Jane Doe: The Wrong Face Page #8

Synopsis: 72 hours before an important case in court, the prosecuter's wife is mysteriously kidnapped after plastic surgery. Jane gets 3 days to find her.
Genre: Crime, Drama, Mystery
Director(s): Mark Griffiths
Production: RHI Entertainment
 
IMDB:
5.9
Year:
2005
82 min
58 Views


Kathy:
YEAH, BUT I'M THE TYPE

OF PERSON WHO BELIEVES

THAT NEIGHBORHOODS

AND PEOPLE:

AREN'T AS BAD

AS THEY'RE MADE OUT TO BE.

LIKE YOU, FOR INSTANCE.

Mac:
WHO, ME?

Kathy:
YEAH. I CHECKED.

YOUR BIG FELONY RECORD?

THAT ARMED ROBBERY CONVICTION?

TURNS OUT TO BE:

AN ANCIENT ACCESSORY BEEF

FROM A BOTCHED:

CONVENIENCE STORE HOLDUP

THAT YOU DIDN'T EVEN DO.

OTHERWISE, THE NAVY SEALS

WOULDN'T HAVE TAKEN YOU

OR GIVEN YOU:

AN HONORABLE TICKET, RIGHT?

Mac:
SO, I WAS STUPID

WHEN I WAS 16. SO WHAT?

Kathy:
YEAH, WELL,

I DON'T THINK

HERMIONE'S HIDEAWAY FIRED YOU.

I THINK YOU QUIT.

Mac:
WHY WOULD I QUIT?

Kathy:
WELL, BECAUSE

THEY IMMEDIATELY BLAMED YOU

FOR CAROLINE RAPHAELSON'S

DISAPPEARANCE,

AND THAT TICKED YOU OFF.

Mac:
THEY CAN BLAME ME

AS MUCH AS THEY WANT.

WHY WOULD I CARE ABOU SOME RICH WHITE LADY?

Kathy:

I THINK YOU DO CARE, MAC.

I THINK YOU LIKED HER.

I DON'T THINK YOU WANT TO

SEE HER HURT OR KILLED.

LOOK, MAC,

WE'RE RUNNING OUT OF TIME.

SHE'S RUNNING OUT OF TIME.

I NEED YOUR HELP.

Mac:
I DON'T KNOW WHAT THEY'RE

PAYING YOU AT THE CSA,

BUT THEY SURE ARE GETTING

THEIR MONEY'S WORTH.

Mac:
YEAH, YOU KNOW,

UM, AHEM...

I LIKED MS. RAPHAELSON.

SHE WAS ALL RIGHT.

SHE WASN'T ONE

OF THE KINDS WHO, UM,

STAYED AT THE MANICURIST'S

OR HAIR SALON ALL DAY,

YOU KNOW WHAT I MEAN?

SHE'S A SCUBA DIVER, TOO.

DID YOU KNOW THAT?

SHE WAS REALLY GOOD, TOO.

DEEP DIVES. OPEN WATER.

SHE EVEN EXPLORED CAVES.

REALLY GOOD DIVER.

WE USED TO FLASH

DIVING SIGNS TO EACH OTHER.

SCUBA DIVERS SAY "OK"

LIKE THIS.

BECAUSE WHEN YOU'RE UNDERWATER,

THIS MEANS YOU'RE GOING UP.

Kathy:
OH. I CAN SEE WHY

YOU WOULDN'T WANNA CONFUSE 'EM.

Mac:
YOU KNOW,

COME TO THINK OF IT,

YOU ASKED ME IF I WAS SURE

THAT IT WAS MS. RAPHAELSON

THAT WAS ROLLED INTO

THE ELEVATOR ON FRIDAY MORNING?

IT WOULD'VE HAD TO

HAVE BEEN, BECAUSE, UM,

WHEN SHE LEFT,

SHE DID JUST LIKE THIS.

YOU TAKE CARE:

OF YOURSELF NOW.

NOBODY ELSE:

WOULD'VE DONE THAT.

Kathy:
THANK YOU.

THAT'S EXACTLY

WHAT I NEEDED TO KNOW.

OH, WAIT.

DID ANNA REICHMAN

EVER MENTION HER MOTHER

OR THE EXPENSIVE JEWELS

SHE GAVE HER, EVER?

Mac:
NO. NO. SHE, UM,

SAID HER MOM DIED

WHEN SHE WAS A KID.

THAT'S WHAT SHE SAID.

