Lady in the Lake Page #9

Synopsis: The camera shows Phillip Marlowe's view from the first-person in this adaptation of Raymond Chandler's book. The detective is hired to find a publisher's wife, who is supposed to have run off to Mexico. But the case soon becomes much more complicated as people are murdered.
Director(s): Robert Montgomery
Production: Warner Home Video
 
IMDB:
6.6
Rotten Tomatoes:
60%
APPROVED
Year:
1946
105 min
891 Views


'God bless us, every one. "'

Then, when I was 16, I had to go to work.

Counter girl at a soda fountain.|Peanut butter sandwiches and hot coffee.

If all the malted milks I served|were laid end to end, Marlowe...

- Do we answer it this time?|- No. More malted milk.

I worked there for a year.

Then, when I was 17...

Adrienne, it's I. Open the door.

- Kingsby. Do you want to see him?|- He's your boss.

No, he's yours.

All right. Let him in.

What's the idea?

Are you hiding for someone?|I've been phoning you for hours.

I thought you might know|where I could find Marlowe.

I do. Who's that?

Where have you been?|I've searched everywhere for you.

Your office, hotel room,|three different jails.

They're very sore at you at Bay City jail.|They told me you were there.

Then they brought out a different man.

Somebody's impersonating you.|They're looking for you.

- They happen to follow you here?|- Yes.

That is, two detectives|have been tailing me all day.

I go in and out of places,|they always wait outside in a car.

That's fine. Why didn't you invite them up?

I don't know what your troubles are,|but I have my own.

All right, let's hear yours.

Well, the reason I've been trying|to find you is...

It may seem ridiculous,|but Chrystal, my wife, she's in Bay City.

How do you know?

She telephoned me. She's in awful trouble.

The police are after her, and she needs|money. She sounded desperate.

Naturally, I want to help her|until we can get lawyers...

If she wants money,|why don't you take it to her?

With two detectives following me? No.|They're not going to find her through me.

- You're going to take her the money.|- I am, am I?

I have $500 here,|all the cash I could raise on a holiday.

It's worth anything to me to get it to her.

You've used that word "anything"|a couple of times. How much is anything?

You'll get $5,000 either way.

- That's a deal, Santa Claus.|- What's a deal?

I don't want you|going down there to see her.

I don't want you even near her.

She's trouble.|Two people have been killed already.

Maybe she's got some answers.

I don't want you near her.|Something might happen to you.

Should I just stay here|and let the cops come after me?

- We'll figure a way out.|- And end up where?

In a gutter somewhere|with my teeth bashed in...

smelling of whiskey I never drank?|Running down alleys?

The only way out is to see Chrystal|to solve things.

- Let somebody else solve it.|- And there's the money.

$5,000, just in case my typewriter|breaks down and I can't write stories.

Just in case New York gets cold|this winter.

$5,000. It's enough money to start on.

And more than enough to bury you with|if you're killed.

I said once, everything or nothing.|This is it.

No, it isn't it. I won't let you go.|We'll leave town, go anywhere.

Still trying to pull me off it?|Trying to make me duck the windup. Why?

- Any personal reasons?|- Don't be ridiculous.

I'm not. If I ran away and never found out|the answer to the rest of this...

I'd never know for sure about you,|would I?

All right, then.

Where do I meet her?

She'll be near a cocktail bar|called The Peacock Room...

on the main boulevard near 14th Street.|Here, wear this. She knows it.

She'll go there every half-hour.

You'd better leave|and take the detectives off me.

Take them on a tour of Chinatown.

Keep them following you|while I go to Bay City.

Right. I got it. Good luck, Marlowe.

Marlowe. Wait a minute.|You realize, of course, it may be a trap...

that Kingsby himself has set for you.|Please don't go.

Everything or nothing.|I'm going to trust you.

If you're not on the level,|I get a face full of bullets.

- lf you are, I'll see you down there.|- What?

I want 10 minutes alone|with Chrystal Kingsby.

And then I want you to show up with|Capt. Kane and one or two of his boys.

It's the chance I have to take.|What I'm going to try to do is this.

Make Chrystal take me|to wherever it is she's hiding out...

hotel room, apartment, wherever it is.

How will we know where it is?|How will we find you?

Quoting a girl named Fromsett,|I read a story once...

how a detective carried rice in his pocket.|As he walked along, he distributed it...

kernel for kernel, and left a very nice trail.

Why don't you let Kane arrest Chrystal?

We'd never get anywhere.|She'd be locked up and so would I.

- Are the keys in your car?|- Yes.

I'll go down the back stairs to the garage.

Goodbye, Miss Fromsett.|You've been charming company.

This is the payoff, isn't it?

Say that again about...

the "I'm scared,|but it's wonderful" feeling.

I'm scared, but it's wonderful.

Goodbye.

- Give me the money.|- You get right to the point, don't you?

You've got the scarf, haven't you?|Don't give me any conversation.

Slow down.|I want to talk to you, Mrs. Kingsby.

There's nothing to discuss.

Hand over the money and leave me.

It's not that simple.|Where are you hiding out?

What makes it your business?

An envelope I have in my pocket|with $500 in it.

A measly $500. That would be him.

That's all he could scrape up|with the banks closed.

Do you want it|or just want to crab about it?

Give me that money.

Nice job of hair dyeing. Of course,|I never saw it blonde, Mrs. Kingsby.

Have your hopes.

You talk my language, Mrs. Kingsby.|Let's go.

- All right. Come on.|- Sure you haven't been spotted?

As sure as I know how to be.

- How far is it?|- Not far.

- Close the door.|- Sure.

I'm afraid you're never going to get to see|my hair blonde.

Too bad, isn't it?

I can stand it.

Sit down.

There.

- Nice to have a pair of them, isn't it?|- A pair?

A pair of little guns.

Little guns that fit into purses or pockets|and kill just the same as big guns.

Why don't you take it out?

Yes, it is nice, isn't it?|Now if you'll just hand over...

You did the landlady,|the Mrs. Fallbrook character, very well.

You weren't bad as the finance company.|"The friend of every landlord."

The cops say Lavery was killed|the night before we met in his house.

What I can't figure is|what you came back for that morning.

Money, mister. I was looking for money.|I needed it.

A little careless about money, aren't you,|for a girl who's so careful about murder?

Give me that money.

You don't really think|I've got the dough in my pocket, do you?

- Think of my trading position.|- Where is it? In your car?

No. It's in my hotel room.|Under the mattress.

- You're a liar. He promised...|- Take a look for yourself.

Don't be afraid.|I don't carry a gun when I call on ladies.

- lf you haven't got that money, l...|- What will you do, shoot me?

- Don't you think I will?|- Sure I do, Mildred.

- What?|- I said sure, I think you will.

- You shot Lavery, didn't you?|- No.

You don't think|I believe you're Chrystal Kingsby, do you?

Mr. Kingsby believed it when you talked|on the phone, didn't he, Mildred?

You're Mildred Havelend.|You murdered the Almore woman.

She was asphyxiated in her car.|It was an accident.

The lady in the lake, instead of being you,|is Chrystal Kingsby. Is that an accident?

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Steve Fisher

Stephen Louis Fisher (born March 24, 1945) is a retired American basketball coach. Fisher has served as the head coach at the University of Michigan, where he won the national championship in 1989, and was an assistant at Michigan, Western Michigan University, and the Sacramento Kings of the National Basketball Association. From 1999 to 2017, Fisher was head coach at San Diego State. Fisher attended Illinois State University, where he helped lead the Redbirds to the Final Four of the 1967 NCAA College Division Basketball Tournament. more…

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Submitted on August 05, 2018

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