Kill Bill Page #16

YUKI(JAPANESE)

How bout now, big boy, do you still

wish to penetrate me...

Blade cuts deeper...

YUKI(JAPANESE)

Or is it I who has penetrated you.

And with her last line, does the final disemboweling slice

that sends his insides spilling out onto the barroom floor.

BACK TO SOFIE:

SOFIE(JAPANESE)

When she stops shedding tears,

she'll start shedding blood.

THE BRIDE(JAPANESE)

Best guess, what will she do?

SOFIE(JAPANESE)

I don't hafta guess, she'll come

after you.

THE BRIDE(JAPANESE)

Will she ever give up?

SOFIE(JAPANESE)

She won't have to. When she finds

you, I don't know who will win. But

what I do know is, she will find

you.

THE BRIDE(JAPANESE)

Is she more skilled than I?

SOFIE(JAPANESE)

Skilled won't be the word.

THE BRIDE(JAPANESE)

Don't be coy with me, b*tch. What

would be the word?

SOFIE:

Crazy.

The Bride takes this in...then moves on.

THE BRIDE(JAPANESE)

Okay, now I want all the

information on the Deadly

Vipers,... What they've been doing

and where I can find them.

EXT. TOKYO GENERAL HOSPITAL - NIGHT

The big hospital of TOKYO is located by a hill by the

highway. Sofie's MAZDA pulls off the highway to the side.

The Bride hops out of the car, runs to the back, opens the

trunk, takes out Sofie's body, and rolls it down the

hill....Sofie stops rolling in front of the entrance of the

huge hospital.

CUT TO:

CU SOFIE:

in a hospital environment. Bill's voice speaks to her OFF

SCREEN;

BILL(O.S.; ENGLISH)

Sofie, Sofie, my Sofie, I'm so

sorry.

SOFIE(ENGLISH)

Please forgive my betrayal --

He shhhh's her off screen;

BILL(O.S.; ENGLISH)

-- no more of that. I invented that

truth serum. Once it entered your

bloodstream, you no longer had a

choice.

SOFIE(ENGLISH)

But, still --

BILL(O.S.; ENGLISH)

-- But still -- nothing, except my

aching heart over what she's done

to my beautiful and brilliant

Sofie.

(pause)

If you had to guess why she left

you alive, what would be your

guess?

SOFIE(ENGLISH)

Guessing won't be necessary. She

informed me.

BACK TO THE BRIDE AT THE TRUNK

THE BRIDE(ENGLISH)

I'm allowing you to keep your

wicked life for one reason and one

reason only. So you can tell him,

in person, everything that happened

here tonight. I want him to witness

the extent of my mercy..., by

witnessing your deformed body. I

want you to tell him, all the

information you just told me. I

want him to know what I know. I

want him to know I want him to

know.

Then with SUPERMAN X-RAY VISION we see through the helmet to

the Bride's face inside as she says the last line.

THE BRIDE(ENGLISH)

And I want them all to know,

they'll all soon be as dead as O

REN.

WE CUT TO A:

CU of SOFIE

WE PAN to a CU of YUKI

Bill says off screen;

BILL(O.S.; JAPANESE)

If O-Ren was number one, unless

she's being tricky, Vernita Green

will be number two.

YUKI(JAPANESE)

Where is Vernita Green?

BILL(O.S., JAPANESE)

Los Angeles. Vernita's in Pasadena.

But the woman you want will hold up

in a low budget motel, fifteen of

twenty minutes away from stepping

on board a plane departing LAX. If

I had to bet...I'd say Hawthorne.

Yuki blows a pink bubble gum bubble, it pops and she says in

English;

YUKI(ENGLISH)

California, here I come.

CUT TO:

CU HATTORI HANZO

He's sewing something that requires a lot of concentration.

CU The BRIDE'S BARE BACK

What he's sewing is, the NASTY SLASH O-Ren gave the Bride on

her back, closed with a simple needle and thread.

