Jaws 3-D

Synopsis: Several years after Amity's former Police Chief Martin Brody electrocuted the shark at Cable Junction, his sons, Mike & Sean, are now working in different roles at Sea World Orlando. Mike is working as a park engineer and considering marriage to his girlfriend, killer whale biologist Kathryn Morgan. Sean is also involved with 1 of the park's water skiers, Kelly Ann Bukowski. Sea World is about to open a massive 'Undersea Kingdom' which will bring visitors closer to marine life than ever before. The park is accessible from the ocean by a series of gates, one of which malfunctions. A young Great White Shark swims through the gate, and when a maintenance diver heads down to fix the gate he does not return. The young Great White is captured & placed in a tank but soon dies despite Kathryn's best efforts to save it. More alarming though, is the young shark's massive, 35 foot mother which has followed the baby shark into the lagoon and killed the maintenance diver, whose body is recovered. I
Director(s): Joe Alves
Production: MCA Universal Home Video
  5 nominations.
 
IMDB:
3.6
Metacritic:
27
Rotten Tomatoes:
11%
PG
Year:
1983
99 min
1,708 Views


(Crunch)

(Highest girl) Come on, slow poke!

Don't lean forward!

Don't lean forward!

(Laughing)

(Man ) Come on, Overman.

Give us a break, will you?

Look at the clown

in the jockey shorts!

Kelly, come on. Pay attention.

Hey, girls!

Do it like this! Ooh!

(Man ) Damn it, Kelly! Do the job!

Next time we're goin'

right into the lagoon.

The lagoon is my favourite! (Laughs )

Damn boat.

l flooded the... Damn boat!

(Girl) Come on, Richie.

l got a date tonight!

(Skier) Through the gate!

(Richie ) Come on, baby.

OK, guys, here we go.

Oh! That's right. Good.

(Woman ) You've been chosen

for your neatness,

courtesy toward others

and your Southern grace.

We enforce our dress code here,

so keep your hair and nails trimmed.

And, please,

don't alter your costumes.

Once you've got your Sea World

guide apparel,

the shorts are short enough.

(Girl giggles )

Show any cheek and you'll be back

shovellin' french fries.

(Girls giggling)

Now, let's continue with our welcome

speech again. All together now.

(All) Welcome to Sea World,

the world's largest marine life park.

Above and below the surface

of our unique Undersea Kingdom...

(Man ) The park opens on Saturday.

All this week has been,

and continues to be, preview week,

during which family and friends

attend Sea World as our guests.

This is the Undersea Kingdom,

four years under construction,

at a cost of more than $34 million.

Four pressurised viewing tunnels

radiate out into the lagoon.

There's the Sunken Spanish Galleon,

Jonah's Marine Fun House,

the Deepwater Coral Forest,

all connected to Central Control.

And a deluxe restaurant and lounge,

all 40 feet below the surface.

The complex is built

in our manmade lagoon,

which connects to the ocean

by a deep channel.

The new additions to Sea World

are the brainchild

of entrepreneur Calvin Bouchard.

(Kelly) Hi, guys!

(Girl) Now you can close the gate.

(Gate motor whirring)

(Thud)

(Man ) Jesus!

Overman, l thought you said

those tracks were secure.

Hey, l welded

the damn thing myself.

(Worker) Something's

hung the gate up.

(2nd worker) Better get Brody.

He'll be pissed.

Whoo!

(Guy ) Here's the lagoon.

Set up for the turn.

(PR man ) l call your attention

to the Sea World skiers,

who are entering the lagoon

in a preview

of the opening day ceremonies.

(Reporters chattering, indistinct)

Here come my pride and joy.

(Female reporter)

Can we talk to Mr Bouchard?

- Beautiful. Just beautiful!

- (Girl skier) Hi!

(Man ) ..this exciting complex.

We WOULD like to avoid

references to his colourful past.

(Woman ) Did the Undersea Kingdom

really cost $30 million?

Aren't those kids great?

Mr Bouchard, is there anything

special goin' on openin' day?

Well, this afternoon, at the main

gate, we'll be pleased to announce...

the welcomin' of Mr Philip FitzRoyce.

Oh, really? ls that true?

No lie, he gonna be here.

Now, we got drinks at the bar.

They free. Come on, follow me.

(Reporters laugh)

- What's it look like?

- lt's off the track.

- How'd that happen?

- l can't tell, but she is jammed.

Just wouldn't close, Mike.

(Overman ) Now what do we do?

Somethin' knocked the

son-of-a-b*tch right off the track.

Just secure the damn gate, all right?

- Think you can handle that?

- On overtime, maybe.

You got enough overtime.

- Your party.

- You buy the beer, Brody.

Well, look, you're in charge.

See you guys later.

l got more important things to do.

- No overtime.

- OK. See you, Mike.

(Shouting) No overtime!

(All shouting, laughing) No overtime!

(Dolphins clicking)

(Clicking loudly)

(Clicking continues )

(Dolphins clicking, cage rattling)

Hi, Mike.

- Oh. Ah. Hey, Dan.

- Hey.

Havin' gate problems?

The dolphins tried

to open them again.

- Where's the boss?

- Up with Shamu.

Thanks.

(Woman ) Come on, Cindy.

