Line of Duty Page #4
Season #2 Episode #3- NOT RATED
- Year:
- 2012
- 60 min
- 446 Views
The room all come to attention. Hastings walks out. Once he’s
COTTAN:
There’s hand-outs for anyone who
wants one.
Steve and Kate exchange looks and then look to Cottan. Cottan
looks back, affably enough, before other AC-12 officers
introduce themselves to him and he starts shaking hands with
them or distributing the hand-outs.
STEVE:
(Whispers.)
For Chrissake.
Exit Steve with a face like thunder. Kate glances again at
the picture of Akers, and it unsettles her.
She forms a purposeful expression and grabs a hand-out.
CUT TO:
LINE OF DUTY #2.3 04/06/2013 Salmon revisions 20.
313 INT. AC-12. 3RD FLOOR WINDOW/LOBBY. CONTINUOUS.
Steve comes to the window. He sees Kate in the lobby, exiting
the building. He’s curious/troubled.
CUT TO:
314 INT. PRISON VPU. LINDSAY’S CELL. MOMENTS LATER.
Lindsay lies on her bunk staring at the ceiling. There’s
silence all around.
LELAND (O.S.)
Move away from the door!
The cell locks release and the door swings open.
Leland watches Lindsay like a hawk as a catering assistant
lays a breakfast tray down on the floor of the cell. Exit
catering assistant, exit Leland. The door locks shut.
Lindsay sits on the bunk, unable to find the energy to move.
Eventually she crosses the cell and lifts her breakfast tray.
It’s a bland, unappetising slurry of cereal plus a plastic
cup of weak juice.
She stares at the breakfast for a long time before she takes
up a plastic spoon and lifts a heap of slurry to her lips. It
smells awful. She puts it down again.
A few beats later she forces herself to eat. She takes a
mouthful.
SMASH CUT TO:
315 INT. PRISON VPU. LINDSAY’S CELL. MOMENTS LATER.
Lindsay heaves a stomach full of vomit into the toilet bowl,
her whole body convulsing violently. Merchant watches over
her.
LINDSAY:
The dirty bastards put sh*t in my
food. Don’t you people check?
Style eyes her glassily, robotic.
LINDSAY:
Answering only “Yes” or “No”, don’t
you people check?
Merchant barely acknowledges the sarcasm.
(CONTINUED)
LINE OF DUTY #2.3 04/06/2013 Salmon revisions 21.
315 CONTINUED:
Lindsay heaves again, pale and sweaty.
CUT TO:
316 OMITTED
317 INT. PRISON. VISITATION SUITE. LATER THAT DAY.
Leland brings Lindsay into a suite in the same style as the
rest of the facility -- more like a brand-new office building
than a Victorian prison.
Leland shows Lindsay to a booth.
LELAND:
Kindly take a seat and your event
will commence shortly.
Lindsay sits in a chair at a desk screened off from the other
side by reinforced glass.
A few beats later, Kate enters and takes a seat facing her.
Lindsay stiffens.
KATE:
Hello, Inspector, how are you?
LINDSAY:
Tickety-boo.
KATE:
I need to conduct a further
interview in regard to the ambush
of 5th September. You remain under
caution.
LINDSAY:
(Folds arms.)
There are strict rules for post-
charge interview.
KATE:
One of which is for the detainee to
have put to them information that’s
charged. In the interests of
justice.
Kate lays an A4 envelope in front of Lindsay tantalisingly.
Tense beats.
LINDSAY:
Go on.
Kate takes out her notebook.
(CONTINUED)
LINE OF DUTY #2.3 04/06/2013 Salmon revisions 22.
317 CONTINUED:
KATE:
Who was DS Akers’ protected
witness?
LINDSAY:
I don’t know. I never knew.
KATE:
You never saw him or heard a name?
LINDSAY:
No.
From the envelope, Kate slips out one of Cottan’s hand-outs.
She opens it to a page showing a photo of Tommy and shows it
to Lindsay.
KATE:
Have you ever seen this man before?
LINDSAY:
No.
KATE:
Fine. Have it your own way.
LINDSAY:
Is this the new information? Was he
the Witness?
Kate ignores her, makes a note in her book and puts the handout
away.
LINDSAY:
That all? Okay. End of
conversation.
Lindsay moves to push a button that rings a bell to summon
the prison officers. Kate cuts in just before she does.
KATE:
Why didn’t you reveal to Hastings
and Arnott that I’d received a call
from DS Akers’ husband on the night
of the ambush?
LINDSAY:
I didn’t need to.
KATE:
No?
(CONTINUED)
LINE OF DUTY #2.3 04/06/2013 Salmon revisions 23.
317 CONTINUED:
(2)LINDSAY:
Hastings makes Greece look solvent
and Arnott can’t keep it in his
pants.
KATE:
Their transgressions are minor in
comparison. Irrelevant.
Lindsay shrugs, knowing she holds all the cards.
KATE:
How did you figure out I was an
undercover officer?
LINDSAY:
What, I give you tips so you can do
a better job on the next innocent
officer you go after?
KATE:
I did a good enough job on you.
(Indicates Lindsay’s
surroundings.)
Tense beats. But Lindsay still isn’t opening up.
KATE:
You want me on a string, wondering
career.
LINDSAY:
Don’t like it when the shoe’s on
the other foot, do you, Kate?
KATE:
Let me explain something to you,
Inspector. You’re facing a charge
of conspiracy to murder. That’s a
life sentence. You look like you’ve
already discovered that this is a
truly welcoming place for a police
officer.
LINDSAY:
I’m not going to be in here for
life. I’m innocent and I will clear
my name. That’ll become apparent at
the trial. If we get that far.
KATE:
We will.
(CONTINUED)
LINE OF DUTY #2.3 04/06/2013 Salmon revisions 24.
317 CONTINUED:
(3)LINDSAY:
Are you sure that’s what you want?
Maybe it’d be better if you found
who the real culprit was, and got
the charges against me dropped.
KATE:
LINDSAY:
Circumstantial evidence.
KATE:
The CPS buy it. So will the court.
LINDSAY:
Yes, the court -- where it’s going
to come out that you’re connected
to the person who’s much more
likely to have set up the ambush.
KATE:
There’s no connection.
LINDSAY:
You’re a good liar, Kate. Not good
enough to fool me when you were
undercover, but good enough to hide
that call. I’m glad you did. You’ve
made yourself my ticket out of
here.
Lindsay gazes triumphantly at Kate. Kate returns a level
gaze.
KATE:
While you’re in here bouncing off
the walls, our investigation rolls
on, day after day, gathering more
evidence against you. For one,
we’ll find the real reason you were
sniffing round that garage.
LINDSAY:
I’ve told you.
KATE:
We’ll see.
Neither party is going to back down.
CUT TO:
LINE OF DUTY #2.3 04/06/2013 Salmon revisions 25.
318
INT./EXT. INDUSTRIAL ESTATE. A&B CARRIAGES UNIT. LATER THAT
DAY.
From black, metal shutters are rolled up, letting in a blast
of daylight that reveals Steve and Kate standing outside the
site of A&B Carriage Repairs. A uniformed PC has lifted the
shutter, and then stands clear.
Steve and Kate stare into the garage.
STEVE:
We’ve both been here before. So’s
Major Violent Crime.
KATE:
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