Lantana Page #5

Synopsis: Trust. A dead body in bracken. A cop cheats on his unhappy wife who, in secret, sees a psychiatrist whose own marriage is corroded by grief: she thinks her husband is having an affair with a gay patient of hers. The cop's lover, Jane, is recently separated, and her neighbors - a couple with children - include a muscular unemployed man. Late one night, the doctor skids off a back road, finds a call box, and tries in vain to reach her husband. She sees headlights and flags down the driver. Later that night, Jane sees her neighbor park his truck and throw something into the lantana in a vacant lot. It's a woman's shoe. Unraveling the mystery lays bare five couples.
Director(s): Ray Lawrence
Production: Lions Gate Releasing
  36 wins & 22 nominations.
 
IMDB:
7.3
Metacritic:
84
Rotten Tomatoes:
90%
R
Year:
2001
121 min
$4,277,569
Website
524 Views


Maybe habits sometimes,|passion, our kids.

Ours was held together|by grief.

There wasn't|much else left.

You didn't love her|anymore?

I'm saying that sometimes,|love isn't enough.

Claudia:
Leon!

Where the hell|have you been?

We got a call from a man,|saying his wife saw a neighbor

throw a shoe into a vacant lot|on the night Valerie disappeared.

She's got the shoe.|Black leather.

Where are we going?

- This could be tricky.|- Why?

I know the woman.

Oh Jesus!

( knocking on door )

- Detective Claudia Weis.|- Leon!

- We had a drink the other night.|- How are you?

Good.

You'd better come in.|My wife's pretty upset.

Pete:
Jane, it's the police.

- This is Leon and--|- Claudia.

- and Claudia. Jane.|- Is that the shoe?

Yeah.

You shouldn't have touched the shoe,

- Mrs...?|- O'May.

It's Jane O'May.

Right, Mrs. O'May,|you shouldn't have touched it.

Well, I did.

Yeah, but you shouldn't have.

Well, I did, didn't I?

It's on the table.

- Could we have some coffee?|- Yeah.

It's out|the back here. Thanks.

I'll give you a hand.

( whispering )|Are you all right?

- Have you got a light?|- Yeah.

How do you want to handle this?

You're a policeman, aren't you?

Why don't you just do your job?

I've never seen you before.

Nik:
|Can I speak to Paula, please?

Nik:
It's urgent.

Can you tell her to|call me as soon as she can?

Yes, as soon as she can, please.

( knocking on door )

Leave it!|Go get your brother.

Nik D'Amato? Detective|Claudia Weis, City Central.

My kids. I need|someone to watch my kids.

Right. I'll give you|a couple of minutes.

Jane:
So I go to the window,

at about 1 1 :
30.

I go to the window,|and he's chucking that.

and he threw it over there,

and he was looking|like he was...

really guilty.

( knocking on door )

Nik.

Nik:
You're back, Pete?

Only sort of.

- How are you?|- Good. And you?

I'm in a bit of trouble.

Can you take the kids?

Just till Paula gets back.

Nik:
I wouldn't ask|unless I really needed help.

We'll take them.

Thanks.

Here you go.

Nik:
Thanks.

There's pajamas, toothbrush...

there's a video and some|other stuff in there as well.

Thanks very much, okay?

It's time to go.

No, Daddy, don't go.|Don't go!

Come on.|I'll be back soon.

- Come on.|- No! No!

How did you get the|scratches on your face?

- I want to see my wife.|- She's on her way.

Can you tell us where|you were Friday night?

I want to see Paula.

You are in deep sh*t, mate.

Your wife can't help you.

- Do I know you?|- I doubt it.

- I've seen you before.|- Shut up! Shut up!

- You were next door at Jane's place.|- I told you to shut up!

Where are my kids?

- Where are my bloody kids?!|- With your neighbor.

- Who are you?|- Calm down.

- I don't want to be calm.|- Can I get you something?

Yes, you can get|me my husband.

- And get me out of here!|- Can you just step in here?

Mrs. D'Amato.

I'm Detective Sergeant Zat.

I believe you met|Detective Constable Weis.

I want to see Nik.

Your husband is helping us|with our inquiries.

Bullshit.

He was seen throwing a shoe|into a vacant lot.

Who saw him?

A search was conducted|in the block opposite your house.

Mmm?

Another one?

My kids play there.|Every kid on the street plays there.