Kathy:
WHY DOES

THAT NOT SURPRISE ME?

YOU KNOW, MAC,

THE CSA COULD ALWAYS USE

A FORMER NAVY SEAL.

WOULD YOU LIKE ME

TO BRING YOU AN APPLICATION?

Mac:
YEAH, SURE. CAN I PUT YOU

DOWN AS A REFERENCE?

Kathy:
YEAH. YEAH.

Alex:
TOMMY.

COME HERE A SECOND.

WHAT HAVE YOU HEARD FROM

OUR FAVORITE FEDERAL PROSECUTOR?

Tommy:
NOTHIN' YET.

Alex:
WHAT'S HE WAITIN'

SO LONG FOR?

WHAT'S THE WORLD COMING TO

WHEN A MAN WON'T STEP FORWARD

TO SAVE HIS KIDNAPPED WIFE?

Tommy:
MAYBE THEY DON' GET ALONG TOO WELL

AND HE'S HAPPY TO HAVE

THE HOUSE TO HIMSELF.

Alex:
GIVE I A LITTLE WHILE LONGER.

DO YOUR BEST TO STAY

ON TOP OF IT.

Tommy:
NO PROBLEM, BOSS.

Wilbur:
DID YOU FIND

MISS ANNA?

Kathy:
NO, NO, NO. I DIDN' THINK SHE'D BE AT HOME,

AND I DIDN'T THINK

SHE'D BE AT WORK EITHER.

Wilbur:
IS THAT WHY YOU WANTED ME

TO MEET YOU IN THE PARKING GARAGE?

Kathy:
OH, NO, NO, NO.

I JUST WANTED TO CHECK

SOMETHING OUT DOWN HERE

BEFORE I FILED MY REPORT.

Wilbur:

AND DID IT CHECK OUT?

OK, THEN.

Kathy:
WAIT, WAIT!

NO, NO. COME BACK.

NO, I WANTED

TO ASK YOU, UM--

Wilbur:
OK.

Kathy:
THINK

ABOUT FRIDAY MORNING

WHEN YOU PUT MRS. RAPHAELSON

IN THE WHEELCHAIR.

IS THERE ANYTHING ELSE

YOU CAN REMEMBER,

ANYTHING AT ALL?

JUST CLOSE YOUR EYES

AND PICTURE HOW IT HAPPENED.

Wilbur:
IT-- IT'S MY JOB

TO GET THE WHEELCHAIR READY

AND MAKE SURE THE PATIENTS

ARE COMFORTABLE.

OH, THERE WAS SOMETHING.

THE FOOTRESTS WERE STICKY,

AND I TOLD MYSELF, "BE SURE

TO PUT THE OIL ON THEM."

I EVEN WROTE "OIL" ON MY HAND

SO I WOULDN'T FORGET.

MISS ANNA TOOK MRS. R.

TO THE CAR,

AND WHEN SHE BROUGH THE CHAIR BACK,

I WENT TO PUT THE OIL ON,

BUT THE FOOTRESTS

WEREN'T STICKY AFTER ALL.

DOES THAT SOUND DUMB?

Kathy:
NO.

THAT'S THE SMARTEST THING

I'VE HEARD ALL DAY.

THANK YOU, WILBUR.

Wilbur:
BYE.

Kathy:
BYE, WILBUR.

Wilbur:
BYE!

Kathy:
FRANK,

NOW I KNOW FOR SURE

WHO KIDNAPPED:

CAROLINE RAPHAELSON.

IT WAS THE NURSE,

ANNA REICHMAN.

WOW! GREAT SUIT.

DO YOU HAVE A HOT DATE?

Frank:
NO, NO. IT'S JUS THE FLEMING SHINDIG THING.

I'M JUST TRYING

TO SUPPORT PHIL.

WHAT-- WHAT WERE YOU SAYING?

Kathy:
OH, THAT'S RIGHT.

ANNA, ANNA.

SEE, I LIKED HER FOR I EVER SINCE I SAW HER JEWELRY.

YOU KNOW, YOU CAN'T DO SAPPHIRES

ON A BUDGET. I'VE TRIED.

OH, GOD. IT WAS SO EASY.

IT WAS RIGHT IN FRONT OF ME.

I COULDN'T FIGURE IT OU UNTIL I REALIZED

WHENTHE SWITCH WAS MADE.

NOW, YOU REMEMBER,

ANNA WAS THE ONE THAT TOOK

CAROLINE TO THE ELEVATOR.

