Kaanchi Page #5

Synopsis: The inner power of a woman who represents over one million suppressed youth against injustice in the country.
Director(s): Subhash Ghai
Production: B4U US
  1 nomination.
 
IMDB:
4.4
NOT RATED
Year:
2014
151 min
Website
151 Views


"I've a carefree big boy."

"Corruption in my heart."

"Seduction in my body."

"Everyone's tensed about this."

"But I've just one intention."

"Take a puffmblow away the smoke."

"Keep Mary on your side."

"To hell with Harry."

"You're a big boy."

"You're a goon."

"But you're a sexy boy."

"You're like a taxi."

"I don't know what's legal."

"I don't what my heart says."

"When the heart's pleased."

"Even illegal is legal."

"Whether I love or hate."

"What do you care?"

"Whether I lust or love."

"What do you care?"

"Whether I cheat or rob."

"What do you care?"

"Moral or immoral."

"What do you care?"

"Get up and go get it, son."

"lam the biggest star here."

"Who cares about the politicians?"

"I've a carefree big boy."

"A noose of evil deeds."

"I'm puffing way amongst beauties.."

"..while completely drunk."

"I've a carefree big boy."

"lam notorious."

"lam the king of evil."

"lam an old dog in this game."

"That's why I am still alive."

"Corruption in my heart."

"Seduction in my body."

"Corruption in my heart."

"Seduction in my body."

"I've a carefree big boy."

"lam notorious."

"But I am sexy."

Rascal. It's me Kaanchi.

So you've come to Mumbai...

...to try your luck.

To be successful.

Quickly.

Short-time.

Great.

Doing great.

I've been rotting here for 7 years.

But I am still an

insect in this city.

Listen to me carefully.

No means no.

I don't have a place for you.

Fine. I'll leave.

I'll sleep on the streets.

Starve to death.

But I will stay here.

I'll return home only

when I am successful..

...when I've done something.

Determination.

I understand...

...what you want to be.

Katrina Ka if.

Come on, I'll make you Katrina Kaif.

See that?

VT Station.

Keep this.

3000, keep it.

Buy a ticket and head back home.

Get it?

Bye .

Come on India!

Come on India!

Come on India!

Come on India!

Come on India!

Come on India!

Come on India!

Come on India!

Come on India!

Sir, the youth have

started lighting candles

...in the day too.

Hail Bajrang

Tea.

Sir, someone from the

inquiry commission's here.

Can I call you back?

Jai Hind, sir.

What are you doing here?

Aren't you ashamed?

You threw a helpless

girl from our village

out of our house.

She's my friend Teji's daughter.

She's looking for a job,

like you did one day.

Kaanchi will stay here, with me.

Come, Kaanchi.

'I was shocked by her intelligence.'

'And what do I see next morning?'

So you convinced mother?

You've grown very smart, Kaanchi.

Now get up, today is a Sunday.

I want to see Mumbai.

"You're like a taxi."

I really am like a taxi.

You've become really

naughty in Mumbai, Bagula.

Those who decide to

come and die in Mumbai..

...Mumbai belongs to him.

Get it?

A city of big people, big stars.

Do you know Kakda?

Do you know Kakda?

How do you know him?

They're building a city in Koshampa.

Kakda. Tremendous power.

I'm one of his important men.

"Don't forget the childhood love."

You haven't changed.

Better, Kaanchi.

Much-much better.

Sigdi.

My name's Sigdi.

Did you forget?

My childhood name is Sigdi.

And I like it too.

Listen, get me a

job with the Kakda's.

Don't you like me wearing

these good clothes?

Why?

Impossible.

My job's still safe,

and that's what matters.

Drink the cola and watch the sights.

I refused to get her

a job at Shyam Kakda's house.

Believe me, sir.

She stood outside Shyam

Kakda's house for 12 days.

To see who goes in,

and who goes out.

And she started identifying

every person going in or out.

And you know what she did one day?

She made Shyam Kakda's housekeeper,

Maya, her target.

Where are you from?

Uttranchal.

What do you do?

I am looking for a job.

Anything, small household chores.

