Joe Versus the Volcano Page #21

Synopsis: Joe versus the Volcano is a fable which opens with somewhat surrealistic scenes of the dehumanization of Joe Bank's job and work environment (at a company whose product rather literally screws people) with imagery that seems to have been inspired by the classic film Metropolis. Joe is diagnosed with an incurable disease, quits his dehumanizing job, and accepts an offer to briefly "live like a king, die like a man" - but to fulfill his agreement he must willingly jump into a live volcano on the island of Waponi Woo in order to appease the volcano god. En route to the island, Joe meets a series of interesting characters in NYC and LA, then boards a yacht, captained by Patricia Graynamore. During the voyage Joe and Patricia survive disaster, fall in love, and finally arrive at the island where they face their destiny.
Genre: Comedy, Romance
Production: Warner Home Video
  1 nomination.
 
IMDB:
5.7
Metacritic:
45
Rotten Tomatoes:
62%
PG
Year:
1990
102 min
1,803 Views


(CONTINUED)

JOE VERSUS THE VOLCANO - Rev. 5/16/89109.

205 CONTINUED: (2) 205

PATRICIA:

That's fine with me.

JOE:

You've forgotten one thing.

GRAYNAMORE:

Oh, I have? Nothing comes

readily to mind.

Joe is still facing Kenneth.

JOE:

I've looked into the volcano,

Mr. Graynamore. You know what

I mean? After that, the hole

in the front of a gun doesn't

scare me at all.

KENNETH:

Stay back.

JOE:

I'm gonna take the gun away

from you, Kenneth.

KENNETH:

Do you think I won't shoot?

JOE:

I don't know. That's your

part. I can't make you shoot

me and I can't stop you. I

can only do my part. I'm

going to take the gun away

from you.

Joe, after slowly approaching, swiftly takes the gun away

from Kenneth.

KENNETH:

Just as well.

GRAYNAMORE:

If I'd had the gun, you'd be

dead now.

JOE:

We'll never know. Patricia,

tell Dad the happy news.

PATRICIA:

We got married. The Chief

married us.

(CONTINUED)

JOE VERSUS THE VOLCANO - Rev. 5/16/89 109A.

205 CONTINUED: (3) 205

JOE:

And I was wondering where you

thought we should go on, you

know, a honeymoon?

GRAYNAMORE:

I have no idea

(CONTINUED)

JOE VERSUS THE VOLCANO - Rev. 4/14/89110.

205 CONTINUED: (4) 205

JOE:

I thought we might like to go

on a sailing trip. How's that

sound?

Graynamore doesn't answer.

PATRICIA:

I think that sounds great!

JOE:

Does this thing have like a

rubber raft or something?

PATRICIA:

It has a dinghy.

JOE:

Let's break it out. I think

your father's tired of this

ostentatious life style.

206 EXT. SIDE THE TWEEDLE DUM - NIGHT 206

As Graynamore and company are just finished getting into

a dinghy. Joe and Patricia stand on the deck, Joe still

pointing the gun. Patricia's crew stands by.

KENNETH:

What if there's a storm?

JOE:

Then you'll drown.

GRAYNAMORE:

You'll pay for this. I'll see

to that!

JOE:

You know what I think, Mr.

Graynamore?

(CONTINUED)

JOE VERSUS THE VOLCANO - Rev. 5/16/89111.

206 CONTINUED: 206

GRAYNAMORE:

What?

JOE:

I think that you don't scare

me at all. Maybe you can do

some stuff to me - if you make

it back home. If I come back.

And maybe you can't. It

remains to be seen. But what

I think, and I say this to you

from the bottom of my heart,

sir. I don't fear you at all.

I don't fear any man. Because

every day is a gift, and I'm

just glad as hell it looks

like I may have a few. And

beyond that, to be scared or

glad of anything beyond that,

why a man's just got to be a

fool!

Joe laughs a laugh, wild and free, a laugh unweighted by

fear, a laugh of pure joy. Patricia goes below. Only

here does the island finally go under completely.

