Jism 2 Page #9

Synopsis: Izna, a porn star, is tasked by an Indian Intelligence Agency to seduce her ex-boyfriend Kabir, a dreaded assassin, in order to steal vital information relating to his sleeper cell contacts.
Genre: Drama, Thriller
Director(s): Pooja Bhatt
  1 win & 2 nominations.
 
IMDB:
3.0
Year:
2012
130 min
352 Views


884

01:
29:38,672 -- 01:29:40,537

Save me from myself.

885

01:
29:41,908 -- 01:29:43,637

Save me from myself.

886

01:
29:48,048 -- 01:29:50,608

What is this body?

887

01:
29:51,084 -- 01:29:53,848

Just a cloth for the soul.

888

01:
29:53,920 -- 01:29:56,548

What is this pain?

889

01:
29:56,957 -- 01:29:59,926

It's the search for love.

890

01:
29:59,993 -- 01:30:02,587

It made me lose everything.

891

01:
30:02,929 -- 01:30:05,898

The feeling of love.

892

01:
30:05,966 -- 01:30:10,926

I just... faced defeat.

893

01:
30:11,238 -- 01:30:17,074

You're my soul.

894

01:
30:17,144 -- 01:30:22,946

I search just for you.

895

01:
30:23,016 -- 01:30:29,012

All my hopes are with you.

896

01:
30:29,089 -- 01:30:35,028

It starts with you,

and ends with you.

897

01:
30:35,162 -- 01:30:40,896

You're my soul.

898

01:
30:40,967 -- 01:30:46,735

I search just for you.

899

01:
30:46,807 -- 01:30:52,712

All my hopes are with you.

900

01:
30:52,779 -- 01:31:00,151

It starts with you,

and ends with you.

901

01:
31:01,755 -- 01:31:04,053

What is this body?

902

01:
31:04,624 -- 01:31:07,218

Just a cloth for the soul.

903

01:
31:07,294 -- 01:31:09,626

What is this pain?

904

01:
31:10,564 -- 01:31:13,226

It's the search for love.

905

01:
31:13,500 -- 01:31:15,764

It made me lose everything.

906

01:
31:16,203 -- 01:31:19,172

The feeling of love.

907

01:
31:19,239 -- 01:31:24,734

I just... faced defeat.

908

01:
31:47,667 -- 01:31:48,599

I'm safe.

909

01:
31:50,103 -- 01:31:52,003

Sumeet's the only

one who doubts me.

910

01:
31:52,572 -- 01:31:56,303

We'll have to search

for the data tonight.

911

01:
31:56,643 -- 01:31:57,575

Love.

912

01:
31:59,079 -- 01:32:00,137

Poor Kabir.

913

01:
32:01,081 -- 01:32:05,814

He's dying to marry that b*tch!

914

01:
32:06,319 -- 01:32:08,753

Weren't there any

men left to kill us?

915

01:
32:10,223 -- 01:32:12,987

Now you're using women, scoundrels.

916

01:
33:35,775 -- 01:33:37,242

Something's not right.

917

01:
33:38,812 -- 01:33:41,178

Go to your room. And don't

come out until I don't say so.

918

01:
33:42,315 -- 01:33:43,247

Okay.

919

01:
34:44,010 -- 01:34:44,942

Hey.

920

01:
34:45,679 -- 01:34:47,169

I should've knocked.

921

01:
34:49,215 -- 01:34:50,773

I've been living

alone for so long...

922

01:
34:51,785 -- 01:34:52,877

...I've forgotten my manners.

923

01:
34:56,990 -- 01:35:02,292

Oh, actually I came to

tell you that Sumeet is missing.

924

01:
35:03,596 -- 01:35:05,723

We've been trying to contact him...

925

01:
35:05,799 -- 01:35:08,290

...for the last four hours,

but there's no trace of him.

926

01:
35:10,236 -- 01:35:11,828

If we don't find him by morning...

927

01:
35:15,008 -- 01:35:17,306

...then we're in danger too.

928

01:
35:19,546 -- 01:35:21,173

We might have to

leave this country.

929

01:
35:23,316 -- 01:35:24,806

That's all I wanted to tell you.

930

01:
35:24,951 -- 01:35:25,883

Kabir.

931

01:
35:27,921 -- 01:35:30,913

You must've understood

that I was calling Karan.

932

01:
35:33,793 -- 01:35:36,785

Actually, the lights

of that house were still on...

933

01:
35:37,564 -- 01:35:39,191

...so I thought maybe he's worried.

934

01:
35:39,299 -- 01:35:41,130

It's okay, it's okay.

935

01:
35:47,707 -- 01:35:50,972

Do you know what Loneliness

does to us? - What?

936

01:
35:52,746 -- 01:35:55,271

It brings us closer

to someone's heart.

937

01:
35:57,817 -- 01:36:02,982

We can hear the heartbeat

that reveals everything.

938

01:
36:05,825 -- 01:36:08,726

Things that we don't

say to ourselves either.

939

01:
36:09,896 -- 01:36:10,885

You mean...

940

01:
36:14,067 -- 01:36:17,298

I mean... you're concerned for him.

941

01:
36:19,139 -- 01:36:20,197

And why not?

942

01:
36:22,142 -- 01:36:23,632

The heart's not a machine...

943

01:
36:23,710 -- 01:36:25,075

...to switch on and off.

