Line of Duty Page #10
Season #3 Episode #4- NOT RATED
- Year:
- 2012
- 60 min
- 468 Views
KATE:
This.
She brings up on screen a picture of the
morbidly obese Dale Roach grinning like the
Cheshire Cat next to a police officer in the
uniform of a Chief Superintendent at a charity
event.
KATE (CONT’D)
Councillor Dale Roach with guess
who?
Kate brings up another similar sort of image of
the two men.
KATE (CONT’D)
Chief Superintendent Fairbank.
And another.
KATE (CONT’D)
Roach and Fairbank.
And another.
KATE (CONT’D)
Roach and Fairbank.
Steve and Kate stare at the images thoughtfully.
Dot is watching them.
CUT TO:
INT. AC-12. HASTINGS’ OFFICE. LATER THAT DAY.
From a folder Kate lays scans of the photos of
Roach and Fairbank on Hastings’ desk, followed
by the reports cc-ed to Fairbank. Hastings
studies them.
10:
48:30KATE:
Chief Superintendent Fairbank
retired in 2008.
HASTINGS:
(Knows him)
Oh yeah, Pat run Vice for donkeys’
years.
KATE:
If Oliver Stephens-Lloyd did submit
a list of abusers at Sands View,
almost certainly it would’ve gone
to Vice.
HASTINGS:
(A little uneasy.)
Almost certainly.
STEVE:
Which makes the fact he was copied
in on Stephens-Lloyd’s missing
persons and post-mortem reports all
the more suspicious.
Hastings hesitates, studying the names copied in
the report.
STEVE (CONT’D)
Sir, former Chief Superintendent
Fairbank still lives in the area...
Hastings takes Steve’s point. He makes a show of
casting aside his uneasiness.
HASTINGS:
Let’s see what he’s got to say for
himself. Good work, you two, good
work.
STEVE:
Sir.
KATE:
Sir.
Exit Steve and Kate. Hastings looks at the
reports with mounting unease.
CUT TO:
INT. FAIRBANK’S HOME. NEXT DAY.
Steve and Kate are shown into a comfortable
sitting room by Patrick Fairbank. The house
displays the signs of a large pension and a
Music
10:
48:00DUR:
0’33”.Specially
composed by
Carly
Paradis.
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X:
Music Ends
10:
48:33distinguished career --expensive furnishings,
police mementoes.
FAIRBANK:
Come in, please.
STEVE:
We’re very grateful for your time,
sir.
FAIRBANK:
Anything I can do to help. I’m
retired now. There’s no need for
the sir. Follow me.
And they walk through the ornate wood panelled
hallway to the lounge.
FAIRBANK (CONT’D)
Take a seat.
Fairbank appears relaxed and amiable as he takes
a seat. Steve and Kate do the same.
STEVE:
I’m DS...
FAIRBANK:
Tea or coffee?
STEVE:
We’re fine, thank you, sir. As I
was saying. I’m DS Arnott.
KATE:
DC Fleming.
Steve and Kate get their pocket books out and
take notes where appropriate.
KATE (CONT’D)
Mr Fairbank, we’d like to begin by
asking you about a social worker
who went missing in October 98.
Oliver Stephens-Lloyd.
FAIRBANK:
(Shakes head)
Doesn’t ring a bell.
STEVE:
If we may, sir perhaps this report
might jog your memory?
Kate passes Fairbank a copy of the Missing
Persons report.
Fairbank makes a meal of opening a glasses case.
FAIRBANK:
(Of glasses)
Blind as a bat without these.
Cleans the lenses.
FAIRBANK (CONT’D)
Are you sure you don’t want a tea
or coffee?
KATE:
We’re fine, thank you, sir.
He puts the glasses on.
Fairbank reads the report, utterly relaxed. Then
he hands it back.
FAIRBANK:
(Professing ignorance)
Sorry.
STEVE:
The report was copied to you. Is
there any reason you might take an
interest?
