Lilith Page #3

Synopsis: Lilith is a about a mysterious young woman in an elite sanitarium in Maryland, who seems to weave a magical spell all around her. A restless, but sincere young man with an equally obscure past is seemingly drawn into her web. As time passes, their relationship deepens and intensifies, and the differences between them begin to blur, leading to a shocking, but oddly logical conclusion.
Genre: Drama
Director(s): Robert Rossen
Production: Sony Pictures Entertainment
 
IMDB:
7.0
Rotten Tomatoes:
100%
Year:
1964
114 min
167 Views


is different from what the reports say?

- Right.

- Are you disturbed about it?

Let me put it quite candidly.

Do you feel she's trying

to seduce you?

Well, it's not that simple.

Well, you could call it that.

But it's not...

It's not just a physical thing.

It's much more than that.

I'm not sure what it is

that she's trying to offer.

It's almost like she wants to share

this magic little world of hers.

And...

Does that all sound strange to you?

No, that doesn't sound strange.

It isn't unknown, you know,

for patients to seduce personnel...

...and vice versa, unfortunately.

Do you ever feel inclined to accept?

Yeah.

Yeah, sometimes I do.

And...

You see, I don't really think

that Lilith is unhappy.

Most of the patients are.

But I don't think she is.

She's got some...

- I don't know, she's got a kind of a...

- Rapture.

- What was the word?

- Rapture.

Rapture? That's a good word for it.

Yes, it is. In Shakespeare's time,

it meant "madness"...

...as the words "ecstasy"

and "innocence" often did.

I think all of us here are concerned

with rapture in some way.

And when a man devotes himself

to studying the nature of rapture...

...he may find himself

dispossessed by it.

That's one of the risks we take.

Does she ever talk to you

about her delusions?

Yeah.

Oh, yeah.

In her case, it's seldom possible

to tell what is fantasy and what is fact.

Has she ever spoken to you

about her family?

No, I don't think so.

She had a brother who was

killed accidentally in a fall.

She's never mentioned him,

I suppose.

Well, you know,

I never try to question her.

No, I wouldn't.

That's apt to be disastrous.

How long did you say

that she's been here?

Since she was 18.

What do you think of her chances?

Very small.

Still, you never can tell.

She's been doing very well lately.

I'm particularly pleased with the

influence you seem to have on her.

This is a girl that, since she's

been here, has had no contact...

...with any world except her own.

I think you're doing a damn good job.

It's a very small chance

that we're talking about.

You saw Dr. Lavrier last week,

didn't you?

You talk about me?

Among other things.

What'd you say?

Tell me.

You think I should, huh?

You think I would?

I invent all sorts of stories for him

about my childhood.

You think he believes them?

He'll believe anything about me

except that I'm happy.

It's all he exists for,

inventions and confessions.

- I'm sure he'd love to hear yours.

- What would I tell him?

Don't you know?

Excuse me.

Good morning, Miss Arthur.

I'm making something for you...

...in the shop. They told me

next week was your birthday...

...and I wanted to give you something.

I wonder if I should tell you.

I think it's going to be quite nice.

I've been spending a lot of time on it.

It should be finished in a day or two.

Are you going bicycling?

It's a lovely day for it.

May I come with you?

I'm sorry...

...maybe we can do it another time.

That's very disappointing.

Wait, wait.

Wait.

Tell me now, please.

You think I don't know

how you suffer?

I do. I know how terrible it is

to love somebody...

...and not be able to confess

your love.

But you can tell me.

Please.

I can't stand it.

I can't stand it anymore.

This is a bad cut.

We'll have to go back.

You've got blood on your face.

You feel cleaner now?

You think I infected you?

Lilith.

I've never been able to do

anything worthwhile in my life.

I wish you would help me to do

just one thing well, honorably.

If you wanna help me, go away.

I can't be saved by honor.

Well, how does everybody

feel today?

You're all so solemn.

Did anything happen today that

somebody would like to talk about?

Doesn't anybody

have anything to say?

Miss Verigold...

...you've just come back to us.

Is there anything you'd like to say?

I'm happy to be back with...

That is so stupid.

- "Marigold."

- Well, I would like to...

Why were you laughing

when Miss Verigold was speaking?

I just think her name is so funny.

Her name is so funny,

it cracks me up.

I have a new understanding now.

Benito, you had something on your

mind you had to tell the whole group.

How about it?

Did you ever see

a dancer that smoked?

I don't want it anymore.

I don't know why.

I was born to do it.

I was born to move.

I was born to be free.

I was born to express, to create.

I got nothing left anymore.

I'm drained.

I know I do...

I know...

Love it.

But it seems to me that

that love that I have I can easily hate.

- Destroy because it possesses me...

- Who gave you the right to destroy?

- Who gave you the right to destroy?

- Nobody gave me the right.

- I chose the right.

- You have no such right.

You have no right to destroy the gift

God gave you. It belongs to us all.

I don't accept that. It's my gift.

- I do with it as I please.

- Who do you think you are?

How dare you take such a prerogative

into your own hands!

- Really?

- Yes! Yes!

- You have no right.

- What do you mean, who am I?

Who are...?

God gave you a great gift.

It was for us that he meant it.

It's for us...

...to judge if you have the right...

- It's not for you to judge anything.

What you lack is a sense of reality.

What's so wonderful about reality?

Why don't you tell me you love me?

Why don't you tell me you want me?

Because I love you.

I can't be saved by honor.

To make you dream.

To make you dream.

To make you dream.

To make you dream.

You call me "Lilith."

Good morning. That was some storm

we had last night. You see any of it?

Yeah. About 3:
00, the shutter

broke loose, woke me up.

I don't think I've seen rain like that.

- I read your report. Did it go well?

- It went pretty well.

You feeling secure about yourself?

I think that was all imagination

or beginner's nerves or something.

Are you still getting a lot of fantasy?

No, I mentioned that in the report.

No personal talk

that I should know about?

- No. No.

- Well, keep in touch with me.

She'd like to go and see that

jousting tournament in Barnesville...

...and I said I'd ask

your permission, so...

Did you ask her yourself?

It just came up. Something we

were talking about. Horses, I think.

All the other OTs have given me such

good reports. I'm pleased about it.

By all means, take her.

Thank you.

It's like another time and place.

- Knights and lances.

- Oh, this is a very old custom.

They brought it here from England.

Except nowadays...

...instead of knocking each other

off horses, we spear that ring.

Really?

I did this before I was in the service,

when I was a kid.

You any good at it?

I'm pretty good.

Candy apples. Candy apples.

Get your candy apples. Fifteen cents.

Candy apples. Fifteen cents.

Get your candy apples.

That doll.

- Which one?

- That one. I want it.

How much are your watermelons?

Twenty-five cents.

The big ones is 25 cents.

- How much is the ice?

- We're not selling the ice, ma'am.

I'd rather have a piece of ice.

Rate this script:0.0 / 0 votes

Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

All Robert Rossen scripts | Robert Rossen Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Lilith" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/lilith_12597>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Lilith

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does the term "beat" refer to in screenwriting?
    A The end of a scene
    B A type of camera shot
    C A musical cue
    D A brief pause in dialogue