Jiro Dreams of Sushi Page #4
This place has an interesting vibe.
I came here to eat
by myself when I was twenty four.
The place made me nervous.
Did Jiro make you sushi?
No, it was you.
Oh, really?
I don't remember that at all.
Now, you guys are all fulfilling
your dreams.
Maybe you think you
made the wrong decision.
Okay, let's get to work.
Everybody works to please Jiro.
All that matters is Jiro's approval.
Jiro is like the maestro
of an orchestra.
When you first sit down at Jiro's
they give you a hot towel.
Their towels are prepared by hand.
An apprentice must first be able
to properly hand squeeze a towel.
At first the towels are so hot
they burn the apprentice's hands.
It's very painful training,
which is very Japanese.
Until you can adequately squeeze a towel
they won't let you touch the fish.
Then, you learn to cut and prepare the fish.
After about ten years,
they let you cook the eggs.
I had been practicing making the egg
sushi for a long time.
I thought I would be good at it.
But when it came
to making the real thing...
I kept messing up.
I was making up to four a day.
But they kept saying
No good, no good, no good."
I felt like it was impossible
to satisfy them.
After three or four months,
I had made over 200
that were all rejected.
When I finally did
make a good one...
Jiro said,
Now this is how it should be done."
I was so happy I cried.
It was a long time before Jiro
referred to me as a shokunin.
I wanted to say, You just called me
a shokunin, didn't you?"
I was so happy that I wanted
to throw my fist into the air!
But, I tried not to let it show.
That's what you strive
After Nakazawa opens his own place...
Takeshita and Masuda will be
promoted to Nakazawa's position.
The work that Takeshita
and Masuda were doing...
will be taken over by newcomers.
I'm in charge of tasting.
You should slice the fish thinner.
The rest is okay.
But, make sure you
slice the fish thinly.
He gives me advice.
Yoshikazu says, press the sushi as
if you are pressing a little chick."
A chick?
Right, a baby chicken.
You don't want to squash it.
But, there is much
you can't learn from words.
I have to keep practicing.
There's too much wasabi.
It's making me cry.
I'm sorry.
You just grated the wasabi, right?
Okay, good job.
He needs time to grow.
There is still a long way
for him to go...
but I think he will improve.
It depends on how hard he works.
In order to make delicious food,
you must eat delicious food.
The quality of ingredients
is important, but...
you need to develop a palate capable
of discerning good and bad.
Without good taste,
you can't make good food.
If your sense of taste is lower than
that of the customers,
how will you impress them?
When I think of someone with a highly
acute sense of taste and smell...
is the great French chef Joel Robuchon.
I wish I were as sensitive as he.
I have a very good sense of smell...
but he's on another level.
His sensitivity is very high.
If I had his tongue and nose...
I could probably
make even better food.
HIROMICHI, RICE DEALER
He knows everything about rice.
He's different
from the other dealers...
He knows so much.
That's why we trust him.
However, sometimes he seems so knowledgeable
that I get suspicious he's making it all up!
The hotel near Takashi's restaurant
came to me.
I told them certain rice can only
be prepared by Jiro's disciples.
It was the Hyatt Hotel.
Oh, the Grand Hyatt.
They asked you for our rice?
I told them, No way!"
I said even if I wanted
to sell it to them...
Only Jiro knows how to cook it!
If Jiro told me to sell it
to them I would...
but I can't sell it to them just
because they ask for it.
Everybody loves our rice.
But if they can't cook it,
what's the use?
It takes significant skill
to cook this rice.
What's the point of buying rice
that you can't cook?
This is difficult rice to cook,
isn't it?
You can't cook rice like
this just with big talk.
We put a lot of pressure
on the rice.
The lid itself is so heavy
that it takes two hands to lift.
And then, we place a big pot
of water on top.
With the type of rice we use,
you need a lot of pressure.
I can't think of a single restaurant
that puts this much pressure on the rice.
But that's fine with us...
because we can keep using
the best rice...
and our rivals won't be able
to imitate us.
The temperature of the rice
is very important.
Most people think sushi is cold.
But actually, the rice should
be served at body temperature.
We've devised techniques to maintain
the perfect temperature when sewing.
The temperature and freshness
of the fish is crucial.
Each ingredient has an ideal moment
of deliciousness.
Mastering the timing
of sushi is difficult.
It takes years of experience
to develop you intuition.
The sushi must be eaten immediately
after it is served.
To explain umami...
It takes more than just a good piece
of tuna to create the sensation of umami.
It's when...
you eat it together
with vinegared rice and soy sauce.
through the balance of the flavors.
For example,
when you drink a good beer...
you'll exclaim,
That's a form of umami.
Or, when you take a bath...
you say, Ahh!"
because it feels good.
The most important part
Creating a union between
the rice and the fish.
If they are not in complete harmony,
The order is also important.
In traditional Japanese cuisine there is
a progression in how the dishes are served.
Heavier flavors are served later
in the course.
There is an ebb and flow to the menu.
For ten years, Jiro pondered wayst
Seven years ago he formed the structure
of the tasting course which he serves today.
From all the fish at Tsukiji market...
he chooses the highest quality fish
and creates the course menu of the day.
the first person to try this course.
When I ate the sushi,
I felt like I was listening to music.
Jiro's sushi course is like a concerto.
The meal is divided into three movements.
Classic items, like tuna and kohada,
are presented in the first movement.
HIRAME (HALIBUT)
SUMI-IKA (SQUID)
AJI (HORSE MACKEREL)
AKAMI (LEAN TUNA)
CHU-TORO (MEDIUM TUNA)
O-TORO (FATTY TUNA)
KOHADA (GIZZARD SHAD)
The items in the second movement
HAMAGURI (CLAM)
Certain items that can only
be found seasonally are served.
SHIMA-AJI (STRIPED MACKEREL)
Some of the fish is raw,
while some is cooked.
KURUMA EBI (CAR" SHRIMP)
The second movement is like
an improvisation.
It's like a cadenza.
SAYORI (HALF-BEAK)
TAKO (OCTOPUS)
In the third movement,
sea eel, kanpyo,
and egg comprise a traditional finale.
SABA (MACKEREL)
UNI (SEA URCHIN)
IKURA (SALMON ROE)
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"Jiro Dreams of Sushi" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/jiro_dreams_of_sushi_11319>.
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