Leaves of Grass Page #7
ever-lasting rest.
Because Jesus is a,
is a compassionate God.
Brings to mind the story of,
uh, the old man who was
walking down the beach.
He stops and he just,
he's just taking in
the glory of the creation
And suddenly he realizes
And he turns and he looks
And it's Jesus.
And he says, Lord, Lord...
Are you listening
to this bullshit?
Hey, Momma.
Billy?
Well, you've got
a nice view.
I like watching
the storms come in.
You used to get
so scared of 'em.
Do you still?
I don't think
anything like that
scares me anymore.
If you aren't
scared these days,
you aren't alive.
I'm sure many people
would agree with you.
Coming here
didn't scare you?
N... uh,
maybe a little.
Why?
I didn't
come here to have
that conversation, Daisy.
So one minute
you were there
and then you were gone.
What happened?
No, I, I'm serious.
I'm really, really
not gonna do this.
Why, Billy?
Billy. Why?
All right. Because
we needed a mother
and not another friend
to get f***ed up with.
I couldn't be both?
But you weren't both.
Are you saying
that I didn't raise you?
I don't know what
the f*** you were doing.
Reading every book
you read
every paper
you wrote even when
they were beyond me.
I didn't need you
to tell me I was smart.
I needed guidance.
Brady did.
You don't have
to tell me about Brady.
Don't you think
I know that every
time he comes here?
All I ever wanted
was a tiny taste
of something resembling
Where everything's a lie?
You know that I actually
went away to school
and took a class
in the culture
of the Sixties
just to try
to understand
the way you lived?
The, the, the choices
that you made, just to,
to try to make sense
out of all that new
freedom and upheaval
and f***ing anarchy?
And you know,
the problem is
you tore everything down
but you were too lazy
as an alternative.
As usual, you've got it
all figured out.
Am I ever gonna
see you again?
I don't know.
I don't think so.
[Soft music]
I'm sorry.
Yeah. Me, too.
[Soft music continues]
Now calm her down.
Calm her right on down.
He ain't gonna
get here in time.
Wait!
[Soft music continues]
Other day you met
my peaceful side
Now you tell Buddy
the next time I slide
into Broken Bow
if Bolger wants
want a refreshing potable
I expect a little
more f***in' kindness.
[Screams]
Ah! Ah! Ah!
Ugh!
[Screams continue]
[Screams and soft
music continue]
Jack Rothbaum, known
as Pug to his friends,
was a controversial
figure in Tulsa's small
Jewish community
An enormous
success in the oilfield
equipment business
he gave millions of dollars
to the state of Israel
as well as other Jewish
and statewide causes.
Uh-oh.
(female)
Pug Rothbaum
was a man
of generosity and valor.
Every nickel he made, most
of it went to help others,
Jews, Christians, everyone.
He didn't.
What?
(Rabbi)
Our community
and the city of Tulsa
have lost a great man.
Pug Rothbaum's
name adorns buildings
and signs
all over our city and state,
including various
hospital wings
his his museum
of Indian heritage
and this rest stop
on the Will Rogers Turnpike.
(Brady)
Hey, y'all, we're home.
Hey, sweetie.
What have you done?
What you talking about?
This?
(TV)
Now, one curious
aspect of this case
is that the swastikas
were drawn backwards.
Indicating either haste
or a lack of familiarity
of anti-Semitic emblems.
Or perhaps,
rather more implausibly
that Hindus were involved.
Look, I ain't no Hindu.
The guy
you owed money to?
A Jew up in Tulsa?
Don't point your finger
at me. I've been with
Bolger all day
Oh, come,
uh, hey, Billy.
Hey. All right, calm her
down. I don't wanna upset
Colleen. I mean it.
Tell me
that you didn't do this.
He was gonna kill us
and I had no choice.
Uh! Ah! You... You...
You go to the cops
and explain things.
You go and hide,
you do anything but that.
And, and, what, what
were those swastikas?
The symbols that
the Nazis put on all
their little trinkets.
I'm familiar
with the contextual
history of the swastika.
Why would you want it
to look like a hate crime?
So it don't look
like a drug crime.
Great. Perfect.
Just confirm that we're
the redneck hick state
that everybody
thinks we are.
Don't talk down Oklahoma.
How? How is it possible
that you are so brilliant
and so monumentally
selfishly ignorant
at the same time?
Were you ever
in a situation where
it was you or someone else?
I don't put myself
Well, that's
the real world,
Billy. I hate to tell ya.
If you had to kill someone
to protect you or your own
you'd do the same thing.
I got a baby coming.
[Suspense music]
I'm leaving tomorrow.
You gonna turn me in?
No. I don't know.
I don't know what
I'm going to do.
Listen, listen.
This guy, he sold
drugs all over this state.
You said he didn't sell.
He sold to the ones
what sold 'em.
All right? Now,
he was comin' here
to force me to expand
into sh*t I don't
even wanna talk about.
They're gonna find you
and you're gonna get killed
or you're gonna go to jail.
And then where are your
wife and kid gonna be?
That's the beauty of it.
Well, I wasn't up there.
I was down here. Remember?
Ah! You a**hole!
Do you have any idea
what you're doing to me?
(Brady)
Son of a b*tch!
Billy?
You are going
to ruin my life!
Ugh.
[Phone rings]
Oh, answer
the phone.
Colleen'll get it.
Just answer
the f***ing phone.
Hello?
No, it ain't.
It's his brother.
What? Who?
Who is it?
Well, he's
right here. Hang on.
Hello?
Bill. Uh, Nathan Levy.
Nathan! N...
Ugh.
How did you, how
did you get this number?
Don't you f***ing move.
(Levy)
I hope you don't mind.
I, uh, spoke to Maggie
Harmon down at Brown.
(Levy)
Is this a bad time?
It's fine.
Uh, you know what?
Give me one second.
Ooh, ooh, sorry.
Sorry, Nathan,
go ahead.
Well, you didn't hear
this from me, Bill.
But you're about
to be ambushed down there.
By whom?
Something about
a coed and a poem.
And some other behavior
which I would rather
allow you to infer.
What?
You've gotta be kidding.
Nobody would say that.
Apparently there
was a witness, Bill.
Nathan. Na..., Nathan.
Listen to me. That is absurd.
That's why I'm reaching out.
But until whatever
happened blows over
we can't...
I understand.
Everything all right?
No, it isn't.
Now, where can I find
a signal for this?
(Anne)
I wrote a poem
for you in Latin
for when you got back.
It was a send-up of Virgil
in dactylic hexameter.
And it was all about
we were together in mi...
Stop. Inappropriate.
I don't want to hear it.
So I was in the library
and Mark Loeb read it
over my shoulder.
He sight-translated it?
I know. He was really good.
It had like five
hortatory subjunctives.
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"Leaves of Grass" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/leaves_of_grass_12372>.
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