L.A. Confidential Page #5

Synopsis: Three policemen, each with his own motives and obsessions, tackle the corruption surrounding an unsolved murder at a downtown Los Angeles coffee shop in the early 1950s. Detective Lieutenant Exley (Guy Pearce), the son of a murdered detective, is out to avenge his father's killing. The ex-partner of Officer White (Russell Crowe), implicated in a scandal rooted out by Exley, was one of the victims. Sergeant Vincennes (Kevin Spacey) feeds classified information to a tabloid magnate (Danny DeVito).
Genre: Crime, Drama, Mystery
Production: Warner Bros. Pictures
  Won 2 Oscars. Another 85 wins & 82 nominations.
 
IMDB:
8.3
Metacritic:
90
Rotten Tomatoes:
99%
R
Year:
1997
138 min
1,197 Views


Remembering, Exley invokes his father's favorite toast.

EXLEY:

To the solving of crimes that

require absolute justice.

Exley raises his glass, but Dudley just watches him.

DUDLEY:

That was his favorite toast.

(a beat)

I saw the test results on the

lieutenant's exam. You placed

first out of twenty-three.

EXLEY:

The youngest applicant by eight

years.

DUDLEY:

You'll make lieutenant inside a

year. Patrol division?

EXLEY:

I was thinking Detective Bureau.

We can see Dudley doesn't approve.

DUDLEY:

You don't have the eye for human

weakness to be a good detective.

Or the stomach. You're a

political animal, Edmund.

The criticism stings, but Dudley's a straight shooter.

EXLEY:

You're wrong.

DUDLEY:

Am I...? Would you be willing to

plant corroborative evidence on a

suspect you knew was guilty in

order to ensure an indictment?

EXLEY:

Dudley, we've been over this.

DUDLEY:

Answer yes or no.

EXLEY:

I... No.

DUDLEY:

Would you be willing to rig crime

scene evidence to support a

prosecuting attorney's working

hypothesis...? Yes or no, Edmund.

EXLEY:

No.

DUDLEY:

Would you be willing to beat

confessions out of suspects you

knew to be guilty?

EXLEY:

No.

DUDLEY:

Would you be willing to shoot

hardened criminals in the back to

offset the chance --

EXLEY:

No.

DUDLEY:

Then for God's sake, don't be a

detective. Stick to assignments

where you won't have to make those

choices. Patrol, Internal

Affairs, but not the Bureau.

EXLEY:

I know you mean well, Dudley, but

I don't need to do it the way you

did. Or my father.

DUDLEY:

At least get rid of the glasses.

I can't think of one Bureau man

who wears them.

INT. PRECINCT HOUSE - MUSTER ROOM - NIGHT

A large impromptu bar has been set-up. The party is in

full swing, the floor packed with nightwatch blues. A

PHONOGRAPH SPEWS DIRTY CHRISTMAS CAROLS.

Stensland pours eggnog and Old Crow into the water cooler

as Bud elbows his way in with another case.

STENSLAND:

Hey, partner. Grab a cup.

BUD:

I got to write my report first.

PASSING COP #1

Hear about Helenowski and Brown?

They got into a helluva scrap with

six taco benders at some bar.

Helenowski lost six pints of

blood. Brown's in a coma.

PASSING COP #2

We ought to teach Paco and his

friends a lesson.

More cops vocie their agreement. Bottles are passed.

Only Bud doesn't seem as caught-up as the rest.

INT. PRECINCT HOUSE - NARCO PEN - NIGHT

Jack Vincennes at his desk. Holding the Fleur-de-Lis

card, Jack dials the number. A corkboard on the wall is

posted with press clippings. "Dope Crusader Wounded in

Shootout." "Actor Mitchum Seized in Marijuana Shack

Raid." That one includes a shot of Jack ushering Mitchum

into jail.

WOMAN (V.O.)

(over phone, like

silk)

Whatever you desire.

JACK:

Hi... I'd like to get a delivery

to Beverly Hills.

WOMAN (V.O.)

(over phone)

I don't think I know you.

CLICK. The line goes dead. Jack redials.

WOMAN (V.O.)

(over phone)

Whatever you desire.

JACK:

Look, a friend of mine gave me

this number. I just --

The line goes dead again. Jack dials a new number.

OPERATOR (V.O.)

(filtered)

Pacific Coast Bell.

JACK:

This is Sgt. Vincennes.

Requesting a name and address on a

phone number. Hollywood zero-one-

two-three-nine.

OPERATOR (V.O.)

(filtered)

Please hold the line... No such

number is assigned.

JACK:

I just called it.

OPERATOR (V.O.)

No, Sergeant. I checked twice.

JACK:

(realizes, hangs up)

A bootleg...

INT. MUSTER ROOM - NIGHT

Exley surveys the carousing rowdies. Raising his

voice...

EXLEY:

All right, men. You've had your

fun. Time to break it up.

The party continues undiminished. From across the room,

Stensland eyes Exley with disdain.

STENSLAND:

F***ing Exley. Guy's got a pole

so far up his ass, every time he

farts the flag waves.

WATCH COMMANDER'S OFFICE

The command not really his, Exley reads a report, ignores

the party, though his window looks into the thick of it.

Suddenly a ripple goes through the room. The men begin

to push out through a rear door. Exley stands, stops a

COP.

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Brian Helgeland

Brian Thomas Helgeland (born January 17, 1961) is an American screenwriter, film producer and director. He is most known for writing the screenplays for L.A. Confidential (for which he received the Academy Award for Best Adapted Screenplay), Mystic River, and A Nightmare on Elm Street 4: The Dream Master. Helgeland also wrote and directed 42 (2013), a biopic of Jackie Robinson, and Legend (2015), about the rise and fall of the Kray twins. more…

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