Come on, Sandy. Come on.

- Hey, Liz.

- Hey. Come on.

lt's the boss hard hat.

Where's your boots?

l only wear 'em to bed

and in the shower.

- Where's Kay?

- She's down that way.

Yee-hah! Ride 'em, cowgirl.

- Hi, Mike!

- Hey!

- l'll be with you in a minute.

- All right.

Use your spurs.

Hey, Liz!

Good boy. That was nice!

- Hey.

- Hey!

Liz, he did that great. l don't wanna

do it again. Do me a favour.

Put Cindy and Sandy

in the lagoon for a run.

OK.

- How you doin'?

- Great.

Hey, you. Come here.

(Shamu squeaks )

Come here, kiddo.

That's the feeding place.

- ls this whale house-broken yet?

- Nope.

- Then he can't come to dinner.

- You takin' me to dinner?

Soon as we pick up my brother.

When's Sean coming?

We're gonna meet him

at the main gate.

(Dan ) Kathy.

Cindy and Sandy don't wanna go.

Am l gonna lose you

to a couple of neurotic fish?

- Mammals.

- Mammals. Mammals.

(Dan ) Something's bugging 'em.

lt's play time. They'll be

beggin' us tomorrow. Put 'em up.

You got it.

- l'm begging you tonight.

- You don't have to beg.

Take me to dinner!

All right. Let's try sushi.

- Mike!

- l'll change.

Come here. Who's a good boy?

Are you a good boy?

Yes, you're a good boy.

(Shamu gurgles )

And you get a fish.

(Calvin ) Ladies and gentlemen,

here he is now.

Ladies and gentlemen, Mr Philip

FitzRoyce, with a capital R,

is here to film us, meet our resident

day scientific staff.

- Hey, what's this?

- Oh, no.

Philip the Great.

l am able to combine

business with pleasure,

which, they tell me, is the secret

to a long and happy life.

- What, FitzRoyce?

- Mmm.

Sure is.

Any further questions,

in the bar, if you please.

For the first one who buys.

- Look at Calvin. Best of buddies.

- Ah, best of friends.

(Mike ) A regular Barnum and Bailey.

(Kay ) l'm sure they'll

be very happy together.

Perfect.

lnto the Undersea Kingdom they go.

(Chuckle )

Hey, Mikey!

- Hey, hey! Hey!

- Oh!

- How you doin'?

- All right!

- My brother, the cowboy.

- Hey! Hug me, huh?

- Oh, OK.

- Hey.

(Kay shrieks )

You put on weight, you need a shave

and you're too tall.

Well, two out of three l can fix.

(Laughs ) Get that gear

and let's go. Come on.

- So, nice boots.

- Thanks! Aw, gee.

How'd you do on your finals?

Great. A gentleman's "C,"

an incomplete, but l aced Phys Ed.

- (Kay ) A real Einstein.

- Glad you're here.

(Thud)

(Thud)

There you go, Charlene.

- (Man ) Shelby showed up yet?

- (2nd man ) Haven't seen him.

(Woman ) What are they doing?

(Man ) Kelly's really

gettin' this one down.

(Woman ) See that big guy? He gets

knocked on his ass every time.

(Woman laughs )

- All right, Charlene.

- All right!

Here, let me help you out.

Work with me, work with me.

Let's go.

- There we go.

- Wait. One more.

- Hey, Mike.

- All right. Yeah?

ls Shelby workin' overtime?

Not on my say-so.

He was supposed to knock off.

Have you met my kid brother?

lf he's messin' with that b*tch

at the souvenir stand,

it's gonna be his ass.

- You tell him.

- Charlene, l'm not his mother.

- You're his boss.

- Yeah, ask Woodbury, OK?

(Man ) Come on, Kelly. You can do it!

Rate this script:0.0 / 0 votes

Richard Matheson

Richard Burton Matheson (February 20, 1926 – June 23, 2013) was an American author and screenwriter, primarily in the fantasy, horror, and science fiction genres. He is best known as the author of I Am Legend, a 1954 science fiction horror vampire novel that has been adapted for the screen four times, as well as the movie Somewhere In Time for which Matheson wrote the screenplay, based on his novel Bid Time Return. Matheson also wrote 16 television episodes of The Twilight Zone, including "Nightmare at 20,000 Feet" and "Steel". He adapted his 1971 short story "Duel" as a screenplay directed by a young Steven Spielberg, for the television film of the same name that year. Seven more of his novels or short stories have been adapted as major motion pictures — The Shrinking Man, Hell House, What Dreams May Come, Bid Time Return (filmed as Somewhere in Time), A Stir of Echoes, Steel (filmed as Real Steel), and Button, Button. Lesser movies based on his work include two from his early noir novels — Cold Sweat, based on his novel Riding the Nightmare, and Les seins de glace (Icy Breasts), based on his novel Someone is Bleeding. more…

All Richard Matheson scripts | Richard Matheson Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Jaws 3-D" Scripts.com. STANDS4 LLC, 2024. Web. 12 Nov. 2024. <https://www.scripts.com/script/jaws_3-d_11204>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "parenthetical" refer to in screenwriting?
    A An instruction for how dialogue should be delivered
    B A scene transition
    C A character's inner thoughts
    D A description of the setting