Jail Page #9

Synopsis: Shortly after getting promoted as Regional Manager of Max Finance, Parag Dixit gets arrested in Bandra for Firing at Police, and Possession of Narcotics. His associate, Keshav, is grievously injured, and is hospitalized in a coma-like condition. Parag's widowed mother, Alka, and Air Hostess girlfriend, Manasi Pandit, retain Advocate Harish Bhatiya to represent him at a preliminary bail hearing, but the Judge denies bail. Housed in an overcrowded barrack, with barely room to move, Parag meets with a variety of people - both convicted and awaiting trial - including Abdul Ghani, Kabir Malik, Galib Suratwala, Nawab, Bababhai, etc. Parag again appears in Court e after a charge-sheet is filed, but again, due to the seriousness of the offenses, fear of tampering with evidence and witnesses, he is denied bail. Several months later, Keshav is now deceased - and Parag, embittered by abuse, loss of faith in an overburdened system - with overwhelming evidence against him - faces trial as the only
Genre: Drama
Director(s): Madhur Bhandarkar
Production: Percept Picture Company
  1 nomination.
 
IMDB:
6.3
NOT RATED
Year:
2009
131 min
Website
597 Views


Routine transfer is being

carried out in the jail.

Look, Parag... I know you've

lost faith in everything.

But still, I'd say

don't lose hope.

God tests your goodness.

But he's never unjust.

I'm leaving. - Don't worry, I've

arranged for everything.

Go towards the Gorakhpur border.

There, you'll meet up with my men.

From there, leave

for Nepal. - Okay.

Oh, yes... what's the name of

that boy? Parag. - Yes.

I've arranged him to go with you.

Okay?

Goodbye.

Tiger. Go.

Ingle. - Sir. - Have we finished,

Nagpur and Pune? - Yes, sir.

Get the vehicle. Come on, everyone

get in. - Get in, come on.

Take them away. - Satam.

Nasik and Kolhapur.

Start quickly.

Suhas Patil.

Feroze Akhtarwala.

- Raise your hands.

Habib Pahelwan. - Come on.

Open your bag. - Hurry up, come

on, quickly. - Move ahead.

Javed Konkani. - Come on,

Nasik. - Sit here.

Let me see. - Come on, hurry

up. - Rajjo Khan.

Check him properly. - Mishra.

- Go that way. - Hurry up.

Rafiq Lakdawala.

Kabir Malik.

Raise your hands. - Sit here.

Move ahead.

Sarabjeet Singh. - Go there.

Rajjo Khan. - Raise your

hands. - Kolhapur.

Harif Baig. - This way.

Raise your hands.

- Rafiq Patrawala.

Sawant. - Yes, the Nasik

line, that way.

Jairam Cheriyan. - Kolhapur.

Sit here.

Parag Dlxit. - Sarbjeet Singh.

Amit Sinha. - This way. - Yes,

stand in the Nasik line.

Faiyyam Kaju. - What's in this?

Hey. - Hanif Baig.

Raju Khatri. - Acting smart.

Tony Rajan. - Kolhapur.

Come on, Tony Rajan.

Jairam Cheriyan. Nasik.

Take care of yourself.

Dilip Mishra.

Parag Dixit. Nasik, go that

way. - Samat Sheik.

Not, Nasik. Kolhapur.

But, sir its written Nasik here.

Ingle, Kolhapur.

Okay, sir.

Hey, this way. Kolhapur.

This way.

Sit here.

Come on, come on. Hurry up.

Deepak Bhave.

Ashish Podwal. - Basar, take over.

Come on, come on.

Prem Mishra. - Raise your hands.

Who is Prem Mishra?

Sir, I'd sent requisitions

for extra rooms.

Did you find out anything

about that?

Dismantling shed no.2 is

practically impossible. - Oh.

Yes, we can make a shed outside

no. 4 for the OPD.

Okay, I'll let you know. - Okay.

Okay. - Okay, thank you.

Bye.

Is everything fine?

Nawab. - Yes, sir.

Hurry.

Girish Bajaj. - Hurry up.

What's in this bag? - Sharafat

Ali... - Ingle.

Sir. - Is the vehicle

for Kolhapur ready?

Yes, sir. Then leave,

quickly. - Okay, sir.

Come on,

Come on, get up, come

on. - Get in the van.

Dominic Pereira.

Come on, hurry up.

Send him to Nasik.

Come on, check him properly.

Rahim Mishra. - Move ahead.

Close the gate. - Yes, sir.

Do one thing. - Sir.

Send Kasim and Chauhan to take

attendance. - Yes, sir.

And, did you write the out time

for the van to Kolhapur.

Yes, sir. - Get the to van

moving to Nasik as well.

Hey, do you've it?

- No, get inside.

