Kid Galahad Page #3

Synopsis: When he completes his military service Walter Gulick returns to his birthplace, Cream Valley, New York. He was orphaned as an infant and grew up elsewhere but always wanted to return to where he was from. He hopes to be a mechanic but soon after his arrival finds himself working as a sparring partner at a boxing camp. Having lost all of his money in a crap game, Walter is happy to take any kind of work but a devastating right hook sends him down a different path. Willy Grogan thinks he has a winner in Walter who, after helping a lady out, is dubbed Kid Galahad. Willy is a likable man but gambles too much and may have been a witness to a mobster's conversation that would best be forgotten. As Walter gains more success, and falls in love with Willy's sister Rose, Willy Grogan finds himself coming under pressure from mobsters to make Walter takes a dive at his next big fight.
Genre: Drama, Musical, Sport
Director(s): Phil Karlson
Production: MGM Home Entertainment
 
IMDB:
6.1
APPROVED
Year:
1962
95 min
196 Views


- Forget it, Joie, go to your room...

before the trouble starts.

Now, like I asked you, who's Galahad?

Howie, didn't you ever go to school

or read a book?

I'm not asking for smart answers

to a simple question.

Besides, I'm paid up here two weeks

in advance.

Galahad was a knight in a tin suit.

A hero with a halo.

You understand that?

Very courteous to broads, as I remember.

Galahad was what they call

a Knight of the Round Table, Howie.

He was also something of a square.

I can't state this as a positive fact,

but he probably died very young.

- It's a real nice place.

- It's nice enough.

I used to work here, singing.

- You did?

- We won't go into that.

Hey, you got a dime?

Look. Go inside Lieberman's here,

there's a phone booth on the right.

The number is Cream Valley 1732.

You get Lew on the phone and

ask him if it's all right if we come back now.

Is that you, Dolly?

- Did you have to sneak up on me?

- You know me, Dolly...

- always minding the store.

- Yeah.

- We missed you, Dolly.

- Thank you, Max.

The same nice families

keep coming up and they all ask:

- "How's Dolly?"

- That's very nice.

Anytime you want to leave

that hooligan down the road...

your old job's waiting for you right here.

I think you know better than that, Max.

It's love, huh?

Well, if that's the right word for it, yes.

I met him right here.

Right here, three summers ago.

It's no different now?

Why kid myself?

It's still just like a ride on a rocket,

whenever he's nice to me.

That young soldier,

they expect to make a fighter out of him?

I imagine they will.

Over somebody's dead body.

Very likely his own.

What's he expect to find in there?

John L. Sullivan?

It's kind of a surprise.

Something I saw earlier.

- Saw what?

- You'll see.

Oh, you mean that thing?

I'll show you. Come on.

Grab a hold of the other one.

- Get out of here.

- Why not?

For two bucks, right down the road...

you can hire a horse, that's why not.

We don't need no horse, Lew.

Come on, let's pull it down.

I want to show you something.

All right, Galahad. Boy, I'm telling you...

Wait a minute.

I'm telling you,

you're not gonna get that thing out of there.

Go down the road, get the horse.

I'll tell you what: Let's try one more time.

If it don't go, we'll get the horse. Okay?

All right, pull.

Horses, huh?

- Hello, Willy.

- Rose.

What goes on? I don't get it.

I took an early train

and then a taxi from the station.

But why? You know I don't want you

hanging around here.

It's not the same as when Pop was alive.

You're not a kid anymore.

Willy, please.

I came up because of what you asked me

on the phone the other day.

- The $200.

- Oh, yeah.

I've been kind of expecting it,

but I figured maybe the mail was slow.

I didn't mail it, Willy.

The more I thought about it,

the more I realized...

that it wasn't the money going down

a rathole, like the Republicans say.

- It was the principle.

- What are you talking about?

I had a talk with Mr. Provardis.

He's in cost accounting at the store.

- Mr. Provardis said for what...

- Mr. Provardis said...

Mr. Provardis said for what you're charging

up here a week, just room and board...

- it's impossible not to make money.

- I don't care what...

Actually, talking with Mr. Provardis,

I decided what we need up here...

- is a complete reorganization...

- Now, wait a minute...

- Don't shout.

- Reorganization. Rose, honey...

Be patient. The fact is...

you couldn't reorganize the part in your hair

unless I drew you a map.

Now the thing for you to do...

while I'm in a nice mood about it,

is to pick up the phone...

and call another cab. That way you

won't miss your afternoon train back.

