Kill Bill Page #6

Synopsis: The murderous Bride is back and she is still continuing her vengeance quest against her ex-boss, Bill, and taking aim at Bill's younger brother Budd and Elle Driver, the only survivors from the squad of assassins who betrayed her four years earlier. It's all leading up to the ultimate confrontation with Bill, the Bride's former master and the man who ordered her execution!
Director(s): Quentin Tarantino
Production: Miramax Films
  Nominated for 2 Golden Globes. Another 21 wins & 81 nominations.
 
IMDB:
8.0
Metacritic:
83
Rotten Tomatoes:
84%
R
Year:
2004
137 min
Website
6,869 Views


The STANDING ORDERLY

lets out a "YELP," adn FALLS OUT OF FRAME.

IMPACT CUT:

The Orderly HITTING the floor face first. The boy is stunned.

The BRIDE(Confined to the floor)

crawls over and drags the stunned f***er across the floor,

placing his melon head between the door and the door frame.

Then taking the door in her right hand.

SLAM!

SLAM!

SLAM!

SLAMMING HIS HEAD THREE TIMES BETWEEN THE DOOR AND THE DOOR

FRAME.

The ORDERLY

lies on the floor in a stange state of consciousness. He's in

both excruciating pain, and quite sure he's lost his mind,

since at this moment he's lying on the floor, looking up at

The comatose Bride asking him questions.

THE BRIDE:

Where's Bill?

THE ORDERLY:

(hurt and confused)

Who?

SLAM!

He screams.

THE BRIDE:

Bill! Where is Bill!

THE ORDERLY:

I dunno no Bill.

SLAM!

THE BRIDE:

I saw him here myself.....

SLAM!

....Now do you tell me where he is,

or do I beat your f***in brains in?

SLAM!

THE ORDERLY:

Please please stop, don't hit me

again!

THE BRIDE:

Where is Bill?

SLAM!

Suddenly The Bride sees the gold coke straw around his neck,

that she thought she'd seen earlier on Bill. She snatches it

from around his neck.

THE BRIDE:

Where did you get this from?

THE ORDERLY:

That's mine.

SLAM!

THE BRIDE:

Bullshit! I saw Bill wearing it in

this room ten minutes ago.

SLAM!

Then The Bride looks down and sees two tatoos on the

Orderly's hand - one spelling "B.U.C.K." on each finger of

his left hand. And another spelling "F.U.C.K." on the fingers

of his right.

The Bride seems to look inside her own mind - Whenever she

does this A SPECIAL THEME MUSIC WILL PLAY(We'll call it her

REMEMBERING THEME).

WE DO A QUICK SHAW BROTHERS ZOOM INTO HER EYES -

We see Buck enter her room that first night, five years

ago.... He's holding in his hand one of those big flashlights

you use in a tent when camping. -- It gives off a soft blue

light. Buck examines The Bride through the blue.

BUCK:

Well, ain't you the slice of cutie

pie they all said you wuz. Well

Ma'am, I'm from Longview Texas, my

name's Buck, and I'm here to f***.

He starts to unbuckle his belt.

WE ZOOM OUT OF HER EYES INTO A CU. The REMEMBERING THEME CUTS

OFF. She looks down at Buck and says;

THE BRIDE:

Your name's Buck, right? And you

came to f***, right?

A "how the f*** does she know look," crosses his face.

The Bride looks down at him....The VENGEANCE THEME BEGINS

PLAYING LOUDLY ON The SOUNDTRACK, and the VEIN IN HER

FOREHEAD BECOMES PRONOUNCED and begins to PULSATE IN TIME

WITH The MUSIC. Every time The Bride comes face to face with

a tormenter, this Theme will play on the soundtrack. By mid

movie this music should drive the audience wild with orgasmic

anticipation of the carnage to come...

...and With the door in her hand and one mighty slam, this

Longview Texas boy is sent to the Promised Land.

She searches the dead man's pockets, coming up with a brown

wallet that says on it, "BIG EL PASO PIMPIN," loaded with

lettuce. She also pulls out a set of car keys on a pickup

truck key chain that has the words, "P*ssy Wagon" on it

written in a pimpy font. She gathers up all these items, and

Gerald's knife, then begins to strip Buck of his orderly

uniform.

INT. UNDERGROUND PARKING LOT - NIGHT

The elevator doors to the hospital's underground parking lot

open, revealing The Bride in Buck's orderly scrubs in a

wheelchair.

She wheels out of the elevator fast into the parking lot. Her

arms spinning the wheels as she goes down the line of cars,

looking for a pickup truck that Buck would own...she stops.

