Jennifer 8 Page #18

Synopsis: A big-city cop from L.A. moves to a small-town police force and immediately finds himself investigating a murder. Using theories rejected by his colleagues, the cop, John Berlin, meets a young blind woman named Helena, who he is attracted to. Meanwhile, a serial killer is on the loose and only John knows it.
Genre: Crime, Drama, Mystery
Director(s): Bruce Robinson
Production: Paramount Home Video
  5 wins.
 
IMDB:
6.3
Rotten Tomatoes:
39%
R
Year:
1992
124 min
525 Views


Christmas ads interrupt the movie. BERLIN sighs in frustration.

Starts doodling on the paperback. Shakespeare acquires glasses.

I can't request anything right now ..

push one more inch, I lose the lot ..

[Well, listen, I'll run the Bay Area

for you. But if you want a print-out

of every John in California with a V.

W. van, that's gotta be official. I'm

sorry] .. That's O.K. Thank you, Dan ..

61:
INT. CHIEF'S OFFICE. POLICE STATION. DAY.

A painting of Ronald Reagan fills the screen. So awful it's al-

most impressive. Next to it is a formal photograph of the City

Mayor (Mr Heineman) . BERLIN continues to wait with eyes switch-

ing to a picture of the Taj Mahal. "I love to paint." He turns

as CITRINE walks in. "It's not great art, but I change the col-

ors." Heads for his desk and sits dispensing with the crutches.

CITRINE:

I'm shutting you down on

this "blind thing," John.

BERLIN:

Is that my punishment for

embarrassing Mr Heineman?

CITRINE:

Don't underestimate me .. the

Mayor's pissed - but that's

nothing to do with this - sit

down - How many times have you

been up at that institute?

BERLIN:

Three or four.

CITRINE:

I'm talking, outside the girl?

BERLIN:

Once.

CITRINE:

Got a letter from this Goodridge guy?

Says, you're upsetting his students?

BERLIN:

That's bullshit,

CITRINE:

He says, you freaked one of em out?

(Reading the letter)

"Asking a newly blind kid if he can

'see,' is both cruel, and dangerous" ..

He floats the letter across the desk and hears the explanation.

BERLIN:

I never asked if he could "see." I

just asked one or two of the stud-

ents if they remembered anything?

CITRINE:

And did they?

BERLIN:

No.

CITRINE rubs his forehead in preparation to change the subject,

CITRINE:

I'm not a nasty man, John, I'm a nice

man .. I get a lot of Christmas cards

(a lot of cards on the wall)

.. and I'm getting a lot of complaints.

The guy you replaced was something you-

're not - a lazy sonovabitch - but the

reality is, I was getting a faster ser-

vice outta Popeye than I am outta you ..

I can't allow this to continue, John ..

If there was any argument to be had BERLIN would be arguing it.

I don't want you up at that institute

again .. and I'm flat-out about that ..

I'm sorry, I know it means something

to you - you can go tell your witness

if you feel you must - but as far as

you're concerned, the case is closed ..

62:
EXT. CITY STREET. CITY OF EUREKA. NIGHT.

Colored lights strung across the street. Symptoms of Christmas

everywhere. Store windows full of trashy decorations and every-

thing soluable in mist. ROSS and BERLIN develop out of it like

Polaroids. Their destination is a dingy looking downstairs bar.

BERLIN:

God, it pisses me off, Ross.

ROSS:

No God, Brother. If there was

a God, asses wouldn't be at

the perfect height for kicking.

63:
INT. "ANGELA'S BAR." CITY OF EUREKA. NIGHT.

This is the local Copper's bar. It's full of cigarette smoke &

Coppers. Laughter & sugar music. "I'll Be Seeing You." "Sentim-

ental Journey." Either one of these is playing. Familiar Faces

among those drinking at the bar. The forty-two-year-old BLONDE

serving them is busy. She is in possession of very big breasts.

VENABLES:

Can I buy you a beer, Sergeant?

ROSS:

Don't try and ingratiate your-

self with me, Venables. But just

this once I'll have a Heineken ..

and John here will have one, too.

ROSS pokes VENABLES a surreptitious 20 with eyes on the BLONDE.

Right now she's far end of the bar delivering a beer to BISLEY.

(Look at those Amazingly Bos-

oms) You wanna beer, King Jay?

TAYLOR:

No, I gotta go .. I'm nights ..

TAYLOR gets a last cough out of a cigarette before stubbing it.

BLATTIS:

Gimme a ride?

TAYLOR:

Sure ..

And he's already gathered his sh*t and halfway into his jacket.

How's that hand-job comin along, John?

BERLIN makes a gesture he'd have trouble understanding himself.

ROSS:

Hey, we're not talking "talk" tonight.

TAYLOR:

No one's gonna make that Gent. Six

months investigation, & the nearest

we got, we thought he was a sailor.

BERLIN:

A sailor?

By now TAYLOR is moving through the crush of faces behind them.

TAYLOR:

Yeah, in and outta Frisco on

the big boats .. Every lead

we had went right out to sea ..

Night, night, Freddy T .. John ..

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Bruce Robinson

Bruce Robinson (born 2 May 1946) is an English director, screenwriter, novelist and actor. He is arguably most famous for writing and directing the cult classic Withnail and I (1987), a film with comic and tragic elements set in London in the 1960s, which drew on his experiences as "a chronic alcoholic and resting actor, living in squalor" in Camden Town. more…

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