[ELEVATOR BELL DINGS]

Kathy:
WELL, SHE MUST'VE PUSHED

THE BUTTON, NOT TO LEVEL 2,

WHERE THE LIMO WAS,

BUT TO LEVEL ONE.

[CAROLINE GASPS]

Caroline:
WHAT'S HAPPENING?!

Anna:
TAKE IT EASY.

IT'S ALL RIGHT. UH-HUH.

OK. GOOD. GOOD GIRL.

Owen:
COME ON, COME ON.

Anna:
YEAH. UH-HUH.

Owen:
ALL RIGHT, LET'S GET HER

OUT OF HERE. COME ON! COME ON!

Anna:
YOU JUST RELAX.

EVERYTHING'S GONNA BE FINE.

Owen:
LET'S GO! LET'S GO!

GET HER THE HELL OUTTA HERE.

SO IT WOULD'VE TAKEN NO TIME

AT ALL TO MAKE THE SWITCH,

AND THEN ANNA CONTINUED

DOWN TO LEVEL 2...

Kathy:
AND WHEELED HOLLY

TO THE LIMO.

AND OFF THEY WEN TO DR. MANSER'S OFFICE.

Kathy:
WILBUR REALIZED THAT THE STICKY

FOOTRESTS WEREN'T STICKY ANYMORE

'CAUSE IT WASN' THE SAME CHAIR.

Frank:
WELL, THAT EXPLAINS WHA HAPPENED TO THE REAL WHEELCHAIR.

BUT WHAT HAPPENED

TO THE REAL CAROLINE?

Anna:
HERE YOU GO.

YOU NEED TO TAKE

SOME FLUIDS.

THAT'LL HELP

FLUSH YOUR SYSTEM.

Anna:
THAT'S A GOOD GIRL.

Caroline:
I HURT.

Anna:

I KNOW. I UNDERSTAND.

YOU JUST REST.

EVERYTHING IS WORKING OU JUST FINE.

Caroline:
SO SLEEPY.

Phil:
FRANK.

YOU CAN FORGE THE INVESTIGATION.

I'VE DECIDED TO DROP THE CHARGES

AGAINST RAY JACKSON.

Frank:

PHIL, YOU CAN'T DO THAT.

Phil:
I HAVE TO!

CAROLINE IS MY LIFE.

I DON'T CARE ABOUT NAILING

JACKSON ANYMORE.

Frank:
PHIL, WE HAVE

EVERY REASON TO BELIEVE

THAT HE'S HOLDING

YOUR WIFE HOSTAGE.

Kathy:
UH, ACTUALLY,

NOT REALLY.

I MEAN,

JACKSON'S THE RANSOM,

BUT WE HAVE NO PROOF THA HE'S ACTUALLY A KIDNAPPER.

Phil:
WELL, WHO ELSE BUT JACKSON

WOULD'VE MADE ALL THOSE RANSOM DEMANDS?

Kathy:
WELL, THAT'S A GOOD QUESTION,

BUT HERE'S ANOTHER.

WHY WOULD A MAN WHO HAS 50 CAREER

CRIMINALS AT HIS FINGERTIPS

HIRE AN OUTSIDE NURSE

AND A P.I.

FOR SUCH A DELICATE JOB?

IT JUST DOESN'T MAKE

ANY SENSE, PHIL.

Phil:
I KNOW YOU'VE BOTH

DONE THE BEST JOB YOU CAN,

BUT THE STAKES:

ARE TOO HIGH.

FIRST THING IN THE MORNING,

I'M DISMISSING THE CHARGES

AGAINST RAY JACKSON

WITH PREJUDICE.

Frank:
PHIL, LISTEN,

YOU NEED TO BE PATIENT.

OK? WE'LL TALK

ABOUT IT LATER.

RIGHT NOW,

LET'S GO TO THE PARTY.

Phil:
I WISH I DIDN'T HAVE

TO GO THROUGH THIS CHARADE.

Frank:
LOOK, HEY,

WE GOT EVERYTHING COVERED, OK?

WE GO TO THE PARTY. WE'LL MAKE

IT SHORT AND SWEET, ALL RIGHT?

LET'S GO.

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Dean Hargrove

Dean Hargrove (born July 27, 1938 in Iola, Kansas) is an American television producer, writer, and director. His background includes graduating the St. John's Military School and attending the UCLA Film School as a graduate student. He specializes in creating mystery series. He frequently works with television producer Fred Silverman and television writer Joel Steiger. more…

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Submitted on August 05, 2018

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