Jericho Page #6
- TV-14
- Year:
- 2006
- 45 min
- 674 Views
27.
Then, he grabs a golf club. Finally, he grabs the overcoat.
When he picks it up, something goes clunk on his hand. He
reaches into the coat and pulls out... a flask.
61 EXT. RURAL ROAD - SECONDS LATER 61
Jake, using the 5 wood as a makeshift crutch, begins to walk
down the road toward a hill. A small body in a massive sea
of black. He’s in the middle of nowhere.
62 INT. SHERIFF’S OFFICE - NIGHT 62
We see the Mayor in silence for a breath. His face registers
a flash of resigned sadness and worry about Jake. He looks
over at the crowded room. Townspeople asking questions,
panicked, some just wanting to help. Then, the volume comes
back up, and it's right back to business. The Mayor points
to the map of the surrounding counties.
MAYOR GREEN:
Okay. The school bus was here at
the caves. Who can tell me where
they might have gone for repairs?
FIRE CHIEF:
There’s Wilson’s garage off 183.
EMT CREW CHIEF:
Or maybe Cedar Run Road. They saidthey took a detour before the phone
cut off. What do you think, Sheriff?
The crowd is getting louder. “What about fallout?” “Are we
under attack?” “Can we help?” Peter steps up and shouts.
PETER GREEN:
FOLKS! WE CAN’T HEAR OURSELVES
THINK OVER HERE!
MAYOR GREEN:
Peter, enough.
SHERIFF:
I figure two teams. There are only
The Mayor nods. Good work, sheriff. And then, Gray Anderson
throws in his two cents. Just loud enough for the crowd.
GRAY ANDERSON:
What about the parents?
Parts of the crowd react. “Yeah.” “We want to help.”
Green looks at the Sheriff. Sotto voice.
Mayor
28.
SHERIFF:
It’s your call, but we don’t know
what’s out there. Could be
fallout. Could be the Chinese army
for all we know.
The Mayor thinks. Makes the tough call.
MAYOR GREEN:
Folks, I’m sorry, but I want the
police out there finding your kids.
Not you.
(off their outrage)
You’re safe here. And God forbid
you go out there, get stranded, and
your child comes back an orphan.
We’ll get your kids. I promise.
The parents are furious. Peter stares daggers at Gray
Anderson. The Mayor pulls the sheriff aside. Whispers.
MAYOR GREEN (CONT’D)
I know the school bus has to come
first, but Jake...
SHERIFF:
We’ll get your son, Mr. Mayor.
The sheriff pats his shoulder and moves. Gray approaches.
GRAY ANDERSON:
What can I do, sir?
MAYOR GREEN:
Peter and I will find a way to call
the governor. I need you tocoordinate with the fire department
to make sure no citizens leave
town. It could be a death trap out
there. No one’s dying on my watch.
GRAY ANDERSON:
Anything I can do, Mr. Mayor.
Gray leaves. The Mayor watches him. The look on his face
gives new meaning to the word mistrust.
63 INT. EMILY SPENSER'S HOUSE - NIGHT 63
In stark contrast to the chaos we’ve seen, Emily Spenser is
still in her own world. Her iPod is still playing romantic
music. She's still smiling at the champagne, the candles,
the "Welcome Home, Roger" sign. And suddenly...
29.
Oh, God!
EMILY:
We might think she just reacted to the tragedy. But no. The
clock on the wall reads: 9:30pm. She takes off her iPod,
rushes over to the table, and grabs her keys, revealing...
The Post-It note. Roger’s flight. Kansas City Airport.
11:
00pm. In a dash, Emily is out the door.64 INT. EMILY’S VW JETTA - NIGHT 64
Emily turns the key. The radio plays static. But she has a
CD in there before it even registers to her that something is
wrong. The romantic music continues.
Emily drives through the Pines - Jericho’s community on the
East Side of Town. Quite ritzy. Quite isolated. Behind
trees. In the dark of night.
She turns right and takes the East Road out of town. Her
Jetta gets smaller and smaller in the distance until it
disappears. And then, finally, the Fire Truck arrives to
block the East road out of town.
Jake turns around. Did he hear something? He looks at the
woods. The breeze rustles the leaves. He turns around and
keeps walking. Three steps. He stops. He hears feet
running at him. His imagination gets the better of him. The
feet are getting closer. Jake holds up the 5 wood, ready to
defend himself. And just when he - and we - were sure he
was going to be attacked... two little kids run up to him.
One boy. One girl. Terrified.
GIRL:
Mister, please.
JAKE:
What is it, kids? What’s wrong?
BOY:
I think they’re dying.
30.
ACT THREE:
67 EXT. RURAL HIGHWAY - NIGHT 67
The kids drag a limping Jake onto an isolated rural road.
GIRL:
Please, mister. Hurry.
68 EXT. SHERIFF’S OFFICE - PARKING LOT - NIGHT 68
The police gear up to go on the search and rescue mission.
Guns. Ammunition. Extra batteries. The Sheriff looks at a
jittery YOUNG COP, who’s obviously terrified.
SHERIFF:
Don’t worry, son. There’s nothingout there we can’t handle.
ROD HAWKINS, the new man in town, passes some townspeople,
asking questions. “Folks, it could have been an accident.
test. Please.” Rod approaches one of the younger cops, an
African American guy, about 25.
A:
ROD HAWKINS:
Excuse me, son? Who’s in charge?
The cop points at the Sheriff, who is busy barking orders.
SHERIFF:
... Jimmy, get on the bullhorn and
calm the folks down.
Jimmy clicks on the bullhorn. As he tries to quiet the
crowd... Rod approaches the sheriff.
ROD HAWKINS:
You the sheriff? Rod Hawkins.
SHERIFF:
Good to meet you, Mr. Hawkins, but
I’m afraid we got our hands full
right now... Damn fools!
Just then, the Sheriff sees 2 pick-up trucks enter the
parking lot. Inside the trucks are the FATHERS of the
missing school kids with rifles.
SHERIFF (CONT’D)
Gray, will you tell the weekend
warriors the drill, please?
Gray Anderson nods and approaches the trucks.
31.
ROD HAWKINS:
Could you use an extra man?
SHERIFF:
No civilians. Mayor’s orders.
ROD HAWKINS:
I used to be a cop. St. Louis.
SHERIFF:
You know those roads out there?
ROD HAWKINS:
No. Just moved to town.
SHERIFF:
Then, I’m afraid you’d only slow us
down. Sorry.
The Sheriff pats his shoulder, then turns. The only thingRod hates more than machismo is a mistake.
ROD HAWKINS:
Sheriff. You might want to get
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Jericho" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/jericho_18>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In