Lipstick Page #6
- R
- Year:
- 1976
- 89 min
- 440 Views
No.
Or call downstairs
for some help?
I should have.
But you didn't,
did you?
'Cause you didn't believe
your sister was in danger.
That's the truth,
isn't it?
Did you think for an instant
I didn't know.
You would have
called for help
if she'd been
in danger. Yes.
You would have
telephoned the police. Yes.
Anyone,
wouldn't you?
Yes.
But from what you saw,
she wasn't being harmed.
She wasn't struggling.
She wasn't
being beaten.
She didn't scream.
She was quiet,
wasn't she?
You looked into your sister's
bedroom, Kathy,
and you saw her making love.
In some way,
she wanted to make love,
with a teacher
you liked and admired.
No, he was raping her.
BONDI:
Objection. This calls for a conclusion.
He was raping her!
JUDGE:
Sustained.
You did like Mr. Stuart,
didn't you, Kathy?
It's not true.
You didn't like him?
No.
Didn't you?
No. Yes, but...
Did you like him
or didn't you?
He raped my sister.
No, you mean your sister
told you she'd been raped.
He raped her.
Look, that is the
accusation, Kathy,
but Mr. Gordon Stuart
is not guilty of rape.
That requires evidence,
and there is no evidence.
You were an
eyewitness, Kathy,
but you didn't see
anything violent
or you would have
called the police.
BONDI:
Your Honor, I demand
that you admonish counsel
to stop using
this child as a tool
for his closing argument!
A jury, not
this witness,
will determine that
violence was done,
that Chris McCormick was raped.
Your Honor, I agree that there
was a rape that afternoon
in Miss McCormick's apartment.
From this evidence, from the
testimony of the one eyewitness,
it is impossible to tell,
beyond a reasonable doubt,
just who the victim was.
KATHY:
He was raping her!
He was!
Your Honor, I have
no more questions.
She told me!
Your Honor,
I have no more questions.
She told me!
She never lies to me!
JUDGE:
Have you reached a verdict?
We have, Your Honor.
CLERK:
We, the jury, find the defendant not guilty.
( buzz of conversation )
How do you feel about...?
What do you think
happened, Miss Bondi?
Will anyone hire
you after this?
Will you
continue to model?
Hi.
Gordon Stuart!
Yeah.
Gordon Stuart,
can we have a picture
of you
and Chrissy together?
How does it feel
to be a free man?
Mrs. Bondi, have you had it
with the D.A.'s office?
I've had it
with 18th century juries.
How about a retrial?
What do you want?
What do you want?
You want to follow them
in the ladies' room?
You want more rape?
Come on, come on.
Just trying to get in.
Can we have a picture?
Do you still believe
Chris's story?
We're certainly innocent.
Bastards.
Are you okay?
Are you
all right?
Oh, God.
Try and look right
in the camera.
You look so beautiful
today, Chrissy.
Come on, try
a little bit.
That's nice
like that.
Just turn your head
away a little bit.
Turn it away.
Just turn it away.
That's it.
Bring it back
to me, Chrissy.
Bring your head
back to me.
Come on, you're
my favorite, Chrissy.
My favorite girl
in the whole world.
Try a little
harder, Chrissy.
Just remember
the way we used to do it.
Kill that bulb.
Chrissy, honey, come on.
Please let me try it
one more time, Francesco.
I'll be all right
in a minute.
We can do it another time.
We don't have to do it today.
There's no hurry.
We've got so much
to do, though.
Aw, come on, baby.
Let's go out.
We can get it
in one session.
Remember when we-we did
the ten pages
for Vogue in one day?
Nobody could believe
we finished it.
We can always do
things another day.
But... we have
We don't really.
The agency wants
to cool it,
and Steve agrees.
He says, possibly we'll
pick it up next year.
This is the last
session, Chrissy,
but we don't have
to finish it today.
We can do it tomorrow.
You'll be fresher then.
KATHY:
Why should you?
'Cause I've got
a commitment.
But they fired you.
Who said they fired me?
You said.
After today.
Just put the
rest of the gear
in the back
of the car.
Zip up that
rifle case.
Well, I'll do it.
It's okay.
It's not just a question
of being fired.
There's a lot more to it
than that.
How will we make a living?
Starving.
We'll be the first sister team
to make a living by starving.
We couldn't starve.
Why not?
We've got
looks, talent, honesty,
and we're great in courtrooms.
Chris?
Mm-hmm.
Will they take him back
at school?
You heard the verdict.
Not guilty.
They'll probably
throw him a party.
Even the kids
at my new school.
What?
They look at me.
You know, funny.
Steve gave you that,
didn't he?
Yeah, right.
Steve.
Steve, who said
I was the hottest
model in the business.
And the jury
agreed with him.
Why didn't the jury believe you?
Kathy...
I have to ask you a question.
After the jury--
what they said,
it didn't happen?
No.
KATHY:
How long is it going to take this time?
We'll have
plenty of time
to get to the
mountains afterwards.
When are you
going to know?
Know what?
If we come
back to L.A.
or go home
to Colorado.
Well,
in the mountains,
there'll be
some fresh air,
and then we'll
be able to make
the wrong decision
better. Right?
GIRLS:
Kathy! Kathy!
Where have you been?
How are you?
Good to see you.
Where have you been?
Can you come
watch us rehearse?
No, I'm here with Chris.
She's working.
We're doing
modern dance.
It's really neat.
Come on. Can't you
come watch us rehearse?
Come on, Kathy.
Come on. Please?
Kathy, come on!
Please?
No, I've got to be with Chris.
Okay. We'll see
you later, okay?
Bye!
What time you going
up to the mountains?
Right afterwards.
When we're
finished shooting.
I'll bet you can't wait
to get out of here.
Marvelous! Marvelous!
In five years,
I'll hire you.
There! Now, let's see.
What can I do?
There! Like Dietrich.
Marlene Dietrich.
Very languorous. Dietrich.
Oh, this is the most
beautiful dress
I think I've ever had on.
You look fabulous.
I love it.
Let me see you move.
Look what happens
when I turn around.
That's it. Just
walk around there.
Kind of tiring,
isn't it?
Yeah, a little.
Sort of boring.
You know, there
are two or three floors up there
that are unoccupied.
Lots of empty shops.
Sort of like
a big fun house.
Why don't you
go exploring?
I think I will.
Sure. There are all
kinds of escalators.
Have fun, honey.
Fix the hair
and the makeup.
Give me the camera
on the floor.
That's it. This is
going to be really good.
Fabulous like that.
From down here,
you should see you, Chrissy.
Great.
Twirl for me.
Great like that.
Fabulous!
( electronic music playing )
Open it out!
On her.
Okay, good.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Lipstick" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/lipstick_12623>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In