Kill Bill Page #13

Synopsis: The murderous Bride is back and she is still continuing her vengeance quest against her ex-boss, Bill, and taking aim at Bill's younger brother Budd and Elle Driver, the only survivors from the squad of assassins who betrayed her four years earlier. It's all leading up to the ultimate confrontation with Bill, the Bride's former master and the man who ordered her execution!
Director(s): Quentin Tarantino
Production: Miramax Films
  Nominated for 2 Golden Globes. Another 21 wins & 81 nominations.
 
IMDB:
8.0
Metacritic:
83
Rotten Tomatoes:
84%
R
Year:
2004
137 min
Website
6,899 Views


ONE ATTACKER steps out from the rest, "The Best One." He

Twirls his sword expertly, challenging the young woman to,

"Come get a piece."

The Bride does a screaming charge towards him....

...Sword raised, The Attacker stands his ground, calm -

steady, waiting for the blonde-haired locomotive to

collide.....They meet.....

SWING - CLASH - DANCE - SEPARATE - SWING - CLASH - SPIN -

CLASH - LOCK - TWIRL - SEPARATE -

They match each other blow for blow, till one makes a

mistake. It's the male. The Bride's swing, that's neither

clashed or blocked, slices off his right arm.

...The arm, still gripping the samurai sword, drops to the

floor.

The Bride pushes the Hanzo Sword right through the middle of

his chest.

Only half of the Crazy 88s that started the fight remain

alive, or intact...They start to approach...The Bride, still

holding the sword that's still impaling the skilled Attacker,

backs up, keeping his body between her and the remaining

killers.

Like a boxer, The Bride uses the momentary break in the

action, to rest on her feet.....THEN...yanks the blade from

his chest cavity....The Body Twitches - Spasms - Grunts and

Crashes to the floor.

The Attackers start to close in...The Bride readies herself

for their attack....THEN(in perfect time with the Heavy

Metal)...Drops to the floor on her back, Spinning like a top.

She Swings and Slashes and Cuts down below at their legs and

feet, like some hellish samurai sword-weilding turtle flipped

over on its shell....

Many black-suited, mask-wearing boys drop to the ground.

...Still Spinning like a break dancer, she spins up on top of

her head, and Pops back up on her feet.

And then there were seven.

The seven remaining sword-weilding, black-suited boys moved

out of range of the Bride's blade when she dropped to the

floor. Now spread out, they make a large half-circle.

The Bride, slowly points the tip of her blade to the floor,

lowers herself to one knee and slightly bows her head. In

repose.

EX CU The Bride's eyes

pointed up, watch them move closer, COLOR COMES BACK INTO THE

FILM. We see her face is splashed with blood.

O-REN

WHIPS OPEN a red fan.

GO GO stands by the restaurant's junction box, she flips the

switch.

The room goes dark.

The Crazy 7 make a wide circle around the blonde who's still

on the floor....

...Looking down on her breathing hard in the shadows. As she

breathes in and out, The FACE OF A LIONESS IS SUPERIMPOSED

OVER HER FACE.

Breathe in(Bride) - Breathe out(Lioness) - Breathe in

(Bride) - Breathe out(Lioness) .....

The Bride rises to her feet...

The Crazy 7 move in a circle around The Bride, she moves in a

circle inside of their circle, all eight of them move in

rhythm with the Metal...

The Heavy Metal Music builds....to a big finish...THEN both

Music and The Bride Explode!

WIDE SHOT - FRAMED LIKE A KABUKI STAGE

With the lights off, The White paper wall the eight killers

fight in front of turns a Psychedelic Bright Blue. The snow

falling outside is reflected against the paper wall like

black snow falling on a blue shadow puppet stage.

The eight samurais are Black Silhouettes against the blue

backdrop. They begin to combat in a dance of blood, steel and

death. The Bride does a sword-weilding dosey-doe with all

sword-weilding partners.