Maya sister, Vidya from

our staff is on a month's leave.

So appoint her instead.

She looks poor.

I don't just look poor, I am.

What's your name?

- Sigdi.

- What?

Sigdi.

Do you know anyone here?

No.

No one?

Yes. I know just one person.

Dada, C news' report

on the exit polls is..

...that Satyakam

and the youth party..

...are getting stronger.

They are the only

obstructions in our polls..

And there's nothing

else to worry about.

Dada, the situation is serious.

We'll have to do something.

Bagula, what's the news?

Sir, Satyakam has been

talking rubbish in the media.

You know him.

He's your friend, isn't he?

Not actually.

- Vedant.

- Yes.

Call him.

- And this

- Hold on.

Hello, sir, Satyakam speaking.

Yes, this is Vedant speaking.

On behalf of Shyam sir.

Why, can't Dada talk to me?

Look, Satyakam,

just your name's Satyakam

but you're no honest person.

Brother has served

the country for 50 years.

No, he's scavenged

the country for 50 years.

The youth are really angry, sir.

And they're prepared to uproot you.

Satyakam,

I comply with all your thoughts.

These discussions are

just an exchange of words.

You move ahead,

we're behind you.

God bless you my son.

He hung up.

Satya, it's not easy

to expose Shyam Kakda.

It's not difficult either.

One day we'll definitely

expose his lie.

What's this?

Didn't you hear?

I said "You move ahead,

I am...right behind you".

Tell me Delhi's schedule, Savita.

The media's been favoring

Satyakam because..

They keep giving them secrets

through RTI or different contacts.

We'll have to do something.

Even I shouted slogans

when I was young.

Let them.

They'll calm down eventually.

But what about the media?

The media's job is to shout.

Event to event, person to person.

They want to raise TRP.

When we do an event, our TRP soars.

When they show the event,

their TRP soars.

Bagula. What are

you looking around for?

I've done your job. Happy?

HaPPV?

What are you staring at?

On your reference

I appointed Sigdi

...in Vidya's place for a month.

Right, right, right.

- Can I meet her?

- No.

Is this house?

Now you've to do

my son Ritesh's job.

Get it?

Those who come to Mumbai

and decide to die..

...Mumbai belongs to him.

Thank you, Bagula.

"Kaanchi."

"Kaanchi."

What did you say her name was?

Sigdi.

Reference, Maya.

Thank God you're here.

Otherwise I've to do all this alone.

You don't know...

...the Kakda family

are a big scoundrel..

Who else lives here?

JUSt the senior master.

Public meetings during day.

Private meetings at night.

He has a son too.

Yes, he does.

Shushant.

He's insane, completely mad.

Scoundrel.

Thank God he's gone

to Dubai for a month.

They've a big house out there.

Kaanchi has committed suicide.

I am sorry, but you were

too obsessed with that girl.

I am sure someone will

definitely come from there.

To destroy you.

Who?

Some youngster from Koshampa.

Shake hands.

What are you doing?

Shushant.

I am Kakda, you know that.

Kakda.

So just chill.

Who else do you have here?

I have a brother. Sudhir.

He's a party worker

with Sanjay Pathar.

I had a mother.

But she passed away last year.

Do you have a mother?

- Yes, I do.

- Where?

In the village.

Rate this script:4.0 / 1 vote

Subhash Ghai

Subhash Ghai (born 24 January 1945) is an Indian film director, producer and screenwriter, known for his works predominantly in Hindi cinema. His most notable works include Maeri (1976), Karz (1980), Hero (1983), Meri Jung (1985), Karma (1986), Ram Lakhan (1989), Saudagar (1991), Khalnayak (1993), Pardes (1997), Taal (1999), and Black & White (2008). In 1982, he started Mukta Arts Private Limited which, in 2000, became a public company, with Subhash Ghai as its executive chairman. In 2006, he received the National Film Award, for producing the social problem film Iqbal, in the same year he founded the Whistling Woods International film and media institution in Mumbai. In 2015, he received the IIFA Award for outstanding contribution to Indian Cinema. more…

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Submitted on August 05, 2018

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