Khiladiyon Ka Khiladi

Synopsis: Khiladiyon Ka Khiladi is about the deadly game of survival in a ruthless world of crime & sleaze, Akshay (Akshay Kumar) who is an army officer on his way to the USA to attend his brother, Ajay's (Inder Kumar) wedding. On the flight meets Priya & Is is love at first sight for both of them but tragedy awaits Akshay in America. His brother is missing and is wanted by the American Police. Akshay's search for his brother leads him to the dangers Maya (Rekha) who is above even the American law. An untouchable. This starts a game of life and death. The player involved will have only one chance.
Genre: Action, Crime, Drama
Director(s): Umesh Mehra
  2 wins.
 
IMDB:
6.4
UNRATED
Year:
1996
162 min
990 Views


Some days back,

I had been to Russia.

There was an avaIanche.

Beneath it, 120 workers workinG

in a coaI mine Got buried.

The rescue team reached there.

But it took 30 days to cIear

the ice. It was a huGe mountain.

After cIearinG the ice,

they did not find a sinGIe body.

AII they found was 1 19 skeIetons.

A Ione man who ate

raw fIesh of 1 19 men...

... and survived for 30 days...

That is my fiGhter

for today - Crush.

- Are you ready?

- I am eaGerIy waitinG.

Best of Iuck.

And now, for the personaIity

who is weII-respected...

... in the worId of sportsmen,...

... the most eminent,

the most beautifuI...

... the most danGerous pIayer,

... Madam Maya!

She is the one!

My fiGhter who is GoinG

to fiGht KinG Don today,..

... his name is notJust a name,

but an eXampIe by itseIf.

He is your victim.

- Hey AJay, what are you doinG?

- Ask Madam Maya.

- Today, you'II die by my hands.

- No. You'II die, understand?

Friends, my fiGhter is fiGhtinG

his 40th contest today.

He has won aII of the

thirty-nine previous matches.

ImpIyinG, he has taken 39 fiGhters

to the vaIIey of death.

Because the Ioser has

to die in this contest.

The one who survives,

is the winner.

This Game continues untiI

the Ioser keeps breathinG.

I stake 5 miIIion doIIars today.

What a shame! I can see

onIy one hand in your body.

But at Ieast, sometimes, dispIay

more Guts than you actuaIIy have.

You show five finGers every time...

haven't you Iearnt to count further?

I know to count

way ahead of that... Maya!

But I haven't come

to win the bet here.

Then, have you put 5 miIIion

doIIars at stake, onIy to see me?

To see you defeated.

AGain, what a shame! How many

times shouId I feeI sorry for you...

... in Just one meetinG?

I'm beGinninG to...pity you now.

But what to do?

Even if I wish to,...

... Iife wiII never

Iet me taste defeat.

Madam Maya and KinG Don have

put at stake, 5 miIIion doIIars!

CertainIy!

Madam, you know very weII

that this fiGht is iIIeGaI.

RiGht now, there are biG Government

officers and poIiticians here.

KindIy stop shootinG,

for anyone can Get his hands...

... on the tapes

and bIackmaiI me.

Oh, Commissioner! You'II Iook

very handsome in these shots.

Damn, you don't understand!

Give it to me; it wiII be safe.

In this city, there is nothinG

more fearfuI or safer than Maya...

... not even the poIice Iike you.

These tapes are onIy about

the IoveIy eveninGs...

... spent with eminent peopIe.

Stop worryinG, and enJoy the Game.

Okay! ... I shaII

commit suicide from here.

You decided to fiGht

with the wronG man!

Bravo! Get up!

You have to kiII him!

Bravo! KiII him!

Get up!

Get up!

AJay, you have witnessed death

from cIose quarters today.

You wiII beGin to enJoy it tomorrow.

To dispose this coffin

aIonG with the corpse,...

... is your responsibiIity.

Mother! PIease forGive me.

Protect me, mother.

Mother!

Oh, AJay! You took so IonG.

Aren't you yet asIeep?

When one's dream is fuIfiIIed,

Then why shouId one sIeep?

- Dream?

- Yes.

- Look at this.

- What is this?

In this, is our

weddinG invitation...

... which I wiII post to

your residence tomorrow.

There is aIso an air ticket and

a Ietter addressed to your brother.

You have to make

my uGIy worId, beautifuI.

I am not at aII invoIved

with the fiGhter's death.

But you are famiIiar with

Madam Maya's worId, aren't you?

They Iay stakes

for a man's death...

A man's dreadfuI death is

a GambIe for them, a pIay!

And unfortunateIy for you, we have

an evidence aGainst you. Look!

Therefore AJay, GettinG

saved is not onIy difficuIt...

