's possible there!
A conjuror on the verge
of a nervous breakdown
on your pilgrimage to love?
I'd love having a
magician along!
I'm your man.
Let me throw some tricks
in my bag and away we go!
Andalusia.
Andalusia.
Andalusia!
Andalusia.
Anda. Anda. Andalusia.
Anda. Anda.
Andalusia.
Anda. Anda. Andalusia!
Anda. Andalusia!
# Who wants to be a man #
# No mechanics, no tricks #
# The gimmick of
my dreams #
# Would be to be
seen as a man #
# A grown man,
Andalusia!
Anda!
# No mechanics, no tricks #
# Would be to be seen as a man #
# A grown man, a human being. #
Andalusia.
I do believe we've arrived.
What do you think?
Ah!
Makes a change from Edinburgh.
My head's spinning!
Oh, extraordinary.
Roll up!
A man laying eggs,
two monsters in love,
three sobbing specters
at the Circo Bizzarro!
A man is turned into a bird
at the Ghost Train...
Ah!
Looking for work, shrimp?
I need a Frightener.
No, I'm looking for a
tiny flamenco singer.
Here?
A speck of dust in a sandstorm!
She has rinky-dink ankles
and knocks into things.
Knock it off!
Do you want the job or not?
It's said she catches fire
Coming up at the bandstand,
the flamenco picante
of Miss Acacia!
Miss Acacia?
Make your mind up!
I'll think it over.
Mr. Mlis!
Mr. Mlis!
Put your best poker face on,
never show any fear or doubts.
You have an ace up your sleeve.
It's a Heart.
Don't play the Jack.
Act the King and you'll
win the Queen.
I'm no good at cards.
You're different and you
think it's a weakness.
The reverse is true.
Difference is your strength.
Your fragility, your clock-heart,
makes you special
and so attractive.
Accept your difference.
My handicap as a weapon
of seduction? Seriously?
Sure!
Didn't you fall
for your little singer
because she kept
bumping into things?
Maybe so.
Shh.
It's open.
The coast is clear.
Charge!
Madeleine:
One kiss, however light,could destroy you.
Just like that...
Six feet under!
# My vision's not quite right #
# But glasses make
me look a sight #
# Enough to give the
world a fright #
# Like a sprite... #
Who let you in?
The ultimate seduction
Hey. Hello.
and landed on your couch.
girls about to change?
No, not often.
Where else do you land?
In the bed or the shower?
I'm sorry.
Haven't we met?
You look familiar.
Familiar?
What do you want?
I have something for you.
What is it?
A bouquet of glasses.
I prefer flowers.
I don't wear glasses.
They make me look like a fly.
Fine by me.
Can we see each other again,
glasses or no?
Perhaps.
- You're not from here, are you?
- I am.
I work on the Ghost Train.
Great, so you're the
new Frightener?
Exactly!
The new Frying-Tonightener is me.
Can I see you in action?
Sure.
Where?
The Ghost Train.
Of course!
Tomorrow?
4 o'clock?
Perfect.
How did it go?
Yes, how?
Great!
She said "perhaps. "
Georges, would you care to stay
for a cup of coffee?
- Or tea?
- Both.
The job's still open?
You always run to
think things over?
Yes, I gave it lots of thought.
I'd really like the job.
How do you frighten people?
It won't make us millionaires.
At least, you'll make
the trains run on time.
Count on it.
Know your place, scare people
and we're good.
- Yes, ma'am.
- Miss!
Hello!
You gave me a fright.
I have a sensitive heart.
Me too.
# When I went
# I met this old girl called
Brigitte Heim #
# I'm the boss of
# I used to steal skulls
from the graves #
# To make nice decorations #
# She was a soul
# She wants me to
frighten people #
# Little me #
# If you walk on skulls #
# You pay #
# I was the king
# I was the king
# Until the day
when the little fire girl #
# Comes to see me #
# I don't care about
scary woman #
# And all her houses
full of emptiness #
# Oh, I don't care about
scary woman #
# And all her houses
full of emptiness #
# 'Cause the little fire girl
of my dreams #
# Is sleeping in
my arms now #
# Arms now #
# Arms now #
# Arms now... #
# I'm the king
of the Ghost Train... #
# You're in love
with your own skull #
# It's a nice decoration #
# If you give me a headache #
# You'll pay #
# You'll pay #
# Pay, pay, pay,
they always pay #
# Pay, pay, pay,
they always pay #
# Pay, pay, pay,
they always pay #
# There's ghosts,
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