She CLISH-CLASH-CLISH-CLASHES with all of them - They

seperate - stalk each other for a moment to the beat - then

CLISH-CLASH-CLISH-CLASH again, with The Bride killing or

hacking the limbs of one unlucky dance partner at each

encounter - Sometimes during the separation, The Bride

crouches down low in repose while the others continue to

circle stalk...THEN...She Strikes again.

We Cut in closer whenever we need to.

Finally the last of O-Ren's soldiers falls to the Bride's

sword.

GO GO:

Standing by the junction box, flips a switch turning the

lights back on. The electricity shines light on...

The BRIDE

Splashed all over with blood. Blood painting the floor, walls

and ceiling. Dead bodies, several limbs, and horribly wounded

men who have yet to die, litter the ground.

With a big "Whoosh" in the air, the blood of O-Ren's

subordinates fly off the blonde avenger's blade.

Then saying to the foes who litter the ground.

THE BRIDE(JAPANESE)

Those of you lucky enough to still

have your lives. Take them with

you. But leave the limbs you've

lost. They belong to me now.

The wounded men, crawl out of the restaurant.

The yellow-haired crimson-covered woman, looks to the last

remaining combatants...Mr. Barrel, Go Go Yubari, and O-Ren

Ishii.

Go Go

steps forward and removes her weapon, it's not a samurai

sword. It's a heavy metal ball at the end of a long chain.

She begins TWIRLING it above her head. Each rotation makes a

WHOOSH sound in the air.

BALL AND CHAIN:

in a 3-D-like effect, the metal ball comes right at us.

The BRIDE

ducks out of the way, the heavy ball destroying a large chunk

of wood post behind her.

Go Go

eyes focused on her enemy...WHOOSH....WHOOSH....WHOOSH...she

lets fly...

The ball and chains wrap around the blade of the Hanzo

sword...

...Go Go yanks...

...the Hanzo sword FLIES out of her grip.

GO GO:

smiles...then...WHOOSH...WHOOSH...

The BRIDE

removes her boomerang and THROWS it at Go Go.

The BOOMERANG

TWIRLS through the air heading right for Go Go.

BAM:

The young bodyguard swats it out of the air with her ball and

chain. She lifts up her chain and the boomerang lies bent, on

the floor. She looks across at her opponent...WHOOSH...

WHOOSH...WHOOSH..she LETS FLY. It Strikes the Bride in the

chest, knocking her on her back...

...Go Go twirls it over her head and sends it towards the

Bride on the floor. The Bride rolls out of the way, the metal

ball PUNCHES a hole in an overturned table instead.

The weaponless Bride wrestles a table leg loose from its

purpose.

She hops up on a table, table leg in hand, ready to fight.

Go Go hops up on a table...

As they fight they hop from table to table...

Go Go throws her ball and chain...

...The Bride - QUICK AS A WHIP...

BATS it away with the table leg.

Go Go lets loose with the balls and chain...it wraps around

the Bride's ankle...Go Go YANKS...

...The Bride's leg is yanked out from under her, she FALL

CRASHING through another table.

Go Go jumps on top of the Bride, attacking her with a samurai

short sword. The Bride uses the table leg to block it.

The women fight fiercely, locked in grapple, each face ugly

with struggle. Go Go lets her left earlobe get too close to

the Bride's mouth...the Bride BITES DOWN on it. Go Go screams

as the lower part of the appendage is bitten off, and she

rolls off the Bride. The Bride comes at her, bringing the

table leg -- WHOOPS UPSIDE HER HEAD -- WHOOP-WHOOP-SIDES-HER

HEAD.

The girl in the schoolgirl uniform falls on her back, and

delivers a powerful "C.K." to the Bride from below, dropping

her to her knees.

O-Ren is UP, and wraps the chain around the Bride's neck and

begins to strangle.

The chain digs into the Bride's throat.

Rate this script:3.4 / 10 votes

Quentin Tarantino

Quentin Jerome Tarantino (born March 27, 1963) is an American director, writer, and actor. His films are characterized by nonlinear storylines, satirical subject matter, an aestheticization of violence, extended scenes of dialogue, ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film. He is widely considered one of the greatest filmmakers of his generation. more…

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Submitted by aviv on January 30, 2017

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