Kill Bill Page #4
CU her yellow galoshes
slapping against the wet
asphalt, and splashing
through puddles.
CU The Bride in her coma CU the hospital's
electrical doors -
WOOSH - OPEN.
woman in the raincoat
as she walks from
outside into the hospital
down the hall, and into
the ladies room door.
in her coma WOMAN'S SHAPELY
stepping into a sheer,
white stocking.
WHITE LEGS STEPPING
INTO A WHITE NURSE'S
UNIFORM.
UPWARDS.
INSERT:
OF WHITE, SHEERSTOCKING FEET STEPPING
INTO WHITE NURSE'S
ORTHOPEDIC SHOES.
-INSERT:
OF A SYRINGEinto the syringe.
SOME WRITTEN TEXT
APPEARS BELOW IMAGE
THAT READS:
Bill's own concoction.
He calls it, 'Goodbye
forever'."
INSERT:
THE DEADLYA NURSE'S TRAY
INSERT:
A LITTLE WHITEON TOP of the woman's
blonde head.
INT. HOSPITAL CORRIDOR - NIGHT
The door marked "ladies" is opened, and a beautiful 6-foot
blonde in a white nurse's uniform, with a matching white eye
patch over her left eye, steps out, carrying the nurse's tray
with the "Goodbye forever"-filled syringe on it.
She walks down the corridor towards The sleeping Bride's
room.
SUBTITLE UNDERNEATH BLONDE NURSE:
"ELLE DRIVER
Member of
The DEADLY VIPER ASSASSINATION SQUAD
codename:
CALIFORNIA MOUNTAIN SNAKE"
STAY WITH ELLE'S SIDE
INT. THE BRIDE'S HOSPITAL ROOM - NIGHT
The Bride, alone in her bed, alone in her coma, alone in her
room.
Elle Driver opens the door to her room and steps inside.
The female assassin approaches the comatose woman.
EX CU ELLE DRIVER'S EYE AND WHITE EYE PATCH
looking down at her sleeping target, victim, rival, and
opposite number.
EX CU The BRIDE'S EYES
wide open - blank stare.
Elle standing over The Bride's hospital bed, says to her;
ELLE:
I might never of liked you. Point
in fact I despise you. But that
doesn't suggest I don't respect
you. You were a master of a
profession that's most difficult to
master.
Dying in our sleep is a luxury our
kind is rarely afforded. My gift to
you.
As she lifts the syringe off the tray....
Her cell phone RINGS....
She curses to herself...there can be only one person on the
other end....she answers it.
ELLE:
Hello, Bill.
(pause)
Affirmative.
(pause)
Comatose.
(pause)
I'm standing over her right now.
(pause)
What!
The female assassin turns away from the wide-eyed stare of
The Bride, and paces the hospital room talking in the cell
phone.
ELLE:
Don't f***in ssshhh me! If you
think I came all the way down to
Texas - in a dog and cat rainstorm
no less - just to tuck sleeping
beauty in bed - you got another
(pause, then real loud)
You don't owe her Sh*t!!
(then again, but quieter)
You don't owe her sh*t.
(pause)
Man, f*** that b*tch!
(pause)
Oh you're not are you? Well Bill,
you never leave a job half done.
A great teacher taught me that
once, he looked a whole lot like
you.
Elle pauses as Bill on the other line has his say. We don't
hear his side, we stay with Elle as he talks. We can tell by
her face, he's making some sense. After awhile she answers
back;
ELLE:
I guess.
(pause)
No, I don't need to guess, I know.
(pause)
Affirmative.
(pause)
I love you too, bye bye.
The female assassin puts the phone away and looks down at The
comatose Bride with the open eyes. Even though her face is
expressionless, she almost seems to be smiling.
ELLE:
Thought that was pretty funny
didn't ya? Word of advice shithead,
don't you ever wake up.
Elle leans closer to the Bride's face.
ELLE:
Ya know now I get a better look at
you, you're not so damn pretty.
Yeah, you go that Venus thing going
for you but...ya know, now I get a
closer look at you you're kinda
weird looking. You got this big
nose that doesn't fit with the rest
of your face, your eyes are two
different sizes. And look at your
skin...My complexion is way better
than yours --
The Bride does one of her motor reflex functions...She SPITS
in Elle's face.
Elle springs up, wipes the spit off her cheek and looks down
at The comatose Bride in her bed.
ELLE:
Oh, no you didn't.
She grabs The Bride by the front of her hospital gown...
....Yanks Her up to a sitting position...
...And PUNCHES her hard in the face three times.
ELLE:
If you ever take your ass out of
this Goddamn bed for as long as you
f***in live, I will beat you into
the ground, b*tch!
INT. HOSPITAL CORRIDOR - NIGHT
Elle Driver in her nurse's uniform, angrily walks down the
hallway. She passes by a DOCTOR, STRUGGLING WITH A PATIENT
BLEEDING PROFUSELY on a gurney.
DOCTOR:
(yelling)
Nurse come here quick, we're losing
this man!
Elle doesn't even look back.
ELLE:
Tough titty, I quit.
She walks out of the SHOT.
FADE TO BLACK.
BLACK FRAME:
TITLE CARD:
Five years later.
CUT TO:
INT. THE COMATOSE BRIDE'S HOSPITAL ROOM - NIGHT
The CAMERA is in a corner of the ceiling, looking down on the
comatose Bride, who lies motionless in her bed.
WE HEAR the sound of a BUZZING MOSQUITO, doing loop de loops
and figure eights in the air, looking for some warm blood.
The BUZZING stops....
MACRO CU:
of mosquito on The Bride's forearm, its stinger dug in her
flesh, visibly drawing blood from its host.
CU MOSQUITO'S FACE
drinking her blood.
MACROSHOT OF MOSQUITO ON FOREARM
drinking blood...when The Bride's hand comes into FRAME and
SQUASHES the bug flat. Her fingers FLICK the dead bug away.
CU The Bride
her wide-open eyes, that have stared in a constant gaze for
the last five years,
finally...slowly...softly...shut.
BEAT:
The BRIDE SITS BOLD UPRIGHT IN BED.
She has no idea where the f*** she is. WE DO A SHAW BROTHERS
STYLE QUICK ZOOM INTO A CU OF HER FACE.
QUICK CUT TO A FLASHBACK SPAGHETTI-WESTERN STYLE
back at the wedding chapel, gun pointed down at our face.
THE BARREL EXPLODES LEAT AT US - BANG!
QUICK CUT BACK TO The BRIDE IN HER HOSPITAL BED,
BANK still echoing in her ears. She lets out a SCREAM OF PAIN
and her hand goes to the side of her head, as if she were
just shot.
Her hand feels the metal plate embedded in the side of her
skull where the hole was. She knocks against it with her
knuckle...it goes...TINK...TINK.
Suddenly she says out loud;
THE BRIDE:
My baby.
Her hand goes down to her belly, unly to find it not swollen
but flat. She doesn't understand, lifts up her hospital gown
and sees a JAGGED SCAR which runs down her abdomen. Her
fingertips trace it.
She quickly looks at the palm of her and and counts the
lines.
MACRO CU The LINES IN HER PALM look like a road map.
She stops counting, shocked;
THE BRIDE:
(to herself)
Five years.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Kill Bill" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/kill_bill_886>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In