Jennifer 8 Page #18
- R
- Year:
- 1992
- 124 min
- 525 Views
Christmas ads interrupt the movie. BERLIN sighs in frustration.
Starts doodling on the paperback. Shakespeare acquires glasses.
I can't request anything right now ..
push one more inch, I lose the lot ..
[Well, listen, I'll run the Bay Area
for you. But if you want a print-out
of every John in California with a V.
W. van, that's gotta be official. I'm
sorry] .. That's O.K. Thank you, Dan ..
61:
INT. CHIEF'S OFFICE. POLICE STATION. DAY.A painting of Ronald Reagan fills the screen. So awful it's al-
most impressive. Next to it is a formal photograph of the City
Mayor (Mr Heineman) . BERLIN continues to wait with eyes switch-
ing to a picture of the Taj Mahal. "I love to paint." He turns
as CITRINE walks in. "It's not great art, but I change the col-
ors." Heads for his desk and sits dispensing with the crutches.
CITRINE:
I'm shutting you down on
this "blind thing," John.
BERLIN:
Is that my punishment for
embarrassing Mr Heineman?
CITRINE:
Don't underestimate me .. the
Mayor's pissed - but that's
nothing to do with this - sit
down - How many times have you
been up at that institute?
BERLIN:
Three or four.
CITRINE:
I'm talking, outside the girl?
BERLIN:
Once.
CITRINE:
Got a letter from this Goodridge guy?
Says, you're upsetting his students?
BERLIN:
That's bullshit,
CITRINE:
He says, you freaked one of em out?
(Reading the letter)
"Asking a newly blind kid if he can
'see,' is both cruel, and dangerous" ..
He floats the letter across the desk and hears the explanation.
BERLIN:
I never asked if he could "see." I
just asked one or two of the stud-
ents if they remembered anything?
CITRINE:
And did they?
BERLIN:
No.
CITRINE rubs his forehead in preparation to change the subject,
CITRINE:
I'm not a nasty man, John, I'm a nice
man .. I get a lot of Christmas cards
(a lot of cards on the wall)
.. and I'm getting a lot of complaints.
The guy you replaced was something you-
're not - a lazy sonovabitch - but the
reality is, I was getting a faster ser-
vice outta Popeye than I am outta you ..
I can't allow this to continue, John ..
If there was any argument to be had BERLIN would be arguing it.
I don't want you up at that institute
again .. and I'm flat-out about that ..
I'm sorry, I know it means something
to you - you can go tell your witness
if you feel you must - but as far as
you're concerned, the case is closed ..
62:
EXT. CITY STREET. CITY OF EUREKA. NIGHT.Colored lights strung across the street. Symptoms of Christmas
everywhere. Store windows full of trashy decorations and every-
thing soluable in mist. ROSS and BERLIN develop out of it like
Polaroids. Their destination is a dingy looking downstairs bar.
BERLIN:
God, it pisses me off, Ross.
ROSS:
No God, Brother. If there was
a God, asses wouldn't be at
the perfect height for kicking.
63:
INT. "ANGELA'S BAR." CITY OF EUREKA. NIGHT.This is the local Copper's bar. It's full of cigarette smoke &
Coppers. Laughter & sugar music. "I'll Be Seeing You." "Sentim-
ental Journey." Either one of these is playing. Familiar Faces
among those drinking at the bar. The forty-two-year-old BLONDE
serving them is busy. She is in possession of very big breasts.
VENABLES:
Can I buy you a beer, Sergeant?
ROSS:
Don't try and ingratiate your-
self with me, Venables. But just
this once I'll have a Heineken ..
and John here will have one, too.
ROSS pokes VENABLES a surreptitious 20 with eyes on the BLONDE.
Right now she's far end of the bar delivering a beer to BISLEY.
oms) You wanna beer, King Jay?
TAYLOR:
No, I gotta go .. I'm nights ..
TAYLOR gets a last cough out of a cigarette before stubbing it.
BLATTIS:
Gimme a ride?
TAYLOR:
Sure ..
And he's already gathered his sh*t and halfway into his jacket.
How's that hand-job comin along, John?
BERLIN makes a gesture he'd have trouble understanding himself.
ROSS:
Hey, we're not talking "talk" tonight.
TAYLOR:
No one's gonna make that Gent. Six
months investigation, & the nearest
we got, we thought he was a sailor.
BERLIN:
A sailor?
By now TAYLOR is moving through the crush of faces behind them.
TAYLOR:
we had went right out to sea ..
Night, night, Freddy T .. John ..
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Jennifer 8" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/jennifer_8_1101>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In