Life as a House Page #11

Synopsis: George Monroe is a lonely and sad man. Divorced for ten years, he lives alone on the Southern California coast with his pet dog in the same run down shack he has lived in for twenty-five years, the shack which his father passed down to him. In the intervening years, ostentatious houses have sprung up around him. He's been at the same architectural firm for twenty years in a job he hates, which primarily consists of building scale models. On the day that he is fired from his job, he is diagnosed with an advanced case of terminal cancer, which he chooses not to disclose to his family. In many ways, this day is the happiest of his recent life in that he decides to spend what little time he has left doing what he really wants to do, namely build a house he can call his own to replace the shack. He also wants his rebellious sixteen year old son, Sam Monroe, to live with him for the summer, hopefully not only to help in the house construction, but for the two to reconnect as a family. Gettin
Genre: Drama
Director(s): Irwin Winkler
Production: New Line Cinema
  Nominated for 1 Golden Globe. Another 2 wins & 8 nominations.
 
IMDB:
7.5
Metacritic:
45
Rotten Tomatoes:
47%
R
Year:
2001
125 min
$15,412,701
Website
966 Views


GEORGE:

You have everything?

Robin is in an uncomfortable position as she glances at Sam

before focusing on George.

ROBIN:

I did say he could go.

GEORGE:

Let's go.

SAM:

I'm not going!

GEORGE:

You don't have a choice.

SAM:

Mom...please.

Sam's eyes well with tears as his voice cracks. Robin is

ready to concede.

ROBIN:

George --

GEORGE:

(adamant)

He's not spending the entire summer with

another kid in Tahoe. If he leaves, I

will follow him up there and I will drag

him home by his nose ring. He can hate

me. You can hate me. He can try to kill

me while I sleep. You can call the

police. You can call your husband or

your attorney, but Sam is spending the

summer with me. He's my son. He's

sixteen. That's it.

Sam is crying now -- snot's running down his nose. Robin is

shocked by George's forcefulness.

ADAM:

Can we hate you?

GEORGE:

You can do anything you want.

George walks to Sam and touches his arm.

GEORGE (CONT'D)

Go get in the truck, Sam.

Sam jerks away from his dad as dramatically as he can manage.

SAM:

Go f*** yourself!

George drops the suitcase and grabs Sam by the arms. As much

as Sam tries to resist, he's clearly no match for his father.

GEORGE:

Your nose ring comes out of your nose.

If you've got them in your nipples, they

come out, too. And there's no make-up at

my house. No glue sniffing. Huffing.

No pills, no grass.

SAM:

If you hit me, I'll call the police.

GEORGE:

You've worn out your welcome at this

house, Sam. I won't ever hit you.

(beat)

This may well be the worst three months

of your life, but you've earned it. So,

pick up your suitcase and go get in the

truck. Now.

SAM:

I'll hate you forever.

GEORGE:

You can't even begins to know how much I

hate my father.

(upbeat)

Think of it as a family tradition.

Sam glares at his mother before grabbing his soggy suitcase

and stomping out of the backyard. Robin is stunned silent by

George's decisiveness.

INT. GEORGE'S TRUCK - LATE MORNING

Sam is pressed against the passenger side door. George walks

from the backyard and opens the truck door to climb in but is

stopped by Sam's suitcase. He lifts it out and sets it in

the bed, then slides into the cab, sitting on the soaked

seat. George rises up and turns to Sam, who is sullen and

silent.

EXT. GEORGE'S SHACK - AFTERNOON

Sam is shirtless on his back on the roof of the shack,

sunning himself as George struggles to extricate a sofa from

a doorjamb. Guster is asleep on the grass, under a tree.

GEORGE:

Sam? I'm...for like three minutes?

After another bout of trying, George drops the sofa and steps

back to glance up at Sam.

GEORGE (CONT'D)

That's okay. If I break my back, daddy's

gonna buy you a naval ring.

No reaction from Sam.

GEORGE (CONT'D)

And if that naval ring don't fit, daddy's

gonna rub you down with the sun screen.

Sam glances down at his father, puzzled by the verse.

GEORGE (O.S.) (CONT'D)

I want you wearing sun block. And I want

you down here to help me. Now.

Sam dismisses his father without a word - he simply adjusts

his face back to the sun. George walks away. A sudden spray

of water drenches Sam, forcing him to his feet in a cold

panic. George stops the hose water pelting.

GEORGE (CONT'D)

It works on Guster.

MOMENTS LATER:

George is still struggling with the sofa stuck in the door.

Frustrated, he steps away from the sofa.

GEORGE (CONT'D)

You're in there not helping at all,

aren't you?

INT. BEACH SHACK ENTRY - CONTINUOUS

Sam is leaning against a wall with his arms folded across his

chest.

GEORGE (O.S.)

You know what else helped Guster?

Neutering.

The slightest alarm crosses Sam's face.

INT. GEORGE'S GARAGE - EVENING

George is shirtless in shorts, boiling pasta on a portable

stove as he heats a sauce in the microwave. A dresser topped

with plyboard serves as a countertop; other than a sink being

across the garage near the toilet, this is a fairly well

equipped makeshift kitchen.

GEORGE:

Do you want garlic bread?!

George waits a bit to make sure no response is no response.

Then stuffs a hunk of garlic bread into the toaster oven.

EXT. GEORGE'S GARAGE - EVENING

Sam is sitting on the edge of a cliff that drops twenty feet

to the ocean; Guster is whining for attention behind Sam.

SAM:

Well, get over here, then, stupid.

Rate this script:3.0 / 2 votes

Mark Andrus

Mark Andrus, born December 13, 1955 in Los Angeles, is an American screenwriter. more…

All Mark Andrus scripts | Mark Andrus Scripts

1 fan

Submitted by aviv on November 03, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Life as a House" Scripts.com. STANDS4 LLC, 2024. Web. 24 Dec. 2024. <https://www.scripts.com/script/life_as_a_house_451>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Life as a House

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "climax" of a screenplay?
    A The introduction of characters
    B The opening scene
    C The final scene
    D The highest point of tension in the story