944

01:
36:28,114 -- 01:36:29,604

It's not too late.

945

01:
36:32,218 -- 01:36:34,152

You can return to him.

946

01:
36:38,825 -- 01:36:40,656

Ask your heart what it wants.

947

01:
36:42,562 -- 01:36:43,859

What's its desire?

948

01:
36:47,033 -- 01:36:48,728

You're free.

949

01:
36:53,006 -- 01:36:54,974

Now I'll prepare to leave.

950

01:
36:56,342 -- 01:36:58,003

You've to decide...

951

01:
37:01,347 -- 01:37:03,338

...whether you want

to come along or not.

952

01:
37:25,572 -- 01:37:27,096

Hello.

- Where are you?

953

01:
37:28,041 -- 01:37:29,531

Our local sources

have informed us...

954

01:
37:29,576 -- 01:37:31,009

...that Kabir and Izna

are leaving the country.

955

01:
37:31,978 -- 01:37:32,967

What's going on?

956

01:
37:33,680 -- 01:37:35,978

Is that girl double-crossing us?

957

01:
37:36,783 -- 01:37:37,943

I'll find out.

958

01:
37:48,862 -- 01:37:49,760

Ayaan.

959

01:
37:49,996 -- 01:37:53,898

If you're trying to

double-cross me... - What?

960

01:
37:54,567 -- 01:37:55,761

You know what I am talking about.

961

01:
37:55,835 -- 01:37:57,302

Don't pretend please.

962

01:
37:57,570 -- 01:37:59,800

I wanted to give

you good news that...

963

01:
37:59,973 -- 01:38:03,875

...I've found the place

where Kabir has hidden the data.

964

01:
38:04,110 -- 01:38:06,044

And you're accusing me.

965

01:
38:07,347 -- 01:38:10,214

You should've checked your

phone before saying all this...

966

01:
38:10,850 -- 01:38:12,875

...how many times I called you.

967

01:
38:20,894 -- 01:38:23,226

Meet me at the Light-House

hotel right now.

968

01:
38:23,596 -- 01:38:24,722

But what's wrong?

969

01:
38:34,240 -- 01:38:35,138

Hi.

970

01:
38:37,543 -- 01:38:39,204

I think I'll go for a walk.

971

01:
38:41,147 -- 01:38:42,978

To decide about what you said.

972

01:
38:45,051 -- 01:38:47,315

Let's see what my heart wants.

973

01:
39:21,854 -- 01:39:23,651

Things aren't right here.

974

01:
39:23,990 -- 01:39:25,514

Keep this with you.

975

01:
39:26,526 -- 01:39:27,049

No.

976

01:
39:27,126 -- 01:39:29,117

No one's safe with me, Izna.

977

01:
39:30,897 -- 01:39:31,795

Keep it.

978

01:
39:33,866 -- 01:39:35,561

But I don't know how to use it.

979

01:
39:38,938 -- 01:39:41,202

When your life's at stake,

you'll know how to.

980

01:
39:43,576 -- 01:39:45,976

Self-defense teaches us everything.

981

01:
39:54,954 -- 01:39:57,548

The heart has faith in your love...

982

01:
39:58,691 -- 01:40:01,216

...and it's also scared

of separating from you.

983

01:
41:20,873 -- 01:41:21,805

Sumeet!

984

01:
41:24,744 -- 01:41:25,972

Sumeet!

985

01:
42:23,002 -- 01:42:24,196

We're finished.

986

01:
42:25,638 -- 01:42:26,832

We're finished.

987

01:
42:28,341 -- 01:42:30,036

We've only a few moments.

988

01:
42:30,977 -- 01:42:33,275

Once he finds out Sumeet's dead...

989

01:
42:35,715 -- 01:42:38,616

Before this happens,

we've to kill him.

990

01:
42:39,919 -- 01:42:42,353

Add this in his drink,

it'll do the job.

991

01:
42:43,689 -- 01:42:45,953

But... - Yesterday,

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Mahesh Bhatt

Mahesh Bhatt (born 20 September 1948) is an Indian film director, producer and screenwriter known for his works exclusively in Hindi cinema. A stand-out film from his earlier period is Saaransh (1984), screened at the 14th Moscow International Film Festival. It became India's official entry for the Academy Award for Best Foreign Language Film for that year. The 1986 film Naam was his first piece of commercial cinema. In 1987, he turned producer with the film Kabzaa under the banner, "Vishesh Films", with his brother Mukesh Bhatt. Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as Daddy (1989) and Swayam (1991), as well as commercial romantic hits like Awaargi (1990), Aashiqui (1990) and Dil Hai Ki Manta Nahin (1991), in which he cast Pooja with actor Aamir Khan. He next directed Sadak (1991) which remains his highest grossing either directed or produced under the banner, "Vishesh Films". During the 1990s Bhatt won critical acclaim for Sir (1993), along with other hits such as Gumraah (1993) and Criminal (1994). In 1994 he won the National Film Award – Special Jury Award for directing Hum Hain Rahi Pyar Ke (1993). In 1999, he directed the autobiographical Zakhm, which has garnered the Nargis Dutt Award for Best Feature Film on National Integration. Bhatt has produced contemporary films such as Jism, Murder and Woh Lamhe. He co-owns film producing company Vishesh Films with his brother Mukesh Bhatt. more…

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Submitted on August 05, 2018

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    "Jism 2" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/jism_2_11321>.

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