Joe Page #8

Synopsis: In order to provide for his destitute family of drifters, a likable, sincere, able-bodied 15-year-old boy comes to hire on among a burned-out ex-con's group of aging forest laborers. As the man becomes more and more aware of the boy's abusive home life, his deeply buried humanity is roused. Drinking and smoking incessantly to remain detached from his volatile temper, he finally takes the matter into his own hands - come what may - when the boy's alcoholic father finally goes too far.
Genre: Crime, Drama
Director(s): David Gordon Green
Production: Roadside Attractions
  4 wins & 9 nominations.
 
IMDB:
6.9
Metacritic:
74
Rotten Tomatoes:
85%
R
Year:
2013
117 min
$257,588
Website
1,080 Views


What have you

done, Joe?

Here's what we do.

We start a little late,

around 8:
00 in the morning,

and we go till 4:00.

I pay by the week

on Fridays.

Some days we go long and

we run past 40 hours a week.

I pay

time and a half.

It's hard work.

I don't like a whole

lot of standing around.

We'll probably

bust our ass

and get this spread out

by the end of April,

get out all

the bare root seedlings,

and sometimes

we stake 'em

if we gotta keep

the little ones stable.

Most of the time,

we don't need to mess

with them little piney

seedlings like that.

I'm gonna have you join

Donnell and his crew

on the west end

of the farm.

Then, if everything goes

good on that acreage,

I'll have you

help me supervise

the Monea project

next summer.

Bastards can be hard

to work for sometimes.

But, hell, if you

worked for Joe,

I think you'll do

just fine.

You got

any questions?

No, sir.

When can I start?

Right now

if you're ready.

Yes, sir.

- So you knew Joe?

- Yeah, I sure did.

Joe was

a good man.

Good man to me,

anyways.

He was a good man

to me, too.

# Some folks, they live

on whatever it takes #

# Hell, I've lived

off of nothing #

# For most of my days

# It's not worth

remembering #

# The days of my past

# That drowned

in the sorrows

# Of yesterday's glass

# But something

will find a way #

# Somehow to break

# It will be my heart

# It will be my face

# But I won't recall

# My many mistakes

# Or hold on to nothing

# For anyone's sake

# Memories

of my loved ones #

# That have turned out

the lights #

# Have long faded away

# With my tears

in the night #

# There's nothing

but the police #

# To haunt me 'round here

# But I guess

I'm still living #

# If I still have fear

# Something will find a way

somehow to break #

# It will be my heart

# It will be my face

# But I won't recall

# My many mistakes

# Or hold on to nothing

# For anyone's sake

# Some folks, they live on

whatever it takes #

# Hell, I've lived

off of nothing #

# For most of my days

# It's not worth remembering

# The days of my past

# That drowned in the sorrows

# Of yesterday's glass

# But something

will find a way #

# Somehow to break

# It will be my heart

# It will be my face

# But I won't recall

# My many mistakes

# Or hold on to nothing

# For anyone's sake.

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Gary Hawkins

Gary Hawkins is an independent filmmaker born and raised in Thomasville, North Carolina. Hawkins has written and directed six films, including The Rough South of Harry Crews, which won an Emmy and the Corporation for Public Broadcasting’s Gold Award in 1992, and The Rough South of Larry Brown, which was picked by The Oxford American as one of Thirteen Essential Southern Documentaries and was reviewed by Variety as a “beautifully conceived documentary film.” Hawkins’s fiction screenplay DownTime was selected by The Sundance Institute for the Writer’s Lab in the winter of 2000. Hawkins is a former a member of the directing faculty at the North Carolina School of the Arts. As of 2012 he was a visiting professor at Duke University in North Carolina, teaching documentary film. [1] Larry Brown (in focus) and Gary Hawkins (foreground) on the set of The Rough South of Larry Brown more…

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Submitted on August 05, 2018

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