Line of Duty Page #8
Season #3 Episode #3- NOT RATED
- Year:
- 2012
- 60 min
- 388 Views
USHER (CONT’D)
Have you reached a verdict upon
which you are all agreed?
FOREMAN OF THE JURY
No. We have not.
JUDGE:
In these circumstances I am willing
to accept a majority verdict upon
which 10 or more of you agree.
Yes my Lady.
USHER:
All rise.
And the Jury are led away to deliberate once
more. And Lindsay moves towards the exit.
CUT TO:
INT. AC-12. OPEN-PLAN OFFICE. LATER THAT DAY.
Maneet approaches Steve’s desk.
Offers two files.
MANEET:
Pick A or B.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
X:
Music Ends
10:
40:4110:
40:53STEVE:
A.
MANEET:
The report from the second PM on PC
Kennedy.
At his desk, Dot reacts when he hears Maneet’s
line. He looks very worried.
CUT TO:
INT. AC-12. HASTINGS’ OFFICE. MOMENTS LATER.
Carrying both files, Steve taps on the door.
HASTINGS:
Yes.
Steve enters.
STEVE:
Boss, sorry, I thought this
shouldn’t wait.
HASTINGS:
Yes. Come on.
Dot saw Steve go and has followed on his heels.
DOT:
This something I should know about,
gaffer?
HASTINGS:
Yes. Why didn’t you bring the whole
bloody office, with you?
STEVE:
Look. I’m sorry, sir. The
pathologist’s revised the findings
on Rod Kennedy’s post mortem.
Dot makes a point of shutting the door.
HASTINGS:
What? You mean she’s admitted that
they screwed up on the first one?
Steve shows Hastings a hard copy of the report.
Dot takes a keen interest too.
STEVE:
The findings are subtle. There’s a
superficial head injury --the
bruising was hidden under scalp
hair at the back of the head --and
minor defensive wounds on the hands
--again very subtle. Unfortunately
no organic material recovered from
under the fingernails.
DOT:
None of this is very strong.
STEVE:
No, but I went back over the
forensics and there were foreign
fibres on Kennedy’s clothing.
DOT:
Again, not strong.
STEVE:
Kennedy’s nose and mouth at the
second PM.
HASTINGS:
Right.
STEVE:
Best guess, someone smothered him,
unconscious.
HASTINGS:
Well, if Bains killed Danny. I’d
lay you evens he killed Kennedy as
well.
STEVE:
Maneet just showed me this.
Steve shows Hastings the second file containing
a traffic cam vid cap of a passing car.
STEVE:
Traffic camera vid-caps from the
night of Rod Kennedy’s death. This
camera’s located less than half a
mile from the industrial estate.
This registration matches a vehicle
registered to -(
Pause for effect)
Harinderpal Bains.
HASTINGS:
We’ve definitely gone over the
threshold for our friend PC Hari
Bains. Bring him in, Steve.
10:
42:11DOT:
Good call, gaffer.
STEVE:
Sir.
Exit Steve and Dot sharply.
CUT TO:
INT. AC-12. OPEN-PLAN OFFICE. CONTINUOUS.
Steve and Dot come out of Hastings’ office. Dot
needs to think on his feet.
STEVE:
What happened with the post-mortem?
Weren’t you supposed to organise
it?
DOT:
Yes. Listen, mate, no. I sent the
email but I only just saw this
morning it’d bounced back from the
pathologist’s office.
STEVE:
All right.
DOT:
(winks)
Steve, life-saver.
Steve calls Maneet on the internal phone system.
STEVE:
Maneet, get me an update on Hari
Bains’s whereabouts. Urgent.
Maneet jumps to a phone, while calling up data
on her screen.
MANEET:
(Into phone.)
Telecoms.
(Waits on line.)
DOT:
I’ll get hold of Kate... See if
she’s on his tail...
Dot carries on walking out of the office.
Steve notices him going but returns his
attention to Maneet.
Music
10:
42:35DUR:
4’37”.Specially
composed by
Carly
Paradis.
|
|
|
|
|
|
|
|
|
|
|
|
|
10:
42:5010:
42:5710:
43:02MANEET |
(Into phone.)|
We need an urgent triangulation on |
a suspect’s mobile phone.
(Refers to computer.)