CU The BRIDE

lies naked on her stomach, head up, chin resting on her

folded hand, feeling no pain at the needle piercing her

flesh. The sleeping giant is awake, and in her eyes we see

she's filled with a terrible resolve.

As Hanzo sews, he recites in Japanese the Yagu mantra, the

Bride recites in Japanese after him.

EX CU:
O-REN ISHII'S name written in the Bride's notebook

with the number one next to it. A black felt pen comes into

frame and draws a line through the name.

FADE TO BLACK.

BLACK FRAME:

TITLE CARD:

Chapter five

"YUKI'S REVENGE"

We hear music under this card...

MONTAGE OF YUKI coming to Los Angeles cut to music.

We see YUKI dressed in her Japanese private schoolgirl outfit

with white blouse, plaid skirt, bobby socks, blazer, and

barrettes in her hair, flying on a jet enroute to Los

Angeles. She paints her fingernails with bubble gum-colored

nail polish.

Yuki walks through LAX.

Yuki standing next to a CAR SALESMAN on a California car lot.

She points at a car in front of her.

We see her cool convertible sports car and her finger

pointing at it.

We see Yuki behind the wheel of the sports car, driving as

fast as she can through the twists and turns of the Hollywood

Hills, laughing all the way.

We see Yuki running around all over LA, Hollywood and

Disneyland taking pictures with her disposable Barbie camera.

SPLIT SCREEN:

YUKI'S SIDE THE BRIDE'S SIDE

PHOTO:
Yuki with the The Bride on an airplaine

Hollywood signin the b.g., flying to Los Angeles.

she points to it.

PHOTO:
Yuki in front of the The plane lands in L.A.

Chinese Theatre.

PHOTO:
Yuki at Grauman's

Chinese Theatre, wearing a The Bride walks off the

cowboy hat, in front of Roy plane with the other

Rogers' and Trigger's hand passengers.

foot and hoof prints. She

holds her fingers like a

six-shooter.

PHOTO:
Yuki posing with aThe Bride walking

celebrityshe's bumped into. through LAX.

Yuki behind the velvet ropes

of a Hollywood premiere with

the other fans. She watches

the STARS walk the red carpet

with her autograph book in her

hand.

YUKI screaming on a roller-

coaster.

PHOTO:
At Disneyland. Doing

a Bonnie and Clyde-style pose

with a Captain Hook. And

another photo in between

Chip N' Dale.

CU YUKI CU The BRIDE

walking, stalking, andwalking through LAX.

eating huge ice cream

waffle cone.

SPLIT SCREEN(CONT'D)

YUKI'S SIDE THE BRIDE'S SIDE

We see Yuki is tailing theWe see The Bride is

Bride through LAX. being followed by Yuki.

Our heroine is unaware.

Yuki driving her sports car. The Bride renting a

Stalking. motel. We see Yuki's

car drive by in the B.G.

through the motel's

picture window.

MEDIUM CU of Yuki wearing a YUKI'S POV:

whiteuniform, and taking The Bride entering her

money. Her eyes watch yellow pickup truck

something off screen. parked in front of

Vernita's house.

We see Yuki is dressed like EX CU: VERNITA GREEN'S

an ice cream man, and is name in the Bride's

selling ice cream to kids notebook. She draws a

from an ice cream truck onblack felt pen through

Vernita's block.the name.

THE BRIDE:

(to herself)

Two down, and three to

go.

CU Yuki's face as she watchesThe Bride driving away

the Bride drive away. from the scene of her

latest victory.

CU Yuki, smiles. Now's theYUKI'S POV: The yellow

time. p*ssy wagon drives away.

Yuki, at night, sitting inYUKI'S POV: The

the surveillance seat of her exterior of the motel,

sports car. Her hands are the Bride is staying in.

busy below frame. The motel is located on

a Hawthorne residential

street. Her yellow

pickup truck is parked

on the street.

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