207 EXT. THE TWEEDLE DUM - NIGHT 207

starts up. And pulls away from the dinghy. Joe is still

laughing and waving, one hand on the wheel. Patricia

comes up from below. He puts his arm around her.

207A EXT. DINGHY - GRAYNAMORE AND KENNETH - NIGHT 207A

Graynamore is thoughtful. He starts to smile.

GRAYNAMORE:

I like that boy! Good for

her!

KENNETH:

Good for her? What about us?

GRAYNAMORE:

I like a tight spot. Maybe I

have gotten a little greedy.

(produces a paddle and

hands it to Kenneth)

Start paddling while I re-

assess my values.

(as Kenneth doesn't

start)

Start paddling.

KENNETH:

You paddle.

(CONTINUED)

JOE VERSUS THE VOLCANO - Rev. 6/2/89 112.

207A CONTINUED: 207A

GRAYNAMORE:

(lights a pipe)

Alright. Fair enough. We'll

both paddle. 'And all I ask

is a tall ship and a star to

steer her by!' Com'on, let's

put our backs into it.

(stops rowing)

You know, I have a good

feeling about this. Maybe

we're going to become friends.

208 OMITTED208

KENNETH:

I doubt that. You're just too

overbearing.

Graynamore begins to sing "Someone's in the Kitchen with

Dinah" as they paddle out of view.

208A EXT. THE TWEEDLE DUM - NIGHT (COUPLE OF MINUTES LATER) 208A

The dinghy has gone. The boat is passing over the spot

where the island went down. A lot of bubbles and steam

are still coming up. A few empty cans of Jump come up.

PATRICIA:

So what's the end of Waponi

Woo.

JOE:

Yeah, and the Chief.

PATRICIA:

Where are we going?

JOE:

Away from the things of man! I

gotta get away from the things

of man for a while.

PATRICIA:

Look!

209 FROM JOE'S POV - BUBBLING SURFACE 209

His trunks start rising to the surface, one after the

other. Until three trunks are bobbing on the surface.

JOE VERSUS THE VOLCANO - Rev. 6/2/89 A112A.

209A BACK TO SCENE 209A

JOE:

I'll tell you one thing.

Wherever we're goin'. We're

taking this luggage. Help me

fish it out.

209B JOE'S POV - BUBBLING TO THE SURFACE 209B

The Chief comes up on the last trunk. He is holding his

Tiki teddy bear.

JOE (O.S.)

Chief!

CHIEF:

(triumphantly gasping)

Look! Look, Joe Banks, I

still have my soul!

JOE (O.S.)

Me, too. Me, too.

JOE VERSUS THE VOLCANO - Rev. 5/16/89 112A.

209C BACK TO SCENE 209C

Joe and Patricia smile at each other and help the Chief

up onto the boat. We STAY where we are, LOOKING AT the

horizon OVER the railing of the boat.

MUSIC.

The big, dramatic pas de deux music from the NUTCRACKER

starts to play. A moon, with its volcanic aspect

emphasized, a moon that's simply too big to be real,

starts to rise from the sea. It rises into and up OUT OF

the FRAME while:

THE CREDITS ROLL.

210 EXT. THE TWEEDLE DUM - NIGHT (FEW MINUTES LATER) 210

The moon hangs in the sky off to the right of the boat.

We see, FROM a distance, Joe and Patricia just getting

the last trunk on deck. Then Patricia goes below. The

ENGINE STARTS up. The boat turns and heads straight for

the moon.

MUSIC.

DUSTY SPRINGFIELD, singing "You Don't Have To Say You

Love Me" begins to play.

We watch them grow fainter and fainter, a smaller and

smaller speck in the eye of the Man in the Moon. UP

CLOSE to us, the DOLPHIN sticks his head out of the water

again, makes his NOISE once more, and disappears forever

beneath the gentle waves. One of the craters on the

craterous moon shakes and erupts, puffing out a bunch of

white smoke which forms the words: "The End."

FADE OUT.

THE END:

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John Patrick Shanley

John Patrick Shanley is an American playwright, screenwriter, and theatre and film director. His play Doubt: A Parable won the Pulitzer Prize for Drama as well as the 2005 Tony Award for Best Play. more…

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