Kingsman: The Secret Service Page #2

Synopsis: Gary "Eggsy" Unwin (Taron Egerton), whose late father secretly worked for a spy organization, lives in a South London housing estate and seems headed for a life behind bars. However, dapper agent Harry Hart (Colin Firth) recognizes potential in the youth and recruits him to be a trainee in the secret service. Meanwhile, villainous Richmond Valentine (Samuel L. Jackson) launches a diabolical plan to solve the problem of climate change via a worldwide killing spree.
Production: 20th Century Fox
  8 wins & 26 nominations.
 
IMDB:
7.7
Metacritic:
60
Rotten Tomatoes:
74%
R
Year:
2014
129 min
$119,469,511
Website
9,086 Views


(walkers growling)

(car approaching)

Morgan.

Maybe we just leave him here.

That's not who you are.

I know.

Hey.

You don't.

(distant walkers growling)

Morgan.

Morgan.

Stop.

Did you hear that?

(wind whistling)

(walkers growling)

(walkers snarling)

(grunts)

(walkers snarling)

What are you doing

out here, Ron?

I wanted to know

where my dad was buried.

Rick:

This is how.

How what?

How the community's still here.

They've had walkers

at their walls,

but a lot of them,

maybe most of them,

they wound up here.

Ron.

- Ron.

- I'm going back.

- Hey.

- I'm fine.

You shouldn't be out here.

I don't care what you think.

It's not what I think,

it's what I know.

You can't protect yourself.

I'll show you how,

but right now you have

no idea what you're doing.

And if you come out here,

you're gonna die.

And it won't be quick

and it won't ever be over

'cause you'll be one of them.

That's what's gonna happen.

You're coming back with us now.

Don't make it hard.

Rick on radio:

Glenn, you have to hurry.

The noise could distract

the herd right off the road.

- Talk to me.

- Glenn:
We're here.

(growling, banging)

Nicholas:

Sounds like a lot.

(growling, banging)

- We need it quiet.

- So what's the plan?

Take 'em out a few at a time.

Nicholas, you're at the door.

All right.

You let one or two out

and then you close it.

You keep doing that. That's the trick.

That's how we control it.

- Heath--

- Wait, what if he can't close it?

- I'll be able to.

- Then we take them on.

We take them on?

If we get into trouble,

we go behind the building

into the woods

and we draw them away.

Hey, you've been out

on runs since he got here.

He knows what he's doing.

Me and Aiden, we didn't.

This was supposed to be

a dress rehearsal.

I'm supposed to be

delivering pizzas, man.

Daryl's leading them this way

and they're closing in.

That noise is gonna pull

the herd right off the road

and then we have

serious trouble.

We have to do this.

Yeah, okay.

- Okay?

- Okay.

- Okay.

- Okay.

All right.

Glenn:
On three. Ready?

One...

two...

three!

Sh*t!

(banging)

(growling, banging)

Heath:

My team...

we saw it early on,

back when we were on

one of those first scouts,

finding out

what was around here.

There was a camp at the bottom.

The people, they must have blocked

the exits with one of those trucks

back when everything

started to go bad.

They didn't make it.

They were all roamers.

Maybe a dozen of them.

No one's been back since?

DC,

every town worth scavenging are

all in the other direction.

And I never really felt like having a

picnic next to the camp that ate itself.

So all the while the walkers

have been drawn by the sound

and they're making more sound

and they're drawing more in.

And here we are.

Now what I'm proposing,

I know it sounds risky,

but walkers are already

slipping through the exits.

One of the trucks

keeping the walkers in

could go off the edge

any day now.

Maybe after one more hard rain.

That exit sends them east.

All of them.

Right at us.

This isn't about if

it gives, it's when.

It's gonna happen.

That's why we have

to do this soon.

This is-- I don't even

have another word for it.

This is terrifying.

All of it.

But it doesn't sound like

there's any other way.

Maybe there is.

I mean, couldn't we just

build up the weak spots?

I could draw up plans.

I worked on the wall with Reg.

Construction crew--

we can try and make it safe.