Telephone number 07591 152 689
INT. HARI’S HOUSE. GARAGE. SAME TIME.
Hari does some carpentry, trying to bury himself |
in the task. His phone lies nearby. |
|
CUT TO:
||
INT. AC-12. OPEN-PLAN OFFICE. CONTINUOUS. |
|
Maneet gets the information from Telecoms. Calls |
Steve. Phone rings. Steve picks up the receiver. |
|
STEVE |
Yes. |
|
MANEET |
(To Steve.)|
He’s at or near home... |
|
STEVE |
(Going to a phone)|
Right. He could have concealed |
firearms. Organise armed back-up... |
|
CUT TO:
||
INT. SOUTH FERRY STATION. BRIEFING ROOM. MOMENTS |
LATER. |
|
Reynolds briefs a group of AFOs that includes |
Kate and McAndrew. |
|
Behind Reynold’s is a map on screen and Google |
Earth type images of the street. Bain’s house is |
highlighted. |
|
REYNOLDS |
Telecoms triangulation places Hari |
Bains at his home address. We |
understand that his wife and one |
child reside at this same address. |
|
McAndrew raises her hand. |
|
REYNOLDS (CONT’D) |
What? |
|
|
|
|
|
CUT TO:
||
|
|
10:
43:2610:
43:3310:
43:36MCANDREW |
PC Francis is in Bains’s squad. She |
shouldn’t be in here. |
|
REYNOLDS |
(Beat)|
Correct. Thank you, Francis. |
|
KATE |
Sir. |
|
Exit Kate, reluctantly. |
|
CUT TO:
||
INT. SOUTH FERRY STATION. DOWNSTAIRS CORRIDOR 1. |
CONTINUOUS. |
|
Kate heads out bitterly. She takes out her |
phone. |
|
CUT TO:
||
|
INT. DOT’S CAR. MOMENTS LATER. |
|
Dot drives, his face set hard. His phone rings. |
|
DOT |
(Via Bluetooth)|
DI Cottan. |
|
CUT TO:
||
INT./EXT. SOUTH FERRY STATION. GARAGE TIME. |
|
Kate passes through the garage and then out to |
the exterior. |
|
Intercut with Dot driving on his Bluetooth. |
|
KATE |
(Into phone)|
I’ve been bumped off the op. Too |
close to Bains. I need to be in on |
this, Dot. Can you make a call? |
|
DOT |
(Into Bluetooth)|
No. This is too dangerous. I want |
you out of it. |
|
KATE |
(Into phone)|
For Christ sake, Dot --|
|
10:
43:4710:
43:5510:
44:1310:
44:16DOT |
(Into Bluetooth)|
Sorry, Kate. |
|
Kate looks very frustrated. |
|
He hangs up. |
|
CUT TO:
||
INT. SOUTH FERRY STATION. ARMOURY. CONTINUOUS. |
|
McAndrew and the other AFOs (8 in total) get |
issued their firearms --a flurry of forms being |
signed, ammunition load, guns holstered. |
|
MCANDREW |
You set aside that this is one of |
our own. Hari Bains is potentially |
armed and is considered to be |
extremely dangerous. |
|
CUT TO:
||
INT./EXT. SOUTH FERRY STATION. GARAGE. MOMENTS |
LATER. |
|
Two firearms teams of four AFOs scramble aboard |
two back-up vans --McAndrew with her team in |
the first, the other four AFOs in the second. |
|
MCANDREW |
Let’s get this done. |
|
The metal gates go up and the vans speed away on |
a blue light. |
|
Kate watches them depart, helpless. |
|
CUT TO:
||
EXT. CITY STREET. CONTINUOUS. |
|
The back-up vans speed in convoy through traffic |
on blue lights, now followed by a couple of |
squad cars. |
|
CUT TO:
||
INT./EXT. SOUTH FERRY STATION. GARAGE. MOMENTS |
LATER. |
|
Kate answers her phone. |
|
KATE |
Hello. |
|
STEVE (O.S)|
(out of phone)|
Kate, you were right about the PM.|
Rod Kennedy... |
|
CUT TO:
||
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Line of Duty" Scripts.com. STANDS4 LLC, 2025. Web. 20 Jan. 2025. <https://www.scripts.com/script/line_of_duty_780>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In