Little Women Page #4

Synopsis: Little Women is a 1994 American family drama film directed by Gillian Armstrong. The screenplay by Robin Swicord is based on the 1868 Louisa May Alcott novel of the same name. It is the fourth feature film adaptation of the Alcott classic, following silent versions released in 1917 and 1918, a 1933 George Cukor-directed release and a 1949 adaptation by Mervyn LeRoy. It was released exclusively on December 21, 1994, and was released nationwide four days later on December 25, 1994, by Columbia Pictures.
Genre: Drama, Family, Romance
  Nominated for 3 Oscars. Another 5 wins & 15 nominations.
 
IMDB:
7.3
Metacritic:
87
PG
Year:
1994
115 min
7,192 Views


LAURIE:

And would you let me be in a play? I saw some of it the other

night.

JO:

Oh, that was terrible. I want to put on "Hamlet" though, and do

the fencing scene.

LAURIE:

I could do Laertes. I took fencing lessons at the academy.

JO:

Really?

LAURIE:

Yes! Look! Look! On guard!

(00:
35:05)**

JO:

Splendid!

LAURIE:

Here.

JO:

Oh! "Come, for the third, Laertes: you but dally."

LAURIE:

"Say you so. Come on."

JO:

"A hit; what say you?"

LAURIE:

"A touch. A touch. I do confess."

MR. LAURENCE

What is this? What on earth? What's going on?

MR. BROOKE:

Don't know, sir?

LAURIE:

"Have at you, now."

JO:

Oh?

LAURIE:

Oh, I say. Oh, I say. You hurt?

JO:

Oh, no. Nothing ever hurts me.

LAURIE:

I'm sorry. I forgot you're a girl, and I'm afraid I got a bit too

rough.

JO:

Oh, what are you talking about? Oh, I had you bettered, if I

hadn't slipped. Oh, that's _c that's a good picture of your

grandfather. He looks pretty grim, but I shouldn't be afraid of

him. Though I can see how his face might frighten some people.

(00:
36:02)**

MR. BROOKE:

I'll wait upstairs, sir.

JO:

His eyes are kind and I like him, though he does bark at you so.

MR. LAURENCE

Thank you, ma'am. So you're not afraid of me, eh?

JO:

No, sir. Not much.

MR. LAURENCE

But my face will frighten some people.

JO:

Oh, I_c. I only said "might", sir.

MR. LAURENCE

And I bark, do I?

JO:

Oh, no, sir. Perhaps not all the time.

MR. LAURENCE

But with all that you like me, eh?

JO:

Oh, yes, sir. I do. I do. I do.

MR. LAURENCE

And I like you.

JO:

Oh, sir.

LAURIE:

Grandfather, you should see her fence. Come on, let's show him.

JO:

Oh, no. I've been here too long now.

LAURIE:

Well, I'll see you home.

MR. LAURENCE

Oh, no, no, no. You stay indoors, young man. I shall see Miss

March home. I want to pay my respects to your mother and thank

her for the medicine she sent my boy. I can see it's done him

lots of good. You get upstairs and do your sums. Brooke is

waiting for you, and see you behave yourself like a gentleman,

sir.

LAURIE:

Good bye, Jo.

(00:
37:25)**

(Inside the March house)**

(00:
37:27)**

HANNAH:

Here they come. Here they come. All dressed up and looking as

pretty as pictures.

MRS. MARCH

Oh, Amy. How dainty! You look lovely.

BETH:

Oh, Marmee, I wish Laurie hadn't asked me to his party. I know I

shall be frightened.

MRS. MARCH

You wouldn't want to hurt his feelings when he's been so kind.

Oh, Meg, the dress is lovely. Meg: Thank you, Marmee.

MRS. MARCH

Jo, you look splendid.

JO:

Well, I feel perfectly miserable with 19 hairpins all sticking

straight into my head. But, dear me. Let us be elegant or die.

MRS. MARCH

Does the patch show much?

MEG:

It does a little, Marmee. But she's going to sit down or stand

with her back against the wall. Jo, where are your gloves?

JO:

Oh, well, I've stained them so I'm gonna go without.

MEG:

You wear gloves, or I don't go.

HANNAH:

I tried to clean them bit it only made them look worse.

JO:

Oh, here. I'll carry them. I'll hold them crumpled up in one

hand. Nobody'll see them.

MEG:

Oh, Jo.

JO:

Well I'll tell you. We'll each wear one of your nice ones and

carry one of my bad ones. Then the effect will be fine and easy.

MEG:

All right. Only be careful of it. And don't stretch it. And Jo

dear, do behave nicely and don't put your hands behind your back.

