Ladies of Leisure Page #4
- PASSED
- Year:
- 1930
- 99 min
- 77 Views
Will you kindly respect my gray hair?
Until I met you.
Aw, look at those cute little oysters.
Ok, Mein.
How did you enjoy the opera?
It was grand.
It was beautiful.
Oh, boy, what music.
It was like the ocean.
Gee, you could just float in it.
Did he introduce you
to any of his swell friends?
I went alone.
You told me you were going with him.
Supposing I did.
You mean to tell me you bought
your own ticket?
When you bumped into this dump fish
you said he was a blank check.
He's a bust, huh?
No, I'm a bust.
A fellow by the name of Standish
came over to see you tonight.
Yeah? What did he want?
He didn't want me.
- You know, if I were you...
- But you ain't me.
on me before, honey.
You aren't falling
for this artist guy, are you?
Who said so?
for that paint sling
and high hat with his cockeyed
idea of hope and stars?
I hate him.
I wish I'd never met him.
Hello, Dot. Hello, Kay.
Hello, Charlie.
- How about a little exercise?
- Sure, anything.
Say, Kay, I missed you.
Where have you been keeping yourself?
Oh, what's the diference? Let's dance.
The old blue number, eh?
Well, I'll beat the blues away.
Hello.
Yes.
Yes, she is.
Certainly.
talk to you, Miss Arnold.
Thanks.
Hello.
Hello, hon.
Am I taking you away
from anything important?
No, it's a rest period.
We're working tonight.
The boss is taking the air outside.
Here.
No, no, no.
- I just made it. It's good.
- I'll have it later.
The Standish guy was here
to see you tonight.
Yeah? What did he want?
Seems he has two tickets
on a boat to Havana.
And he says you're the other ticket.
Seems he's a friend of this artist guy
and he don't wanna let on he's competition.
Mr. Quinlan, you stop!
Listen, I got one of these
hysterical husbands here tonight.
Yeah.
Say, why don't we make this a foursome?
You and the artist, me and Standish.
I'm not going to Havana.
I'm just a poor working girl.
Besides, we're working overtime tonight.
Atta Kay, atta Kay.
Don't worry. I'll be home later.
Toodle-oo.
Here you are, baby.
Mr. Quinlan, if you ever do that again...
I'm gonna sock you right in the nose.
Do you mind if I sit here a while?
No, I'd be glad to have you.
Be careful there.
I never get dizzy.
Look at them twinkle.
Don't they, though?
Like a lot of fireflies.
And the people look like little bugs.
Oh, not down there.
Look up here.
Oh, they're too far away.
You can reach for them just the same.
What good are they?
A lot of good.
Mariners use them to steer by
when they lose their way.
And they always get to port.
Have you ever been to Arizona?
Furthest west I've been is Jersey City.
Great place to live Arizona.
Great place to paint.
No skyscrapers to stab the horizon.
Nothing but purple hills.
Even the stars seem closer.
and grab the big dipper by the hand.
How long do you figure it's gonna take you
to finish this painting?
Oh, I don't know, why?
I wanna quit.
Wanna quit?
Hm-hm.
What for?
Don't I pay enough?
Yes.
Well, what then?
Oh, I don't know.
Would it put you out any if I quit?
Would you care?
No, only I'd like
to finish the job I started.
Is that all?
What do you mean is that all?
What difference does it make whether
you do finish it? Who cares?
It'll be just another painting.
The museum is full of paintings.
Now look here, Miss Arnold.
Miss Arnold, Miss Arnold!
Can't you call me Kay?
What am I?
A statue or a hunk of furniture?
That's the way you treat me.
I'm a human being.
Oh, I wish I was dead.
Now, stop it.
Cut it out.
Kay.
Don't, Kay.
Please.
Oh, I'm no good.
You are so.
I'll prove it.
I'll put it on canvas.
If you only won't quit.
Well, I wouldn't quit for
a million dollars.
If you call me Kay I won't quit.
I knew you wouldn't...
Kay.
I know it's a tiresome job.
No, it isn't. It's a beautiful job.
I love it.
Even if it takes you
fifty years to finish.
Now, stop the crying.
Am I good-looking?
I'll say you are.
that other one that comes up here?
Well, that's a peculiar question.
You're just not the same type at all.
What were you saying about Arizona?
Well...
Everything's different out there.
The stars are closer.
The atmosphere is...
Hold it.
Hold it.
That's the look I've been after.
That's what I want to paint.
Come on here now.
Hold it now.
Yes.
Just the way you are now.
Don't lose it.
That's fine.
Just the way you were.
Just like that now.
Oh, I'm all right.
Will you take a little water?
Please.
I'm sorry.
I can pose again in a few minutes.
I'm awfully sorry.
I didn't dream it was this late.
I wouldn't have kept you sitting
there that long.
We'll quit now.
I'll make this up to you, Miss Arnold.
I'll give you an extra check.
Much obliged.
Well...
Do you mind if I sit by the fire
and warm before I go?
Certainly not.
You know, it's awfully late
And it's raining.
I think you'd better stay here all night.
Oh, no, thanks I'll get a taxi.
I don't want to put you out.
It's no trouble.
You can take my room.
Oh, please. I'd rather not.
I don't want to inconvenience you.
Well, if you don't want to do that,
take the couch.
You mean you want me to stay here
all night?
Sure.
If you feel better we'll
get started early in the morning.
Oh, boy. I'm glad we're started too.
Yeah, we're started.
I'll get you some things.
I'll bet this old couch is gossiping.
to spend the night in this studio.
Yeah?
Now tell me the one about
the travelling salesman.
Dot sure would get a laugh out of this.
- What was that?
- Nothing.
Just talking to myself.
Well. Here's some pajamas for you.
I guess they'll be a little bit large,
won't they?
Well. I guess that'll be
plenty warm, won't it?
Hm-hm.
If there's anything you want,
just call me.
- Good night.
- Good night.
Well, good night.
There.
Good morning.
Oh, good morning.
You didn't have to do that.
There's a servant in the house.
Well, I thought maybe if I cooked it myself,
you might invite me to breakfast.
Well, set them down there.
You might put it down a little bit.
Give me your plate.
Oh, me?
No, I'm not hungry.
I never eat breakfast.
Oh, here.
Go ahead, you can read your paper.
Don't mind me.
Can you do that?
I can do better than that.
Young lady, come over here.
Come on.
Now what's the matter with you?
Nothing.
Nothing.
I forgot your sugar.
I know.
You only take one.
Oh, good morning, Jerry.
Well, good morning, Governor.
Meet Miss Arnold, my model.
- How do you do, Miss Arnold?
- How do you do?
I hope I don't intrude.
Oh, no. We worked late last night so...
I understand.
Art and all that.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Ladies of Leisure" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/ladies_of_leisure_12131>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In