Line of Duty Page #4
Season #3 Episode #2- NOT RATED
- Year:
- 2012
- 60 min
- 500 Views
HASTINGS:
But it was you who vetoed their
suspensions! I mean they’re only
back at work because of you.
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X:
Music Ends
10:
10:4910:
12:16Gill keeps calm in the face of Hastings’ ire.
GILL:
evaluate Danny Waldron’s mental
state?
HASTINGS:
Come on. You don’t honestly believe
he killed himself?
GILL:
He had a history of professional
discord. No stable relationship. He
certainly had risk factors.
HASTINGS:
And he did it like that, in front
of his whole squad, in the middle
of an op?
GILL:
We’re speculating. What we know for
sure is that if you can’t
successfully charge them in the
next 36 hours, it will be a hugely
embarrassing climb-down. My sincere
advice is to take a more
circumspect approach: rescind the
arrests in favour of revoking their
firearms permits and confining them
to desk duties while inquiries
continue.
HASTINGS:
What? And that isn’t a climb-down?
He crosses to the glass partition.
CUT TO:
INT. AC-12. OPEN-PLAN OFFICE. CONTINUOUS.
Steve and Dot on the phone. See Hastings bangs
on the window, getting Steve and Dot’s
attention. He makes a throat-cutting gesture.
Steve and Dot look taken aback.
STEVE:
(down phone)
Forget it.
DOT:
(down phone)
Scrap that.
10:
12:2710:
13:07Dot hangs up. See Hasting through glass
partition.
CUT TO:
INT. AC-12. HASTINGS’S OFFICE. CONTINUOUS.
As before.
GILL:
(Nicely)
Let’s not fall out, Ted. I’m here
to help.
Hastings chews a wasp. Tense beats.
GILL (CONT’D)
importance of confidentiality. We
already have a legal Suppression
Order in place to restrict press
coverage. The PCC and the Chief
Constable are in complete agreement
on this --in the absence of hard
facts around Danny Waldron's death,
we don't want wild speculation to
affect public confidence.
Gill moves to exit.
HASTINGS:
(With edge as she goes)
I mean if you, and the PCC and the
Chief Constable are all in
agreement, who am I to argue?
Gill pauses, decides not to bite, and exits.
Hastings glances out at Steve and Dot, all
feeling the pressure.
CUT TO:
INT. AC-12. VANTAGE POINT/LOBBY. CONTINUOUS.
Kate takes of her id and hands in into
reception. From a vantage point window, Steve
and Dot watch Rod, Kate, Hari and Jackie cross
to the exit. Hastings joins Steve and Dot. They
watch Hari, Rod and Jackie head out.
HASTINGS:
Let there be no misunderstanding. I
do not care what the Lawyer says.
We are going to investigate that
mob.
Music
10:
12:57DUR:
0’51”.Specially
composed by
Carly
Paradis.
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10:
13:42DOT:
Sir.
Exit Dot.
STEVE:
Sir. I don’t think we should close
the investigation into Danny
Waldron’s background. Hari Bains
was right:
Danny had his demons.I’d like to keep digging.
Hastings nods, gives him cautious encouragement.
STEVE (CONT’D)
Thank you, sir.
Exit Steve sharply.
CUT TO:
EXT./INT. DANNY’S FLAT. LATER THAT DAY.
A drill penetrates the lock and then the door is
thrown open.
Two armed uniforms burst in. Steve follows
behind, then Dot, and the locksmith (with drill)
lingers outside.
UNIFORMED OFFICERS
Armed Police... Armed Police...
STEVE:
Check upstairs.
UNIFORMED OFFICER
Armed Police.
While the uniforms do as they’re told, Steve
surveys the flat kitchen area. An empty dog
bowl.
UNIFORMED OFFICER (O.S)
Armed Police.
Danny moves down to the living room. A uniformed
Officer is in the room and exits.
UNIFORMED OFFICER
All clear.
Steve looks around a half drunk cup of tea with
a skin on now --plate of toast and half eaten
banana and a Satsuma peel --the whole Marie
Celeste thing.
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X:
Music Ends
10:
13:48Music
10:
13:42DUR:
0’53”.Specially
composed by
Carly
Paradis.
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10:
14:33UNIFORMED OFFICER (O.S)
Sarge.
One of the uniforms carries the dog into the
living room.
STEVE (O.S)
Hello.
DOT:
No one said anything about Danny
Waldron having a dog.
Steve checks the dog’s collar --a phone number
Steve doesn’t recognise.
STEVE:
He didn’t.
Steve steps out.
CUT TO:
INT. AC-12. OPEN-PLAN OFFICE. CONTINUOUS.
Maneet answers Steve’s call at her desk.
Intercut with Steve at Danny’s Flat.
MANEET:
(Into phone)
AC-12.
STEVE:
(Into phone)
Sorry, who’s that?
MANEET:
(Into phone)
PC Maneet Bindra. I’ve been
posted...
STEVE:
(Into phone)
Hi, it’s DS Arnott. I’m trying to
track the owner of a missing dog;
I’ve tried the number on its collar
but it’s out of service.
Steve looking at the dog ID “Rosie” and the
phone number on the collar.
MANEET:
(Into phone)
If you give me the number, Sarge,
I’ll try and get you a lead.
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X:
Music Ends
10:
14:3510:
14:55Steve isn’t in the mood for jokes. And Maneet’s
embarrassed to hear it fall flat.
STEVE:
077 009 00381. Just get it done.
CUT TO:
INT. DANNY’S FLAT. LATER THAT NIGHT.
Forensic investigators in white suits search the
flat.
An Investigator is taking a picture of Danny’s
home phone. Bags it and then, with gloved hands,
carries it to the Exhibits Officer. Stationed in
the hall area.
FORENSIC INVESTIGATOR
Item reference FJP-2, Daniel
Waldron's handset.
Dot, now wearing a white suit too, is in the
bedroom area. An investigator searches in the
background
Dot opens a chest of draws where he finds a box
where he finds the illegal pistol and an
envelope addressed to DS STEVE ARNOTT. For a
beat he hesitates, then takes charge.
DOT:
(Generally)
I’ve got a firearm in here! No one
enter!
(To Investigator.)
We need someone firearms-trained to
make safe --Jonesy’s downstairs.
INVESTIGATOR:
Yes, Sir.
As the investigator exits.
INVESTIGATOR (CONT’D)
Jonesy! Guv wants you – firearm.
Dot’s attention falls on the envelope. It’s
unsealed, with a folded note inside. Dot is
intrigued, and shifty.
He looks at the note a list of names, some
crossed out.
Music
10:
14:51DUR:
1’15”.Specially
composed by
Carly
Paradis.
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10:
16:02He hears footsteps returning and quickly pockets
the note and replaces the envelope.
Jones appears at the door.
FIREARMS OFFICER JONES
Sir.
DOT:
(To Firearms Officer)
All yours, Jonesy.
Exit Dot, as the firearms officer examines the
gun.
CUT TO:
INT. AC-12. OPEN-PLAN OFFICE. LATER THAT NIGHT.
Dot shares evidence from Danny’s flat with
Steve.
DOT:
We seized a lap-top and a phone. We
won’t have any more info on Danny
Waldron’s data files till the
morning.
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