Do you've matches?

Here.

Come on, scream.

Fire, fire... Constable,

constable... there's fire.

Fire. Douse it. Douse it...

Pull him... pull him inside as well.

There's a problem, park

the van at the side.

Park the van at the

side. Why you...

Where are you going, fatso?

What are you waiting for,

park the van at the side.

Come on.

Come on, run. Run.

Run, run.

Nandu, Sawant come on. Run.

Come on.

Parag.

Parag, come on. - Come

on, Parag. Let's go.

Come on, Parag.

Come, Parag come, come on.

Parag.

What happened, Parag?

Parag, why are you going back?

Come on, Parag.

This isn't the time to think.

You wanted to get out of jail,

didn't you? - What happened now?

You won't get such a chance again.

What are you thinking?

Come on, Parag.

Come on, Parag.

Parag, you're being crazy.

What are you doing, Parag?

Die.

Hey, wait.

Wait.

Keep me updated. Okay?

Bye.

Sir.

Listen, Nawab. - Yes.

I've received information that

a squabble broke out between...

...the policemen and the inmates

in the Kolhapur jail van.

Two of our constables

are badly injured.

Kabir Malik and five other

inmates have escaped.

Just one guy didn't flee.

Parag Dixit.

'This is victory for Parag

and my faith in him.'

'And a defeat for every

evil that wanted to... '

'... destroy Parag's humanity

had lost.'

'In Kolhapur jail Parag

tried to live again.'

'He regained his faith in

himself and his life.'

'After some time Parag's

case hearing... '

'... began in the High Court.'

'Mansi appointed a new lawyer

for Parag's case.'

My Lord, the trial court

has refused...

...to accept two important

pieces of evidence.

Point number one, the

footage taken...

...from the CCTV at the

appellant's office.

Which you saw just now.

It can be clearly seen

that on that day...

...when the appellant

left the office...

...he wasn't carrying the bag that

contained drugs, My Lord.

Point number two, records

of the calls...

...made from the appellant's cell.

The transcriptions and the

voice analysis report.

It proves that all the calls

to the drug peddlers...

...were made from the

appellant's phone.

But but none of the voices

belonged to the appellant.

Yes, Keshav Rathod's

voice was found.

My Lord, if the appellant

had been...

...a professional drug dealer...

...then when the police's car

started pursuing him...

...he didn't speed away.

On the contrary, the appellant

slowed down his car.

And when the police

intercepted him...

...Keshav Rathod got down from

the car and he fled.

The appellant didn't.

And most importantly, My Lord.

Keshav Rathod got down from

the car and he fled.

Keshav Rathod had unlicensed

firearm.

Keshav Rathod fired at the police.

It means Keshav Rathod knew that...

...there were drugs worth

35 millions in the car.

The appellant didn't know that.

My Lord, Keshav Rathod

used the appellant.

He used his car. He used his

house. He used his phone.

He used his innocence.

So My Lord, the appeal deserves

to be allowed...

...and the appellant be acquitted.

Thank you, My Lord.

The trial court has committed

serious errors of law and facts.

In the result this appeal

must succeed...

...and is accordingly allowed the

impute judgement and order...

...convicting and sentencing the

appellant of the offence...

...punishable under section 21

of the NDPS Act is set aside.

The appellant stands

free of the charge.

He be immediately set free.

Unless required for

any other offence.

This appeal is admitted.

'Nobody came to meet

me in 12 years.'

'But for the first time my

name was called out.'

'I was very happy to see

Parag and Mansi.'

'And I felt solace too.'

'Parag left from jail as the

same man who had come here.'

'I told you.'

'Inmates might not accept jail.'

'But jail forms a bond with them.'

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Madhur Bhandarkar

Madhur Bhandarkar (born 26 August 1968) is an Indian film director, script writer, and producer. He made his directorial debut with Trishakti and went on to direct several critically and commercially successful films. The drama film Chandni Bar (2001), won him the National Film Award for Best Film on Social Issues. Bhandarkar received the National Film Awards for the Best Feature Film and Best Director for Page 3 (2005) and Traffic Signal (2007) respectively. The drama film Fashion (2008) garnered him several accolades including Filmfare Awards nominations for Best Director and Best Screenplay. Madhur was recently invited as the special Guest of Honour for the First International Yoga Day celebrations at the United Nations in New York on June 21. In 2016, Bhandarkar was awarded the Padma Shri, the fourth highest civilian award, by the Government of India.Madhur Bhandarkar has been nominated as society member of the Satyajit Ray Film and Television Institute (SRFTI) by the Information and Broadcasting Ministry. He also received the Bharat Gaurav award at the UN hall in New York.In April 2017, Madhur Bhandarkar was invited to represent India at BRICS Film Festival. more…

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