Les espions Page #8

Synopsis: A psychiatrist, desperate for money to keep his faltering practice running, makes a deal with a spy to hide a mysterious person in his clinic in return for a million francs. As soon as the deal is struck his place is overrun by spies from both East and West, all in search of a renegade nuclear scientist. The psychiatrist's own sanity starts to break down as he submitted to unmitigated surveillance and deception.
 
IMDB:
7.0
Year:
1957
125 min
44 Views


We couldn't have found a better bait.

- Thank you!

- You're welcome.

One hour after her arrival, you had

fifty of them breathing down your neck.

And big shots too! Cooper, Kaminsky...

All thick as a brick

and as nasty as anything.

They must be furious.

If Howard and Vogel

fall into their clutches...

- We must warn Howard.

- Can you contact him?

- No.

- Well, then.

- Are you leaving?

- Yes.

- Quickly and as far away as possible.

- You're afraid.

Lon is dead and so is Victor.

Bad luck comes in threes.

I'm not superstitious.

It's up to you.

Here... a little souvenir.

- I'd give anything to find Howard.

- You have nothing to give.

- I have one million.

- Well...

Well, well, well...

You know where to contact

the Colonel?

No, but I have contacts.

And for one million,

I'll make an effort.

- A packet of Gauloises "corn paper".

- They don't exist.

Then give me a box of matches.

- A box?

- A book.

- Well?

- You have the money?

The Colonel is upstairs,

on the fourth floor.

- You're not coming with me?

- I'm no longer interested in this matter.

- Thanks, anyway.

- Good luck, Doctor.

Are you here?

- Doctor, what a timely arrival.

- You got him?

No. When he saw me, he lost

his mind and took some poison.

Help me get him on the bed.

I need to know what he took.

What was it, Howard? Tell us.

Get this from the chemist.

Hurry up, Cooper.

Every minute counts.

Am I disturbing you?

- Have you killed him?

- He took some poison.

- Mr Cooper, time is passing!

- But I can't leave him with him.

- Then you go, Mr Kaminsky.

- Do you take me for a fool?

Please, gentlemen, look at him!

We'll go together, all right?

All right.

We'll have a chat.

Forgive me, Howard.

It's all my fault. I acted like a fool.

- I'm going to get you out of here.

- I don't want to.

- Let me die.

- I can't, I'm a doctor.

They'll make me talk.

Save Vogel.

Marseilles?

You want me to take Vogel

to Marseilles?

He'll be on the blue train?

And then?

Howard, what then?

Car... go...

Bo... li... var.

Blue train, Departure at 8 pm,

First class sleeper only,

Calling at Dijon, Lyons, Avignon,

Marseilles St Charles,

Toulon, St-Raphal,,,

- Single 17.

- 17? Great.

- You don't have any luggage?

- No.

- My tickets?

- We keep them, sir.

,,, direct to San Remo,

Restaurant and bar,

Ladies and gentlemen,

we wish you a pleasant journey,

- Do you have a message for me?

- No, sir.

- You didn't take my ticket earlier.

- My colleague is having dinner.

- It's ready, sir.

- Thank you.

Would you like a bottle

of mineral water?

No, a bottle of dry white wine.

- Half?

- No, a bottle.

- Meursault, champagne, riesling?

- No, ordinary.

- Then it will be chablis.

- Whatever.

- Excuse me, sir.

- No, stay!

I'm replacing Howard.

Are you Professor Vogel?

- Where's Howard?

- He killed himself.

My God!

He didn't suffer too much.

He died in my arms.

Why?

- Were you two close?

- I didn't know him well.

We met in Berlin once

and understood each other straightaway.

When I told him

what I had found out,

he helped me escape

from the Russians... and the others.

We deserted together.

- What is it?

- White wine, sir.

- Not now. It's too late.

- Very well, sir.

That scared me.

Me, too.

Are you travelling in this car?

- No, I'm nowhere.

- I'm proud to be able to help you.

The whole world is proud of me.

My country is proud of me.

But I'm not proud of myself.

- And you, what do you do for a living?

- I'm a psychiatrist.

You're a doctor.

You try to cure people, to save them.

Me, everything I invented

leads to a massacre.

If you knew what's in my head.

It's appalling.

- A new bomb?

- Less than that... and a lot more.

For the price of one bomb,

I can build two to three hundred.

Instead of using ten kilos of uranium

or plutonium to blow a hydrogen bomb,

I use the equivalent of a button.

I managed to reduce the critical mass

of a chain reaction, that's all.

That means a very cheap bomb.

A massacre available to everyone.

The end of the world.

And to think it was all by chance.