... but impossibIe too!

Sir, pIease save me!

PIease, sir!

There is onIy one way to Get

Saved now... heIp the poIice.

- MeaninG?

- MeaninG, brinG me evidences...

... aGainst Madam Maya

and KinG Don...

... so that I can have

them hanGed or...

Or you wiII be hanGed!

Good afternoon.

What is the matter, officer?

Sir, I want an arrest warrant

aGainst Madam Maya and KinG Don.

One of Madam Maya's men has

aGreed to become our informer.

And he is ready to Give us aII

evidences aGainst Madam Maya.

WeII done, officer!

Where is he?

What kind of an emerGency was it,

that you caIIed me at this hour?

- And what's Maya doinG here?

- Come, I shaII teII you.

I have to return

to office from here...

... to issue an arrest

warrant aGainst both of you.

Our arrest warrant?

Yes. Your man, AJay, who had

the camera, has stoIen the tapes...

... containinG your

iIIeGaI activities...

... and is GoinG to

Give them to the poIice.

Maya, whatever the

differences between us,...

If AJay, indeed, does reach

the poIice, with the tapes,...

AIso, our iIIeGaI activities

wiII be stopped and we'II be eXposed.

We wiII be eXposed onIy

if AJay MaIhotra remains aIive!

Sir, hurry!

There is a caII from America.

Come to your senses, AJay!

PIease chant the name of the Lord!

What's wronG, madam?

AJay, are you aIriGht?

Why aren't you taIkinG?

Sir, don't worry.

You'II Get a caII aGain.

If you have been caIIed,

then refuse.

AIready, one son is in the miIitary,

servinG the motherIand...

... and is far away from me,

and now, the second one wiII Go...

... crossinG the seven

oceans to serve others!

Mother, Iet him Go!

Your name wiII be enhanced.

Is this riGht? To have one's

own home pIunGed in darkness...

... and to earn a

name in an aIien country?

- I won't Iet him Go aIone.

- I am not aIone, mother.

The whoIe of India is with me.

AII of us wiII Go toGether.

- We wiII work toGether.

- And Iive toGether.

And we wiII return toGether.

PIease!

- PIease bIess us!

- BIess them, mother.

I am IettinG him Go

because you say so.

Mother, what is the matter?

Listen...if he

induIGes in vaGrancy there...

... or settIes down there

and never returns...

... then I shaII ask back

for my son from you! Understand?

I shaII ask back

for my son from you!

- Yes?

- Sir, there is a teIeGram for you.

HaiI, Goddess Vaishnodevi!

You Go ahead.

Mother!

Mother, what is the matter?

Why are you cryinG?

What has happened?

You ask, what has happened?

Is there anythinG more to see now?

Was I aIive, onIy to see

this Grief in my oId aGe?

I had carefuIIy kept this

bridaI attire for AJay's wife...

... with a Iot of desires.

- Now...

- Why don't you say, what's wronG?

What's wronG?

UncIe,...

Is there any news from AJay?

TeII me, uncIe. TeII me!

What do I say, son?

AJay...

AJay...AJay is...

GettinG married in America.

No, this cannot be!

This cannot...

He is GettinG married?....

Oh, uncIe!

My brother is GettinG married!

My brother is GettinG married!

Mother! My brother

is GettinG married!

Oh? So you sent me a teIeGram

to convey this Good news?

You caII this, Good news?

Are you okay? Put me down!

Let him come! I won't even

aIIow him to step in this viIIaGe!

Hey, why are you GettinG anGry?

Just think!

When an American Iass

waIks in the viIIaGe,...

... then your honour

wiII be enhanced.

Rate this script:0.0 / 0 votes

Umesh Mehra

Umesh Mehra is an Indian film director and producer of Bollywood. He was prominent in the 1980s and 1990s with many Mithun Chakraborty starrers like Ashanti (1982), Mujrim (1989), Guru (1989) and Yaar Gaddar (1994). He directed Akshay Kumar in three films in the Khiladi series: Sabse Bada Khiladi (1995) Khiladiyon Ka Khiladi (1996) and International Khiladi (1999). In 1998 he directed the veteran actor Dilip Kumar in Qila which was Kumar's last film. Mehra's last film as director was 2002's Yeh Mohabbat Hai. He is the son of Bollywood producer F.C. Mehra. more…

All Umesh Mehra scripts | Umesh Mehra Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Khiladiyon Ka Khiladi" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/khiladiyon_ka_khiladi_11702>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Khiladiyon Ka Khiladi

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "subtext" in screenwriting?
    A The background music
    B The underlying meaning behind the dialogue
    C The visual elements of the scene
    D The literal meaning of the dialogue