They found the shoe.

It was identified as belonging|to Ms. Valerie Somers.

She's been missing|since last Friday night.

Paula!

- Jane:
Hello?|- Janey, it's Paula.

Hi.

Paula:
Is Andrew awake?

Your kids are fine.

- You know?|- Maybe I could talk to Hannah.

Jane:
No, she's asleep.

- Paula:
The baby?|- You know what? They're all asleep.

Sorry about this, Janey.

Nik's in trouble.

They won't let me see him.|I don't know what to do.

You know what?|It's okay.

Everything's okay.

Jane:
Your kids are really safe.

I'm sorry.

I'll get there as soon as I can.

- Okay.|- Paula:
Thank you.

Bye, Janey.

Does she know|you rang the police?

No.

They say you've...

hurt some woman, Nik.

I didn't, babe.

I didn't touch her.

Don't. Not yet.

- What is it, Hannah?|- The baby's sick.

What is it?

What is it?

He's burning up.

- Get us a flannel. A wet one.|- Panadol.

- What?|- He needs Panadol.

Panadol.

- Poor little thing.|- It's all right for babies?

- I don't know. Only get half.|- Baby Panadol.

- What?|- Baby Panadol.

- You'll have to go to the chemist's.|- There's some at our house.

I'd met some mates for a drink.

We used to work together.|It's something we keep up.

We drank more than we should have,|so I took the backroad.

The police don't patrol it.

It must have been about...

a quarter to 1 2:00...

and I see this woman standing|at the side of the road.

I don't want to stop.

It's late, and I'm thinking|Paula will get worried.

But what do I do?|The woman needs help.

So I pull over.

My car ran off the road.

Get in.

Thanks.

What's your name?

Valerie.

I'm Nik.

Nik:
It turns out she lives|in one of those houses by the Bay.

There's a string|of houses along there.

It's out of my way.|It's in the opposite direction.

She doesn't say much.

I can tell she doesn't want|to talk, so I just...

leave it.

But I know this shortcut

and I just don't--|I just don't think.

And before I can say,|''This is the short way,''

she's gone.

What do you mean,|she's gone?

Hey!

Wait!

Nik:
|I'm not going to hurt you.

Trust me!

( gasp )

You know...

I thought that...

if I'd leave her alone...

she'd stop|being afraid of me.

I just--

I just left her there.

When I got home,|I saw her--

I saw her shoe

on the floor of my car.

And I--

Jesus, I just wanted|to help the woman--

Why didn't you report it, Nik?

Because I thought|she'd be all right.

I thought she'd find|her way out of there.

Then when I--

and when|I saw her on the news...

that she was missing, I--

By then who was going|to believe me?

Thank you...

for letting me know.

Bye.

Paula? Come in.

Hi.

Hey, sweetie.

- Paula:
Daddy will be home soon.|- Maybe they can come back later.

- They've been so good for me.|- No, I don't think so.

Paula.

He didn't do it, Jane.

How do you know?

He told me.

Paula?

Jane:
|What could I do, Paula?

All right.

Go inside and put|your bags in your rooms.

Stupid--

You've got no right, Jane!

You hear me?!

You have no f***ing right!

I don't want to see you|anywhere near my kids again.

I was home, Leon.

I didn't pick up the phone.

Valerie on tape:
|John? There's a man...

Patrick.

He's a client and he's--

he's gay.

I don't understand this.|I don't understand...

us...

anymore.

I don't want this|to be happening to us.

Oh... there are lights.

There's a car coming.|I'll wave it down.

Wait for me.|We'll talk when I get home, okay?

Bye.

I love you.

( machine beeps )

I thought she would come home.

Sonja, on tape:
|It's not that he might have...

slept with another woman.

It's...

that he might not tell me.

That would be the betrayal.

Valerie:
|Do you still love him?

Sonja:
Yeah.

I still love him.

I don't want to lose you.

What?

I don't want to lose you.|I couldn't bear it.

Rate this script:0.0 / 0 votes

Andrew Bovell

Andrew Bovell (born 23 November 1962) is an Australian writer for theatre, film and television. more…

All Andrew Bovell scripts | Andrew Bovell Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Lantana" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/lantana_12214>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does the term "beat" refer to in screenwriting?
    A A type of camera shot
    B The end of a scene
    C A brief pause in dialogue
    D A musical cue