FAIRBANK:
None at all.
KATE:
Can you explain why you’ve been
sent this report?
FAIRBANK:
Well I don’t remember any of this.
I mean. You’re going back a good
many years.
Kate opens a folder and shows Fairbank the
photos of him with Dale Roach.
KATE:
We’d like to show you some
newspaper clippings, if we may.
Clock chimes. Once again Fairbank makes a
palaver out of putting on his reading glasses.
STEVE:
You appear to be quite close to
Councillor Dale Roach.
FAIRBANK:
Our paths crossed occasionally.
Usually at a charity event. We
weren’t close.
STEVE:
We’re looking into allegations of
child sexual exploitation involving
Councillor Roach.
Fairbank just looks at them both amiably, almost
stupidly.
KATE:
As head of Vice, did you ever deal
with any complaints against Roach?
FAIRBANK:
There may have been some such
saying “Councillor Roach has done
this” or “Councillor Roach did
that.”
STEVE:
And what would it be that the
Councillor “did”?
FAIRBANK:
I don’t recall the details. But
when these things came up, they
would have been looked into.
STEVE:
Did you ever deal with complaints
of abuse at Sands View Boys’ Home?
FAIRBANK:
That doesn’t ring a bell.
KATE:
(Notebook out)
There was a specific allegation
made by the social worker we’re
talking about, Oliver Stephens-
Lloyd.
FAIRBANK:
(Professing ignorance)
Sorry.
STEVE:
Stephens-Lloyd claimed he compiled
a list of authority figures who,
with the collusion of staff,
conducted systematic abuse of boys
resident at Sands View.
10:
51:23FAIRBANK:
See. I’ve never even heard of this
Stands Views place.
Tense beats while Steve and Kate look sceptical,
but Fairbank seems not to have a care in the
world.
The doorbell rings.
FAIRBANK (CONT’D)
(Exiting.)
Sorry.
Steve and Kate look frustrated.
FAIRBANK (O.S.)(CONT’D)
I’ll get that, love.
MRS FAIRBANK (O.S)
Okay.
FAIRBANK:
Here he is.
HASTINGS:
I hope I’m not too late.
While Kate makes notes, Steve looks out. He’s
surprised to see who’s outside.
CUT TO:
EXT. FAIRBANK’S HOME. CONTINUOUS.
They shake hands. Fairbank uses his thumb to
apply sharp pressure to the knuckle of Hastings’
middle finger and Hastings does likewise.
FAIRBANK:
Spot on. How are you keeping, Ted?
HASTINGS:
Can’t complain, can’t complain.
Steve has witnessed the handshake, and looks
extremely troubled.
FAIRBANK:
I hope you don’t mind me calling
you?
HASTINGS:
Not at all, sir. A matter of
professional courtesy.
Music
10:
51:16DUR:
1’07”.Specially
composed by
Carly
Paradis.
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10:
51:5710:
52:0910:
52:11Kate reacts with shock at hearing Hastings’
voice. She sees Steve is in the same boat. Enter
Fairbank and Hastings. Kate stands.
HASTINGS (CONT’D)
As you were, as you were.
FAIRBANK:
Oh now you’ll stay after won’t you?
Joyce will kill me if I let you off
the hook from her Victoria sponge.
Fairbank and Hastings sit.
HASTINGS:
That’s very kind of you, sir. Thank
you. Don’t mind me.
FAIRBANK (O.S)
(To Steve and Kate.)
Now where were we?
Steve and Kate look extremely uncomfortable.
Steve just looks very bitter.
CUT TO:
INT. DOT’S LAIR. NEXT DAY.
Dot scrapes a half-eaten breakfast into the bin.
He turns off the radio and his nerves kick in.
He glances at an array of mobile phones. He
looks even more nervous. Then he exits.
CUT TO:
INT. AC-12. INTERVIEW ROOM. LATER
Dot and senior officers in a meeting. Hastings
shuts the door.
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