Even if we could,

the sound of those walkers

is drawing more

and more every day.

Building up the exits

won't change that.

Deanna:
We're gonna

do what Rick says,

the plan he's laid out.

I told you all, we're gonna

have Daryl leading them away.

Sasha:

Me, too.

I'll take a car,

ride next to him.

Can't just be him.

I'll keep 'em coming, Daryl

keeps 'em from getting sloppy.

I'll go with her.

It's a long way

to white-knuckle it solo.

We'll have two teams.

One on each side of the forest

helping manage this thing.

We're gonna have a few

people on watch from now on.

Rosita, Spencer, and Holly.

So they're out.

So who's in?

Me.

You should keep an eye on her.

Keep going with the plans

you talked about.

Maggie:
I know, but

this is important.

She's important.

People are scared.

They need to see her come back.

That's not the only reason.

Yeah, it isn't.

Okay.

I'm in.

I'd like to help as well.

No.

Who else?

We need more.

Carter:
There's got

to be another play.

We can't just control that many.

I said it before,

walkers herd up.

They'll follow a path

if something's drawing them.

That's how we can

get 'em all at once.

So, what? We're supposed to

just take your word for it?

We're all supposed to just fall

in line behind you after...

After what?

After you wave a gun around

screaming,

pointing it at people.

After you shoot

a man in the face.

- After you--

- Enough!

I'll do it.

Me, too.

Whatever you need, I'm in.

Deanna:

Now who else?

I'll go.

We have to do this.

I need to help.

You sure you can handle it?

You need people.

We'll make this work.

We'll keep this place safe.

Keep our families safe.

We will.

The plan.

Go through it again.

Man, he just said it.

Every part again.

The exact plan.

(walkers growling)

(engine revving)

Marshall and Redding.

- We force them west here.

- Deanna:
How?

We block it off so they

can only go one way,

west, away from the community.

Carter:

Block it off with what?

Cars.

We'll use the RVs,

some of the bigger trucks,

park them end to end.

We'll be drawing them away.

- They're gonna keep moving.

- Carter:
Yeah, but that many?

Just bouncing off some sedans?

And then when they start

slipping through

and the ones that walk away

start distracting the rest

and you stop drawing them away?

Man's got a point.

Eugene:

We got plates.

The big-ass metal ones

from the construction site.

We can use them

to fortify the whip wall.

It'd help disperse

the force of impact

and direct the walkers clean.

Like a pool table.

Eight ball, corner pocket.

That's an army out there.

And what happens

when this doesn't hold?

And they push on through.

The curve in this hillside

is gonna send them

right back east.

Right back here.

You seriously want to risk that?

No.

So you need to help us

to make it hold.

These walls, you built them.

So you've already

done the impossible.

Carter.

Please.

- (engine roaring)

- (walkers snarling)

(metal rattling)

(rattling continues)

(snarls)

(chatter)

Hey, what you said before about us

needing to take care of ourselves?

Going out finding more people,

that is taking care

of ourselves.

Your call, though.

Thanks.

You know, I can come

with all of you.

You and Daryl have been

teaching me how to shoot.

(sighs)

I think you got the hang of it.

Rick:

You should stay back,

get a feel for how

people feel now.

We still got a long way

to go with them.

We'll get there.

She's in charge.

But you're in charge now.

(banging)

- This is a bad idea.

- This is the only idea.

Rate this script:1.9 / 13 votes

Jane Goldman

Jane Loretta Anne Goldman (born 11 June 1970) is an English screenwriter, author and producer. She is mostly known for co-writing, with Matthew Vaughn, the screenplays of Kingsman: The Secret Service (2015), X-Men: First Class (2011), Kick-Ass (2010) and Stardust (2007). Both met high critical praise for their partnership works. The Woman in Black (2012) is the first solo screenplay by Goldman. She is also known for writing the books Dreamworld (2000) and The X-Files Book of the Unexplained (1997), and presenting her own paranormal TV series, Jane Goldman Investigates, on the channel Living, between 2003 and 2004. more…

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