L.A. Confidential Page #9

Synopsis: Three policemen, each with his own motives and obsessions, tackle the corruption surrounding an unsolved murder at a downtown Los Angeles coffee shop in the early 1950s. Detective Lieutenant Exley (Guy Pearce), the son of a murdered detective, is out to avenge his father's killing. The ex-partner of Officer White (Russell Crowe), implicated in a scandal rooted out by Exley, was one of the victims. Sergeant Vincennes (Kevin Spacey) feeds classified information to a tabloid magnate (Danny DeVito).
Genre: Crime, Drama, Mystery
Production: Warner Bros. Pictures
  Won 2 Oscars. Another 85 wins & 82 nominations.
 
IMDB:
8.3
Metacritic:
90
Rotten Tomatoes:
99%
R
Year:
1997
138 min
1,197 Views


D) EXT. FREEWAY - DAY

A groundbreaking. The Mayor scrapes at the ground

with a gold shovel. Pierce Patchett is among the

distinguished guests.

END OF MONTAGE:

EXT. HOLLYWOOD HIGH SCHOOL - DAY

The marquee gushes: "Today Sgt. Joe Reno: Badge of

Honor Star Brett Chase."

INT. HOLLYWOOD HIGH SCHOOL - AUDITORIUM - DAY

A nerdy 14-YEAR-OLD asks Brett Chase:

14-YEAR-OLD

Why'd you become a policeman?

CHASE:

I'm not a policeman. I just play

one on television. But I think I

can answer for them. To help

people. That's why I do the show.

Chase looks over and winks at Jack who waits in the

wings.

CHASE:

To protect and serve. It's not

just a motto.

As the kids applaud, Chase joins Jack who gives him a

quick drag of a cigarette. A nervous PA joins them.

Chase points out a fetching girl in the second row.

CHASE:

That one. In the sweater.

(to Jack)

They also serve who only stand and

wait.

Chase and Jack watch the PA ask "Sweater" a question

while pointing to Chase. Maybe sixteen, she nods "yes"

eagerly.

CHASE:

Jack, I'll see you Monday on set.

JACK:

I won't be there. They're toning

down my profile.

PRINTING PRESS:

The latest issue of Hush-Hush flies through. On the

cover:
"Gail Russell Caught In Love Nest. Nymph or

No?"

INT. CITY JAIL - DAY

Bud White flips through today's booking slips, finds one

that's interesting. Reading to himself...

BUD:

Domestic. Assault and battery.

Containment Squad strong-arms, BREUNING and CARLISLE

pause as they pass.

CARLISLE:

Ready to go, Bud?

BUD:

I'll be there in five minutes.

CITY JAIL - HALLWAY

Bud walks to a door covered in sheet metal. He opens it

to reveal a holding tank with a burly, jumpsuited

PRISONER.

BUD:

I hear you like to hit women.

PRISONER:

My wife. She's dropping charges

so it's none of your business.

Bud enters, closes the door behind him. A beat, we hear

the sounds of FISTS ON FLESH. It's Bud's business now.

INT. BEVERLY HILLS MANSION - STUDY - NIGHT

Deuce Perkins (the Mickey Cohen narcotics lieutenant seen

earlier) stands at the bookshelf. He pulls down books to

reveal a shoe box. He sets it on his desk, pulls back

the cover to reveal several bags of white powder.

Heroin.

A BRANCH SNAPS outside. Perkins opens a drawer, fishes a

revolver. Turning off the light, he heads to the window.

His finger parts the curtains. At that instant, he

staggers, falls as GUNFIRE rips into him.

The heroin just sits there on the desk.

EXT. McNEIL PENITENTIARY - DAY

Grim-faced guards scan the yard from machine-gunned

towers.

INT. McNEIL PENITENTIARY - VISITOR BOOTH - DAY

Mickey Cohen sits across from visitor Johnny Stompanato.

Cohen is going off the handle.

COHEN:

What do you mean Deuce Perkins got

clipped last night?!

STOMPANATO:

They shot him in his library.

COHEN:

I don't want a floor plan; I want

to know who! Who's taking the

ticket for this, Johnny?

STOMPANATO:

Nobody. At least not yet.

COHEN:

And what about the merchandise

Deuce was holding for me?

STOMPANATO:

Gone. Not a trace.

COHEN:

Some ferstunkener is moving in and

we don't know who?! Maybe we

should ask Hedda Hopper!

As "STRANGER IN PARADISE" ENDS, so does the MONTAGE.

INT. BRIEFING ROOM - AD VICE - DAY

Addressing the squad, a no-nonsense VICE CAPTAIN picks up

a stack of magazines.

VICE CAPTAIN:

Picture-book smut, gentlemen.

There's been a bunch of it found

at collateral crime scenes lately.

Mostly narcotics and prostitution

collars.

As the Vice Capt. hands it out for the men to examine,

new member Jack Vincennes arrives late.

VICE CAPTAIN:

Look who's back from suspension.

We're honored, Sergeant Jack.

The men laugh. Jack sits, flips a magazine. Men and

women. Men and men. Girls and girls. Girls and horses.

JACK:

Gee. The Great Jerk-Off Book

Caper of 1953.

VICE CAPTAIN:

Vincennes, is there someplace

you'd rather be?

JACK:

Yeah, Cap. Back in Narcotics.

VICE CAPTAIN:

Oh? Anyplace else?

JACK:

Working whores with squad two.

VICE CAPTAIN:

Maybe you should have thought of

that before you made Bloody

Christmas page one.

Vice Capt. retrieves the magazines, hands them to Jack.

VICE CAPTAIN:

They're yours. Make a major case,

Sergeant. It's the only way

you're getting out of here.

Exaggerated "oohs" and "aahs" from the men.

VICE CAPTAIN:

Dismissed, gentlemen.

As they go, Jack sees the books are stamped: "Fleur-de-Lis

Whatever you desire." Jack takes the matching

business card from his wallet, the one he found on

Christmas Eve.

VICE CAPTAIN:

Roll, Vincennes. No sidetracks.

This is Ad Vice, not Narco.

Rate this script:0.0 / 0 votes

Brian Helgeland

Brian Thomas Helgeland (born January 17, 1961) is an American screenwriter, film producer and director. He is most known for writing the screenplays for L.A. Confidential (for which he received the Academy Award for Best Adapted Screenplay), Mystic River, and A Nightmare on Elm Street 4: The Dream Master. Helgeland also wrote and directed 42 (2013), a biopic of Jackie Robinson, and Legend (2015), about the rise and fall of the Kray twins. more…

All Brian Helgeland scripts | Brian Helgeland Scripts

0 fans

Submitted by aviv on November 06, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "L.A. Confidential" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/l.a._confidential_486>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    L.A. Confidential

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who wrote the screenplay for "The Godfather"?
    A Robert Towne
    B Oliver Stone
    C William Goldman
    D Mario Puzo and Francis Ford Coppola