Klondike Page #32
- Year:
- 2014
- 274 min
- 594 Views
BILL (QUIET, CONFIDENT)
Who says it’s me that’s trying to
get somewhere.
Belinda sits back. Eyes Bill. Big moment.
BELINDA MULRONEY
I didn't kill your friend.
BILL (CALM SMILE)
Why the need to defend yourself?
BELINDA MULRONEY
'Cause I see that look in your eye.
Torn between something you wanna
like and something you don't trust.
She’s radiant in the light. And knows it. Bill finally shakes
his head.
BILL:
No, you didn't kill him. Otherwise
you wouldn't be up here alone with
me. Then again, maybe it's your
twisted way of making amends. Or
maybe, because you're sitting on
the entirety of that claim now, you
brought the wood to make sure your
investment doesn't collapse on
itself.
BELINDA MULRONEY (BEMUSED)
You've worked all the angles,
haven't you?
BILL:
Man sits alone in the wilderness
long enough...he covers all the
bases.
BELINDA MULRONEY(SHAKES HEAD)
You are different, Haskell. I’ll
give you that. What makes you so
different?
BILL (SHRUG)
Try to bathe at least once a week.
47.
She considers his damp body beside hers.
BELINDA MULRONEY
Ain’t doing you any favors.
He smiles. She surveys him as he does.
BELINDA MULRONEY (CONT’D)
But you do still got some white in
your mouth.
He looks at her. She continues to consider his teeth:
BELINDA MULRONEY (CONT’D)
Still got the teeth of
civilization.
(beat)
First thing that goes. Hygiene.
Man’s insides start showing up in
his mouth. The malnourishment. The
corruption. All the things he think
he’s hiding from the world, but
ain’t-
Bill takes the bottle. Drinks with a dismissive smile:
BILL:
Ah, civilization ain’t gone up
here. Not if you don’t want-
BELINDA MULRONEY
It ain’t what you want. It’s what
Nature wants. She’ll pull the
animal out of you, even if you
don’t know it’s there. Just takes
time.
BILL:
Nah. She can rage and piss and turn
the world to mud all She
wants...but way I see it, the world
can only kill you once. Thing it
can’t do is take away what you
don’t want it to.
BELINDA MULRONEY
And that’s...
BILL:
Sense that tomorrow’s got things in
it that today don’t. And they’re
better.
She rolls her eye. You goddamn, insufferable greenhorn.
They both smile. She surveys him as he returns his focus to
the campfire. She eyes those relatively healthy teeth again.
48.
The bottle letting loose her deeply-buried yearning.
Wistfully, re teeth:
BELINDA MULRONEY
But damn if Civilization ain’t a
beautiful thing.
He looks to her. She leans in. Kisses him. Nothing serious.
It just sort of happens. They regard each other. She shakes
her head, knows she’s a damn fool.
BELINDA MULRONEY (CONT’D)
You pass any of this on to town,
I’ll deny it.
She kisses him again.
BELINDA MULRONEY (CONT’D)
I’m just drunk and cold...and in
need of a little bit of
civilization.
As they kiss--moving on to something possibly more--camera
drifts outside, into that ominous autumn storm...
END ACT FOUR:
49.
ACT FIVE:
EXT. BILL’S CLAIM - MORNING
Next morning. A window in the weather. No rain. Belinda preps
to leave. At her horses, tethered under the eave of the shed:
BELINDA MULRONEY
Hangover, I’m used to. Two
hangovers, that’s a whole ‘nother
thing.
BILL (CURIOUS)
Two.
BELINDA MULRONEY
Lot of intoxication in the air last
night. More ways than one. It’ll
wear off. It always does.
Bill’s surprised. She’s getting ahead of it. Nipping any type
of emotion in the bud before it can develop between them. She
eyes him apologetically:
BELINDA MULRONEY (CONT’D)
I’m too far gone, Haskell. Too many
closed up places in me that need to
be open for something like this to
work. Woman’s got to be like that
up here.
Bill nods gamely. Knows she’s lying as much to herself as to
him. She regards him one last time, appreciative.
BELINDA MULRONEY (CONT’D)
Keep that civilization burning
bright, will you?
BILL:
You do the same.
As she preps her steed:
BELINDA MULRONEY
Oh it’s been beat outta me. Think I
made dunthat pretty clear, with all
that pontificating last night.
Bill subtly disagrees--nods to the wood she brought-
BILL:
And yet that wood’s here and not at
the mill.
(off her look)
It doesn’t show up last night, I’m
out there in the mud, dead. And I
think you knew that.
50.
BILL (CONT’D)
So don’t talk to me about
civilization.
She smiles inwardly, mounts up. Splits without looking back.
Belinda. Returning to Dawson. Her face telling us she’s still
got the evening before on her mind. How to deal with it? Then
she notices--visible in the saloon--Sabine, dancing-
Off Belinda, shaking her head--goddamn wench-
Belinda enters. Perturbed to see Sabine, apparently right
back at it. Drinking. Laughing. Dancing.
Belinda’s about to lay in to her-
BELINDA MULRONEY
Halfwit’s supposed to be on the
straight and narrow-
BARTENDER:
Calm it, Belinda. She is.
(off Belinda’s confused
look)
She’s just celebrating.
BELINDA MULRONEY (SUSPICIOUS)
Celebrating what?
BARTENDER:
If I’m not mistaken...woman’s in
love.
He nods up the bar, where Judge enjoys a drink. Watching over
Sabine. All innocence. At least from his end.
BARTENDER (CONT’D)
With the Divine, Holy light.
Belinda shakes her head.
BELINDA MULRONEY
Something happen and I didn’t
notice last night? World flip on
its head? I’m out there
whoring...and she’s found God.
51.
EXT. DAWSON CITY STREETS - LATER
Belinda, headed toward the mill--her accountant Dan Condon
falling into line with a sheaf of paperwork-
DAN CONDON:
There you are. Just need some
signatures.
(off her curious look)
Liquidation papers. For all the
claims on your books.
BELINDA MULRONEY
Who's our buyer--
Condon shows her on the paperwork. She looks half-amused,
half-about-to-wretch.
DAN CONDON:
I know. But he's got cash on hand,
and that's what we need right now.
Belinda stops at the sight of Bill’s claim.
BELINDA MULRONEY (SUBTLE UNEASE)
152.
DAN CONDON:
We talked about it. Haskell's claim
is crown jewel to the buyers in
terms of speculative value.
(beat)
You want hard cash, to compete with
that man...this is the way to do
it.
Said with a nod up the block. Where the COUNT is visible,
overseeing new construction on his newly acquired block.
BELINDA MULRONEY
He’s building already? Where’s he
getting the wood?
DAN CONDON:
Bringing it in from upriver. And...
(solemn)
...this last boat, he had milling
equipment brought up as well.
BELINDA MULRONEY (SHOCKED)
Milling equipment? Uh-uh. That is
crossing the line. There is only
one mill in Dawson, and that is
mine.
52.
DAN CONDON:
If he has his way, there will only
be one. And it won’t be yours.
Condon returns his attention to the paperwork. The claims.
DAN CONDON (CONT’D)
Sign it. We’ve got to start turning
some of these assets into cash. Now
is the wrong time to be having a
heart, Belinda.
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