Life as a House Page #21

Synopsis: George Monroe is a lonely and sad man. Divorced for ten years, he lives alone on the Southern California coast with his pet dog in the same run down shack he has lived in for twenty-five years, the shack which his father passed down to him. In the intervening years, ostentatious houses have sprung up around him. He's been at the same architectural firm for twenty years in a job he hates, which primarily consists of building scale models. On the day that he is fired from his job, he is diagnosed with an advanced case of terminal cancer, which he chooses not to disclose to his family. In many ways, this day is the happiest of his recent life in that he decides to spend what little time he has left doing what he really wants to do, namely build a house he can call his own to replace the shack. He also wants his rebellious sixteen year old son, Sam Monroe, to live with him for the summer, hopefully not only to help in the house construction, but for the two to reconnect as a family. Gettin
Genre: Drama
Director(s): Irwin Winkler
Production: New Line Cinema
  Nominated for 1 Golden Globe. Another 2 wins & 8 nominations.
 
IMDB:
7.5
Metacritic:
45
Rotten Tomatoes:
47%
R
Year:
2001
125 min
$15,412,701
Website
949 Views


Outside, Adam and Ryan are each calling Guster.

GEORGE (CONT'D)

You brought your kids?

ROBIN:

I kind of said that maybe they could do

something. Help. I'm sorry. They

really wanted to come. I really wanted

to come and they wanted to be with me. I

don't think they'll be too much trouble.

GEORGE:

I'll find something that won't kill them.

ROBIN:

Or wound. Let them keep their eyes and

fingers.

GEORGE:

You're a good mother.

Robin smiles. With some effort, George stands.

ROBIN:

Do you need help?

GEORGE:

I think so.

Robin stands and wraps her arm around his waist and he drapes

his arms over her shoulder as they walk out of the garage.

ROBIN:

I woke up this morning at three and

couldn't fall back asleep. Everyday I

think I see more of Sam than I've seen in

years.

ADAM (O.S.)

Sam!

EXT. GEORGE'S GARAGE - MORNING

Adam runs with abandon to Sam and Alyssa as Robin helps

George to a patio chair.

SAM:

Hey.

Adam runs into Sam with a hug, then steps back.

SAM (CONT'D)

What's that for?

ADAM:

Mom said I should.

SAM:

Oh.

ADAM:

I would have anyway.

Sam appears awkward as he rests his hand for a second on

Adam's shoulder.

ADAM (CONT'D)

Who are you?

ALYSSA:

Who are you?

ADAM:

I'm his brother.

ALYSSA:

I'm his friend.

Adam views her suspiciously as they walk across Alyssa's

grass to the patio.

ADAM:

Mom says we can build a house.

ALYSSA:

Hi, Mr. Nelson.

GEORGE:

Hi, Alyssa.

SAM:

Hi, Mom.

ROBIN:

Good morning.

It's clear that Robin is falling in love with her son again.

ALYSSA:

Hello.

Alyssa extends her hand to Robin and they shake.

ROBIN:

You're so nice to let Sam use your

shower.

ALYSSA:

He's got a standing invitation.

Sam instantly flushes red.

SAM:

Hey, Ryan.

Sam walks to Ryan, who's been standing back from the group.

RYAN:

Hey.

Sam drapes his arm over Ryan's shoulder and together they

walk to the foundation.

SAM:

So, you wanna build a house?

RYAN:

If we do, will it stay up?

MONTAGE:

A BLINK 182 SONG BLASTS from the boom box on the patio table.

Ryan and Adam slather paint remover on five old painted

doors. They work with gloves and brushes and appear

meticulous in their application. Alyssa and Sam nail and

bolt the corner posts to the rim joist as Robin and George

work on the stick framed door deck.

While George is moving a little slower than usual, it appears

that the pain is nearly gone. As the song ends, Robin rushes

toward the radio.

ROBIN:

I brought a few of my own.

RYAN:

Someone stop her!

Robin runs to her car and retrieves a few CD's. She slips

the CD in and we HEAR John Hiat's "DISTANCE." It's a slow,

soft song that brings a smile to George's face.

GEORGE:

It's been a while.

ROBIN:

This was my very first slow dance.

ADAM:

Did you know him before you knew Dad?

ROBIN:

Since seventh grade.

GEORGE:

Tell him how you made me fall in love

with you.

ROBIN:

I smiled at him.

GEORGE:

Watch out for the smile, boys.

Robin's body moves slightly to the music as she smiles.

George grins. The boys aren't sure what to make of the

advice. 'You are the beautiful love (my lover), I am the

distant shore (so far away). There is so much to uncover

(love's hiding). What is this distance for? What is it for?

ROBIN:

Who's up for a dance?

Robin glances around for any takers, finally focusing on

George.

ADAM (O.S.)

Just don't hug me too tight.

Adam walks to his mother and they hold hands as they dance.

Sam sits down to watch. George wears a smile that wipes the

last of the pain from his face.

ADAM (CONT'D)

That's all you get. I'm busy today.

Adam backs away and grabs his paintbrush. Robin stops

dancing as she focuses on George.

ROBIN:

Let's see if you've gotten any better.

GEORGE:

Oh, I'm worse. Much, much worse.

Robin waits to see how worse. George finally walks to her

and takes her in his arms. He must have been better than

this. The waltz smooths out as they dance closer, holding

tighter. "We fill the air with silent stares. But still, no

one there, we are strangers." Alyssa decides it's time to

go.

Rate this script:3.0 / 2 votes

Mark Andrus

Mark Andrus, born December 13, 1955 in Los Angeles, is an American screenwriter. more…

All Mark Andrus scripts | Mark Andrus Scripts

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Submitted by aviv on November 03, 2016

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