I'm not going back, Willy.

I took a leave of absence from the store.

- But you can't stay up here.

- I'm sorry.

- I feel I have an obligation.

- You have a what?

Obligation. I own 50% of this place.

- So what?

- Besides, I'm your sister.

So it won't do any good for you

to shout at me.

Look, Rose, baby, let me explain it to you.

How do you like it?

I don't know. What are you gonna do

with that, besides wear it for Halloween?

- It could be beautiful, Lew.

- Beautiful?

Come on, kid,

you haven't taken that many punches.

You just don't know

character when you see it.

This thing has got more character than

anything I've ever seen.

Oh, now it's got character.

I'll be doggoned, a flower vase.

Look at that, Lew.

You think people were different

in those days, huh?

I doubt it.

We were the same kind of stinkers then,

just like now.

What do you expect to come up with now,

a homemade cake?

Don't bother taking it off.

As I was trying to say about the $200, Willy.

It's not as if I was trying to hold out

on my own brother.

I told you it was an emergency, didn't I?

Now look, this...

Dolly, this is my kid sister, Rose.

Rose, this is Miss...

Miss Fletcher.

- How do you do, Miss Fletcher?

- Hello.

Dolly, that is, Miss Fletcher...

sort of helps out sometimes.

She just happened to drop by this morning.

Well, I'm very glad to have met you,

Miss Grogan.

Very nice meeting you.

- What's the matter?

- Nothing. It's love in bloom.

Goodbye. I've watched it bloom before.

Look, Dolly,

this may seem funny to you, but...

the kid doesn't know about us.

I gathered that much. I can even quote you.

"Rose, this is Miss, what's her name.

"She just happened to drop

by this morning."

Were you so scared

you couldn't remember my name?

- Dolly...

- What is there to know about us, anyway?

Am I a lady barber or something?

They've got sex in the Bronx, too,

so what's the mystery?

I'm trying to tell you.

She's only a baby. A protected baby.

Oh, come off it. Babies aren't built like that.

And besides...

if you're such a blue-nosed Puritan

about your sister...

then just forget it.

I didn't know she was coming up here,

understand?

- I just wasn't prepared.

- I know.

You're not prepared for a lot of things.

I'm beginning to get the idea.

I'm sorry, I didn't mean to scare you, ma'am.

It's all right. I don't scare easily.

- I was looking for Mr. Grogan.

- He's in the kitchen.

Do you work here?

Well, kind of. I more or less get dirtied up

around the place.

- Are you a fighter?

- Not really.

A lot of people have different ideas

about it, though.

I see.

Do you belong up here?

I mean, I've never seen you around before.

I'm Willy's sister.

You are?

What's funny?

Nothing. Nothing at all.

Galahad! Hey, Galahad.

- Who's Galahad?

- That's me.

Excuse me.

- Nice to have met you.

- Thank you.

He knows about cars?

Are you kidding?

Like Edison knew about light sockets.

For instance, he could put a carburetor right

up your nose without making you sneeze.

- All right, knock it off.

- Yeah?

Zimmerman says this heap conked

out on him. And he's not out of gasoline.

Okay.

- Rose!

- I'm out here.

- So what's there to see?

- Just the country.

- Things you don't see in the Bronx anymore.

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William Fay

William George "Willie" Fay (12 November 1872 – 27 October 1947) was an actor and theatre producer who was one of the co-founders of the Abbey Theatre.Fay was born in Dublin, where he attended Belvedere College. He worked for a time in the 1890s with a touring theatre company in Ireland, Scotland, and Wales. When he returned to Dublin, he worked with his brother Frank, staging productions in halls around the city. Finally, they formed W. G. Fay's Irish National Dramatic Company, focused on the development of Irish acting talent. The brothers participated in founding the Abbey Theatre and were largely responsible for evolving the Abbey style of acting. After a falling-out with the Abbey directors in 1908, the brothers emigrated to the United States to work in theatre there.He moved to London in 1914, working as an actor on stage and in films. One of his most notable film roles was as Father Tom in Carol Reed's Belfast-set Odd Man Out (1947), whose cast was dense with actors from the Abbey Theatre. His memoir, The Fays of the Abbey Theatre, appeared in 1935. Willie Fay died in London in 1947, aged 74. more…

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Submitted on August 05, 2018

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    "Kid Galahad" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/kid_galahad_11731>.

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