Life as a House Page #14

Synopsis: George Monroe is a lonely and sad man. Divorced for ten years, he lives alone on the Southern California coast with his pet dog in the same run down shack he has lived in for twenty-five years, the shack which his father passed down to him. In the intervening years, ostentatious houses have sprung up around him. He's been at the same architectural firm for twenty years in a job he hates, which primarily consists of building scale models. On the day that he is fired from his job, he is diagnosed with an advanced case of terminal cancer, which he chooses not to disclose to his family. In many ways, this day is the happiest of his recent life in that he decides to spend what little time he has left doing what he really wants to do, namely build a house he can call his own to replace the shack. He also wants his rebellious sixteen year old son, Sam Monroe, to live with him for the summer, hopefully not only to help in the house construction, but for the two to reconnect as a family. Gettin
Genre: Drama
Director(s): Irwin Winkler
Production: New Line Cinema
  Nominated for 1 Golden Globe. Another 2 wins & 8 nominations.
 
IMDB:
7.5
Metacritic:
45
Rotten Tomatoes:
47%
R
Year:
2001
125 min
$15,412,701
Website
966 Views


SAM:

No.

GEORGE:

Get the inkling, Sam. I'm getting tired

of your attitude.

Sam picks up the sandwich, examines it and sets it back down

on the plate.

SAM:

I hate turkey.

GEORGE:

No you don't.

George takes a bite of his sandwich before responding.

GEORGE (CONT'D)

I want you to take out your nose ring and

leave it out.

SAM:

Why?

GEORGE:

It bugs me.

SAM:

You snore at night. That bugs me. Can I

take you out?

GEORGE:

Your brothers are right. It was the most

god-awful smell I've ever had my nose

around.

George tightens his face and waves his hand in front of his

nose. Sam stares at his father. A black Range Rover pulls

to a stop and Robin steps out with a pizza box in her hands.

ROBIN:

Thought you guys might be hungry.

As Robin walks up the drive, Sam picks up the turkey sandwich

and starts eating. George glances at Sam as Robin sets the

box on the table and sits down.

GEORGE:

We're fine. Turkey sandwiches.

ROBIN:

Well, for later then.

Robin focuses on the nearly roofless shack. Guster walks to

the table and sits down by Robin, ready to beg.

ROBIN (CONT'D)

It makes me sad.

GEORGE:

What?

ROBIN:

I used to live here.

GEORGE:

But you hated four out of the five you

did.

ROBIN:

I was here six years. And I only hated

two.

GEORGE:

Which?

ROBIN:

The first and the last.

George sets his sandwich down.

GEORGE:

I don't even like turkey sandwiches.

What kind of pizza?

ROBIN:

Sam's favorite.

George opens the box and pulls out a slice. Sam appears

disinterested as George starts in on the slice of pizza.

ROBIN (CONT'D)

(to Sam)

Sure you don't want any?

Sam shrugs off his mother, looking away. Robin nods and

grabs a piece for herself.

ROBIN (CONT'D)

You're too thin, George. From what you

used to be, anyway.

George responds with a pleasant face; he's not going to

explain his weight loss right now.

GEORGE:

Why the first and the last?

Robin sets her slice of pizza down as she studies George.

ROBIN:

The first because I wasn't sure you

really loved me...the last because I

wasn't sure I really loved you.

George nods. Though it may appear that Sam isn't interested

in the conversation, his ears are perked.

GEORGE:

I was up on the roof this morning,

tearing it down and it struck me as

strong as anything ever has. That I'm

happy today.

ROBIN:

What have you been before today?

GEORGE:

It was just that, maybe the way the sun

struck the ocean, the sound of the waves.

It was simple, whatever it was. Then I

started thinking about the last time I

felt this good.

(beat)

It's been a long time.

ROBIN:

Do you remember?

GEORGE:

The only time I can think of for sure, I

was holding onto Sam in the ocean, saving

him from the waves.

George turns to Sam, who's caught staring at his father.

GEORGE (CONT'D)

You head was pressed against my chest. I

could feel your heart racing. And I

remember I kissed your hair.

ROBIN:

We have it on video! Was that when? My

parents were down for his sixth birthday!

I remember that.

Robin inexplicably starts to cry. She instantly tries to

take it back, pressing her hand to her mouth, wiping her

eyes, but whatever emotion has her, has her good. Both

George and Sam are confused and concerned.

SAM:

I have to go.

She stands and backs away from the table.

GEORGE:

What is it?

ROBIN:

I'm fine. Nothing.

(beat)

I'll drop by your lunch tomorrow.

Robin wipes her eyes again as she climbs into her car and

drives off. Sam and George face one another.

GEORGE:

I don't know.

SAM:

I'm gonna take a walk. I need some

money.

GEORGE:

You'll have money when you work.

SAM:

You're so predictable.

Sam sets his sandwich down and grabs a slice of pizza as he

stands. He walks for a few feet, stops and turns around.

SAM (CONT'D)

You haven't been happy in ten years?

He doesn't wait for an answer; as he walks away, Guster

follows. George takes Robin's slice of pizza and drops it on

the cement; that's all it takes to turn Guster around.

Rate this script:3.0 / 2 votes

Mark Andrus

Mark Andrus, born December 13, 1955 in Los Angeles, is an American screenwriter. more…

All Mark Andrus scripts | Mark Andrus Scripts

1 fan

Submitted by aviv on November 03, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Life as a House" Scripts.com. STANDS4 LLC, 2024. Web. 25 Dec. 2024. <https://www.scripts.com/script/life_as_a_house_451>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Life as a House

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "blocking" in screenwriting?
    A The prevention of story progress
    B The construction of sets
    C The end of a scene
    D The planning of actors' movements on stage or set