Ideas turn round inside the neurons.

Then they cling on and it's over.

You can't unhook them.

You're not responsible.

No. And yet...

Let's see, Doctor,

you're a psychiatrist.

Isn't there a way to erase an idea,

to expel it from the brain?

To destroy it so completely that even

torture can't make it resurface again.

No, I don't think so.

Then it's the brain

that has to be destroyed.

My only way out is suicide,

like Howard.

To never speak again.

You don't have the right. You can

invent other things than bombs.

But they won't allow it.

This is what they want: Death.

Other people's death.

The blackmail of death.

They all want to be right

and the last reason...

...is this one.

DIJON - CITY

Dijon:
Three-minute stop,

Fast train number three

calling at Lyons,,,

Where are we?

In Dijon.

We've done a third of the journey.

Something is worrying you?

Wait.

I must have been mistaken.

I missed the train. Luckily

I had a fast car and a good driver.

We nearly rolled over three times.

- Did you hear the guy who spoke?

- Do you know him?

- I'm afraid so.

- They picked up my trail?

- I don't know.

- We must know.

Remember what I said?

I'll kill myself or they'll kill me,

but they won't get me alive.

Go.

Have you seen a man who...

Doctor, what a surprise!

Would you like a drink?

- No, thanks.

- Stay here. Don't go back there.

- What did you do to him?

- Nothing. I was in the bar.

Bastard!

- We keep bumping in to each other.

- Let me through!

- What's the matter?

- The doctor is losing his mind.

- Where is Vogel? Murderer!

- Don't be silly, Malic. It's over now.

I've only just started.

You kill a man, destroy the evidence

and I should shut up?

- Don't make such a fuss!

- You'll go to jail, you bloody spies!

Gentlemen, keep the noise down.

People are sleeping.

Stop the train.

They are spies.

They killed Hugo Vogel,

a great physicist.

- They threw him out of the window.

- This window? You saw them?

Almost. When I arrived,

Vogel's hat was on the bed.

- What did you do with it?

- They threw it out.

- In which car was Mr Vogel travelling?

- He wasn't in any car.

He was hiding.

This train is full of spies.

- They even have a membership badge.

- May I?

"Association of ocarina players".

Your colleague must have seen Vogel

when he brought the wine.

- My colleague?

- While you were having dinner.

I haven't had dinner yet.

I've been here all the time.

You're with them!

Doctor, calm down!

Dr Malic is a distinguished psychiatrist.

- You're going to say I'm mad.

- Just a bit overworked.

Overworked?! I'll get off at the next

stop and tell everything to the police.

I'll tell them all about you.

Bastards! Swines!

I went to the police

and told them everything in detail.

They didn't even listen to me.

Of course,

I needed proof or witnesses.

Some people know and could

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Henri-Georges Clouzot

Henri-Georges Clouzot (French pronunciation: ​[ɑ̃ʁi ʒɔʁʒ kluzo]; (1907-11-20)20 November 1907 – (1977-01-12)12 January 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed The Wages of Fear and Les Diaboliques, which are critically recognized to be among the greatest films from the 1950s. Clouzot also directed documentary films, including The Mystery of Picasso, which was declared a national treasure by the government of France. Clouzot was an early fan of the cinema and, desiring a career as a writer, moved to Paris. He was later hired by producer Adolphe Osso to work in Berlin, writing French-language versions of German films. After being fired from German studios due to his friendship with Jewish producers, Clouzot returned to France, where he spent years bedridden after contracting tuberculosis. Upon recovering, Clouzot found work in Nazi occupied France as a screenwriter for the German-owned company Continental Films. At Continental, Clouzot wrote and directed films that were very popular in France. His second film Le Corbeau drew controversy over its harsh look at provincial France and Clouzot was fired from Continental before its release. As a result of his association with Continental, Clouzot was barred by the French government from filmmaking until 1947. After the ban was lifted, Clouzot reestablished his reputation and popularity in France during the late 1940s with successful films including Quai des Orfèvres. After the release of his comedy film Miquette et sa mère, Clouzot married Véra Gibson-Amado, who would star in his next three feature films. In the early and mid-1950s, Clouzot drew acclaim from international critics and audiences for The Wages of Fear and Les Diaboliques. Both films would serve as source material for remakes decades later. After the release of La Vérité, Clouzot's wife Véra died of a heart attack and Clouzot's career suffered due to depression, illness and new critical views of films from the French New Wave. Clouzot's career became less active in later years, limited to a few television documentaries and two feature films in the 1960s. Clouzot wrote several unused scripts in the 1970s and died in Paris in 1977. more…

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Submitted on August 05, 2018

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