What made The Bride stop. The ass end of a big, yellow 4x4

hard-body pickup truck, with flames painted along the side,

and the words, "P*SSY WAGON," written along the flat-bed

hatch door. Pimpy font.

The Bride looks at Buck's key chain in her hand.

EX CU CAR KEY in truck door lock, it turns.

EX CU TRUCK DOOR LOCK POPS UP OPEN.

INT. BACKSEAT OF BUCK'S TRUCK - NIGHT

The Bride pulls herself up into the backseat of Buck's pickup

truck. Once in the backseat, she shoves the wheelchair away.

It rolls out of control down the parking ramp, and CRASHES.

Now The Bride's lying vertically in Buck's truck's backseat.

Seemingly out of danger - at least out of sight - but she's

still stuck hiding in the hospital. And until she regains

full use of her legs and feet, this little Bride ain't goin

anywhere or doin anything.

Lying flat, with the back of her head propped up against the

door, her long, lifeless legs stretched out in front of her,

her two bare feet at the end of them, pointing to the sky,

the Bride focusses her eyes, her stare, her thoughts, her

strength, and all her concentration....on her big toe.

SLOW ZOOM INTO BIG TOE....

SLOW ZOOM INTO HER FACE....

SLOW ZOOM INTO BIG TOE....

SLOW ZOOM INTO FACE.

THE BRIDE:

(monotone)

Wiggle your big toe.

Toe doesn't move an inch.

THE BRIDE:

Wiggle your big toe.

It doesn't move.

THE BRIDE:

Wiggle your big toe.

(VOICE OVER)

As I lay in the back of Buck's

pickup truck, trying to will my

limbs out of entropy, I could see

the faces of the c*nts who did this

to me, and the dick responsible.

Members all of Bill's brainchild;

"The Deadly Viper Assassination

Squad."

TITLE SEQUENCE:

For what looks like a 60's television show about an ALL-GIRL

HIT SQUAD, complete with its own LALO SHIFFRIN THEME MUSIC.

Against a BRIGHT ORANGE BACKGROUND, A SNAKE WITH SIX HEADS

(All different breeds), DONE IN A COOL BUT LOW-BUDGET SPEED

RACER-STYLE OF ANIMATION, rears its heads to strike.

The IMAGE FREEZES... AND THE SHOW'S TITLE(In an especially

cool font) AND LOGO(The black silhouette of five sexy gals

each with a samurai sword hanging from their hip, and one guy

in a black suit) APPEAR BENEATH IT.

"The DEADLY VIPER

ASSASSINATINO SQUAD

the D.iV.A.S."

The SHOW CAST CREDITS START:

WE SEE The BRIDE doing something cool...FREEZE

SCREEN GOES ORANGE except for a SCOPE-SIGHT RIFLE GRAPHIC

WITH CROSSHAIRS over The Bride's face. OFF TO THE SIDE IS HER

IDENTIFYING CREDIT;

"Starring

(The Bride's real name is covered by a stamp that reads)

CLASSIFIED:

as

BLACK MAMBA"

A beautiful Japanese woman wielding a samurai sword - FREEZE

ORANGE B.G. SCOPE-SIGHT GRAPHIC

"Starring

O-REN ISHII

as

COTTONMOUTH"

VERNITA GREEN doing something cool - FREEZE

SAME GRAPHIC:

"Starring

VERNITA GREEN:

as

COBRA"

The older, male doing something cool - FREEZE

SAME GRAPHIC:

"Starring

BUDD:

as

SIDEWINDER"

ELLE DRIVER doing something cool - FREEZE

ORANGE B.G. SCOPE-SIGHT GRAPHIC;

"Starring

ELLE DRIVER:

as

CALIFORNIA MOUNTAIN SNAKE"

As the DEADLY VIPER ASSASSINATION SQUAD OPENING THEME PLAYS

WE SEE VARIOUS SHOTS of The Vipers(all dressed alike in the

same BLACK, SKINTIGHT CAT SUITS, except for Budd, the male

who wears a BLACK SUIT) all doing exciting sh*t. It ends with

the reappearance of the six-heades snake logo, and the six,

black silhouettes.

The FINAL CREDIT APPEARS;

Rate this script:3.4 / 10 votes

Quentin Tarantino

Quentin Jerome Tarantino (born March 27, 1963) is an American director, writer, and actor. His films are characterized by nonlinear storylines, satirical subject matter, an aestheticization of violence, extended scenes of dialogue, ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film. He is widely considered one of the greatest filmmakers of his generation. more…

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