Line of Duty Page #4
Season #3 Episode #3- NOT RATED
- Year:
- 2012
- 60 min
- 388 Views
10:
16:5510:
17:0910:
17:11JOE:
Is Danny the one?
STEVE:
The one?
JOE:
Yes. He’s got people listening to
us at last.
STEVE:
(Beat)
Yes. Yes. He is.
Steve looks emotional, conflicted and daunted by
moral responsibility.
CUT TO:
EXT./INT. HARI BAINS’S HOUSE/KATE’S CAR. SAME
TIME.
Kate watches Hari arrive home. Kate holding
binoculars.
She presses her Bluetooth.
CUT TO:
INT. AC-12. OPEN-PLAN OFFICE. LATER THAT DAY.
Steve’s phone rings. He answers it.
STEVE:
(Into phone)
Arnott.
CUT TO:
EXT./INT. HARI BAINS’S HOUSE/KATE’S CAR. SAME
TIME.
Kate is watching from a distance as Hari pulls
up in his car. Intercut with Steve at AC-12.
She watches him go about exiting his vehicle and
entering his home as she talks to Steve via
Bluetooth.
KATE:
(Into Bluetooth)
Any report yet on the second PM?
STEVE:
(Into phone)
What second PM?
|
|
|
|
|
|
|
|
|
|
|
X:
Music Ends
10:
17:00Music
10:
16:54DUR:
1’23”.Specially
composed by
Carly
Paradis.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10:
17:2810:
17:40|
KATE |
(Into Bluetooth)|
Dot said he was organising a second |
post-mortem on Rod Kennedy. |
|
STEVE |
(Into phone.)|
First I’ve heard of it. Leave it |
with me. |
|
KATE |
(Into Bluetooth)|
Okay. I’ll head back to South |
Ferry. |
|
Kate hangs up. She looks a little puzzled. So |
does Steve. He looks at Dot’s empty desk. |
|
CUT TO:
||
INT. DOT’S CAR. MOMENTS LATER. |
|
Dot is sat in the car looking at his wallet. |
He’s parked opposite a bookmaker.
He’s hands are shaking.
INT. SOUTH FERRY POLICE STATION. SQUAD ROOM. |
NEXT DAY. |
|
McAndrew's office phone rings. She answers it. |
|
MCANDREW (O.S)|
(Into phone)|
Right. I’ll tell her. |
|
McAndrew hangs up, looks concerned. She heads |
towards Kate, who’s at her desk. |
|
MCANDREW (CONT’D)|
Francis. That was your rep. AC-12 |
want you in for interview Straight |
away. |
|
Kate feigns surprise. She gathers her things.|
Hari and Jackie watch this whole thing with |
mounting concern. |
|
When Kate exits, they exchange a worried look. |
|
CUT TO:
||
|
|
|
|
|
CUT TO:
||
10:
18:0210:
18:47INT. SOUTH FERRY POLICE STATION. GARAGE. MOMENTS
LATER.
We find Hari and Jackie arriving in a quiet nook
away from passersby, talking in low whispers.
HARI:
She doesn’t know anything.
JACKIE:
She’s never believed us, not for a
minute.
HARI:
Jackie. She wasn’t in the room when
Danny was shot.
JACKIE:
But he whispered something to her,
as he was dying.
HARI:
Yeah. And if he’d managed to tell
her the truth, do you think she
would have kept quiet this whole
time?
Hari gives Jackie an imploring look.
HARI (CONT’D)
No. Trust me. She don’t know
anything. Yes.
(Jackie nods)
All right, mate.
Exit Hari. But Jackie continues to look very
worried, on the verge of cracking.
CUT TO:
INT. AC-12. OPEN-PLAN OFFICE. NEXT DAY.
Maneet with Steve. Steve follows Maneet back to
her desk.
MANEET:
I’ve continued to search records
relating to Sands View. Our
witness, Joseph Nash claims a
number of his abusers were VIPs.
All of who used the same alias,
“Mr. Smith.”
STEVE:
Hence Nash wasn’t able to give us
any names.
|
|
|
|
|
|
|
|
|
|
X:
Music Ends
10:
18:1710:
19:18Maneet takes a seat and opens a computer file.
MANEET:
But he did claim one of these
abusers was extremely obese.
She calls up a picture, an old newspaper
cutting, of a man in late middle age, extremely
overweight presenting ribbons/badges to boys
wearing PE kit.
MANEET (CONT’D)
Sports Day at Sands View.
STEVE:
Who is he?
Maneet brings up another local newspaper picture
of the same man at some civic function, a big
grin and triple chins. The headline is cheesy
Dale says, “Give Big”.
MANEET:
Dale Roach. He was leader of the
city council during the period
Danny Waldron and Joe Nash were
residents at Sands View.
Steve gazes at the picture, a horrible grin from
the past.
CUT TO:
INT. JOE NASH’S HOUSE. LATER THAT DAY.
Steve shows the photo of Dale Roach to Joe Nash.
It has a horrible emotional effect on Joe,
releasing a surge of terrible memories.
STEVE:
Is this the man, Joe?
JOE:
Yes. That’s him.
STEVE:
Thank you. Now it would help if you
could come to my department and
look through images of other
individuals associated...
Joe shakes he’s head.
Steve is sympathetic to Joe’s emotions.
10:
20:4210:
20:50STEVE (CONT’D)
Joe, I came from a loving family. I
had a nice childhood and I can’t
begin to imagine what yours must
have been like.
JOE:
Twenty years! It’s took you to
come.
STEVE:
I want to help.
JOE:
Twenty years I’ve had that monster
in my head. The sounds he made. The
smell of him. And the things they
did to us at Sands View --no
copper ever gave a toss.
STEVE:
Are you saying offences committed
at Sands View were reported to
police and no action was taken?
JOE:
We told teachers. We told social
workers and yeah, we told
coppers... And then we learned not
to.
Steve gives Joe space.
STEVE:
Danny Waldron’s dead, Joe. He was
killed because he was going after
the people who did this to you.
Danny’s mission is now my mission.
And I promise you. I will get these
bastards.
CUT TO:
EXT. JOE NASH’S HOUSE. MOMENTS LATER.
Steve returns to his car, emotionally burnt out.
CUT TO:
INT. JOE NASH’S HOUSE. CONTINUOUS.
From inside the house, we see Steve return to
his car. Joe watches. His face haunted by
reliving his past.
His child runs into the room eagerly to show him
Music
10:
20:38DUR:
1’23”.Specially
composed by
Carly
Paradis.
|
|
|
|
|
|
|
|
|
|
|
|
10:
21:26a picture she’s drawn. |
|
LITTLE GIRL (O.S)|
Daddy, daddy. |
|
Joe hugs his child and holds him/her close, |
tears rolling down his cheeks. |
|
JOE |
Hey. Hello you. Is that for me? |
|
His daughter nods. |
|
LITTLE GIRL |
Aha. |
|
He takes the picture. |
|
JOE |
Thank you very much. |
|
He holds his daughter lovingly. |
|
JOE (CONT’D)|
And I will always, always love you, |
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Line of Duty" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/line_of_duty_780>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In