Kafka Page #4
- PG-13
- Year:
- 1991
- 98 min
- 697 Views
KAFKA:
... Just a perception.
CUT:
HALLWAY:
Kafka comes out of a door that closes behind him. He stands
and waits. At a high desk a POLICEMAN is reading a
newspaper. Without even looking up from it he extends his
arm and pushes Kafka slightly to one side so he's no longer
blocking the light.
Two other MEN are here waiting, sitting on a bench, sharing a
private joke. Kafka glances down at himself, wondering if
his appearance could in any way inspire ridicule.
The door opens again and the Inspector is back.
INSPECTOR:
I don't usually involve myself
with you people in the Old Quarter
-- but the River runs its own course.
It won't be the last time it
deposits its unwanted debris on my
doorstep.
Pause.
KAFKA:
Probably not.
INSPECTOR:
Anyway, I'd like you to reflect
that in me you have -- I won't say
a friend, because we're complete
fencers, of course -- from
distinctly incompatible social
classes -- but to some extent, shall
we say, an interested third party.
KAFKA:
I'll bear that in mind.
INSPECTOR:
(hands Kafka his card)
-- Should you happen upon anything
that might be relevant.
He nods curtly at Kafka, and shuts his door.
THE TROLLEY:
With Eduard's sheet-covered form on it, coming down the hall,
the SQUEAKING WHEELS of the thing loud on the wooden floor.
KAFKA:
The noise causes him to turn around. He watches the trolley
as it's pushed past.
CUT:
Similarly coffin-like, loaded with files.
KAFKA:
Edges out of the way to let it by, feeling as though it has
been made for him, is waiting for him.
He walks on to the Chief Clerk's office.
CHIEF CLERK'S OFFICE
Kafka comes in.
KAFKA:
You wanted to see me, sir.
CHIEF CLERK:
(indicates a chair)
Sit down, Kafka.
Kafka does. And the Chief Clerk stands up. He paces up and
down a bit, making Kafka awfully nervous before he finally
clears his throat and starts to get to the point.
CHIEF CLERK:
You've been with the firm for
nearly nine years. You've done
your work diligently, there are no
complaints on that score. But
there's more to the job than the
work -- there are other people to
consider -- and frankly, Kafka, we
eel your social situation could
bear improving.
KAFKA:
... My ... social situation?
CHIEF CLERK:
You keep too much to yourself --
you're a lone wolf. It makes me
uneasy, and if it makes me uneasy
I can't imagine the impression you
make on lesser employees.
The Chief Clerk, towering over him, also reminds Kafka of his
father. Kafka tries putting up a defense.
KAFKA:
To do my work well, I have little
time for --
CHIEF CLERK:
You must make the time. Where
do you go off to in the lunch
hour?
KAFKA:
I usually take lunch by the River.
CHIEF CLERK:
It's not healthy, Kafka -- not for
you and not for your workmates. At
the annual dinner this month you
again failed to make an appearance.
KAFKA:
I did not realize it was obligatory.
CHIEF CLERK:
Have you never wondered -- and I
mention this only in passing --
(as he paces past and
Kafka turns his head)
why other clerks have advanced to
more responsible positions while you,
who have been here longer, have not?
KAFKA:
No, sir.
CHIEF CLERK:
Attitude, Kafka. It doesn't matter
how well you do your work -- you
still see it as something to be
gotten on with rather than something
to take an active interest in.
KAFKA:
(leans forward in
rebuttal)
Well, I --
CHIEF CLERK:
(keeps pacing)
Oh, I know you got along with that
poor fellow -- what was his name?
KAFKA:
-- Eduard --
CHIEF CLERK:
-- Yes -- Raban -- but he was too
much like you -- even more so
perhaps. He wasn't here as long as
you, so I didn't know him as well --
but I could see the influence he was
having. I simply want you to be
aware of this because you'll be
happier for it.
Kafka merely nods, starts to get up.
CHIEF CLERK:
In any case -- don't ask me why --
the word has come down you're to
be promoted.
Kafka sits back down in the chair.
CHIEF CLERK:
Your colleague's death has helped
precipitate the need, though I can
tell you it's been under
consideration for some time. You're
to be given two assistants and a
commensurate rise in salary.
(sits back behind
desk)
That's all.
Kafka nods once, starts to go again.
CHIEF CLERK:
Kafka.
Kafka turns.
CHIEF CLERK:
I understand you fancy yourself an
author.
KAFKA:
(almost visibly
cringes)
In a small way.
CHIEF CLERK:
You might find a more athletic
hobby -- put some color in your
cheeks.
He returns to his paperwork. Kafka leaves.
OUTSIDE CHIEF CLERK'S OFFICE
Walking away, Kafka notices Gabriela striding along an office
corridor -- and sneaky Burgel confronting her.
GABRIELA:
She looks distressed, walking tall as if to bolster her
composure. Sneaky Burgel does not help matters by
characteristically appearing from the sidelines.
BURGEL:
Good morning --
(she ignores him)
Or should I say good afternoon?
GABRIELA:
Say what you like -- no one pays
the least attention.
BURGEL:
(walking quickly
alongside her)
Oh, don't they? I think you
underestimate my station in this
office and overrate your own.
GABRIELA:
Not today, Burgel. Send one of
your memos, write up one of your
communiques, but for God's sake
don't bother me today.
BURGEL:
It's my place to offer advice, not
yours -- and by advising the Chief
Clerk of your unpunctuality it's
certainly not my situation that's
compromised, if that's what you're
implying.
GABRIELA:
(stops to glare at
him)
You're just doing your job.
BURGEL:
It's what I'm paid to do.
GABRIELA:
You're detestable.
BURGEL:
And you're late!
Suddenly, in a terrific release of pent-up emotion, she slaps
him hard across the cheek, the first of what would be a
flurry of blows if not for the fact that the unexpected force
of it throws Burgel reeling backwards before she can deliver
any more. Instead she rushes away, very upset.
KAFKA:
As startled as the rest of the office by the incident.
Burgel recovers, straightening up in shock and
embarrassment. He immediately resolves to march directly to
the office of the Chief Clerk.
Seeing him coming, Kafka quickly starts away.
CUT:
THE ASSISTANTS - DAY
OSKAR and LUDWIG. They look almost the same. At first
glance almost identical. It's only a closer inspection that
shows them to be imperfect twins. Dressed in matching suits.
One is sitting on Kafka's new desk, the other in Kafka's new
chair. They're rummaging about in his papers, and whenever
one selects a particular document for closer scrutiny, the
other promptly snatches it out of his hand.
KAFKA:
Coming this way, has paused, having spotted the weird duo.
THE ASSISTANTS:
Continue with their mischief until one of them notices Kafka
coming and nudges the other so strongly he almost falls
over. They're both standing at attention, looking guilty, by
the time Kafka arrives.
KAFKA:
My assistants, I presume.
ASSISTANTS:
Yes -- that's us.
Kafka smiles at them, half in friendliness, half in amusement
KAFKA:
(offers his hand)
I'm Kafka.
Oskar responds first, but Ludwig knocks his hand out of the
way to get there first.
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