Good night, Marmee.

MARMEE:

Have a nice time, dear.

AMY:

And above everything, don't say "Christopher Columbus" and

disgrace us all.

JO:

Oh, hold you tongue, Miss Baby. I'll be as prim as I can be, and

not get into any scrapes_c if I can help it.

(00:
38:53)**

(Dancing)**

(00:
39:39)**

MAN:

May I engage you for this dance, Miss March?

JO:

No, thank you. I'm not dancing.

AMY:

There's that Kitty Ford.

BETH:

Where?

AMY:

There, with the pink dress and the blue sash. I don't see why

she's allowed with the grow-ups and I have to stay up here.

BETH:

Oh, that beautiful piano. It's as big as our kitchen.

MR. LAURENCE

Um_c What's this? Why aren't you two young ladies downstairs

dancing?

AMY:

Mother said we weren't to go down with the grown-ups.

MR. LAURENCE

But can you see anything from here? How about you?

AMY:

She just likes to listen to the music.

MR. LAURENCE

You just come down with me where it's playing.

BETH:

Oh, no. No, sir. Please.

MR. LAURENCE

Why not? Well, my dear child, what's the matter?

AMY:

She has an infirmity.

MR. LAURENCE

Mmm?

AMY:

She's shy.

MR. LAURENCE

Oh, I see.

AMY:

If it weren't for that, she'd be simply fastitidious because she

plays beautifully.

MR. LAURENCE

Oh, she must come and play for me sometime.

AMY:

No. She never would.

MR. LAURENCE

Oh, it wasn't that I wanted to hear her, but that piano down

there is simply going to ruin for want of use. I was hoping one

you young ladies would come and practice on it. Just_c. Just to

keep it in tune, you know. Well, if you don't care to come, never

mind.

BETH:

Oh, sir. We do care, very, very much.

MR. LAURENCE

So. So you're the musical one.

BETH:

I'm Beth. I love it dearly and I'll come if you're quite sure no-

one will hear me and be disturbed.

MR. LAURENCE

Not a soul, my child. Not a soul. You come too, young lady. And

tell your mother I think all her daughters are simply

"fastidious".

AMY:

Beth, isn't he elegant?

(00:
41:47)**

LAURIE:

This is the German, and I'll be hanged if I let you refuse me all

of them.

JO:

Oh, no. No.

LAURIE:

Don't you like to dance?

JO:

Oh, yes. I love to dance, but I can't. I _c I mean, I promised I

wouldn't.

LAURIE:

Why?

JO:

Oh, well, I may as well tell you. You won't tell?

LAURIE:

Silence to the death.

JO:

Well, you see, I have a bad trick of standing in front of the

fire and I scorch my frocks, and I burned this one.

LAURIE:

Where?

JO:

Oh, you can laugh if you want to. It is funny.

LAURIE:

Look! I'll tell you how we can manage. There's no one in the

hall. We can dance out there without being seen.

JO:

You're a Champ.

LAURIE:

This is regularly splendid. Oh. Thank you.

(Dancing)**

(00:
42:55)**

JO:

Oh, hello.

LAURIE:

What are you two doing up there? Come on down.

AMY:

No.

LAURIE:

Well, have you had refreshments?

BETH:

No, thank you. We really don't care for _c. Ouh!

LAURIE:

We'll bring some right up. Come on.

(In the garden)**

MEG:

And then when Laurie goes to college, what becomes of you?

MR. BROOKE:

I shall turn soldier as soon as he is off. I'm needed.

MEG:

Oh. Oh, I'm so sorry. I mean, I'm so sorry for all the mothers

and sisters who have to stay home and worry.

MR. BROOKE:

I have neither. And very few friends to care whether I live or

die.

MEG:

Laurie and his grandfather would care a great deal. And we_c we

all would be very sorry if any harm came to you.

MR. BROOKE:

Would you?

(By the stairs)**

JO:

Here we go!

(Chatter)**

LAURIE:

Oh, Jo. Jo.

AMY:

Now you've done it!

(Exclamations)**

JO:

Meg's gloves! Oh, look at me!

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Robin Swicord

Robin Stender Swicord (born October 23, 1952) is an American screenwriter and film director. She is known for literary adaptions.In 2008, her screenplay for The Curious Case of Benjamin Button was nominated for Academy Award for Best Adapted Screenplay and Golden Globe Award for Best Screenplay. She wrote the screenplay for the film Memoirs of a Geisha, based on the novel of the same name by Arthur Golden, for which she won a 2005 Satellite Award. Her other screenplay credits include Little Women, Practical Magic, Matilda, The Perez Family, and Shag. more…

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