Live Free or Die Hard Page #8

Synopsis: When someone hacks into the computers at the FBI's Cyber Crime Division; the Director decides to round up all the hackers who could have done this. When he's told that because it's the 4th of July most of their agents are not around so they might have trouble getting people to get the hackers. So he instructs them to get local PD'S to take care of it. And one of the cops they ask is John McClane who is tasked with bringing a hacker named Farrell to the FBI. But as soon as he gets there someone starts shooting at them. McClane manages to get them out but they're still being pursued. And it's just when McClane arrives in Washington that the whole system breaks down and chaos ensues.
Director(s): Len Wiseman
Production: 20th Century Fox
  3 wins & 16 nominations.
 
IMDB:
7.2
Metacritic:
69
Rotten Tomatoes:
82%
PG-13
Year:
2007
128 min
$134,500,000
Website
3,019 Views


Freddy!

Freddy!

This is John McClane.

Look I know you can hear me.

This is your frequency, right?

up the mic, Freddy.

Nobody here by that name, sorry.

Hacker jerk off!

Warlock!

I need you to do whatever

it is that you do...

to patch me through

to the F.B.I.

To Deputy Director Bowman,

you hear me?

Are you serious, you want me

to intentionally open up a com...

line to the head of the C.I.A.

cyber division? I don't think so.

Freddy, God damn it!

They have my daughter!

I can do that, hold on.

Thank you.

i This is central, we have a

patch for Director Bowman.

Sir, central is trying to

reach you.

Go.

- Bowman, it's McClane.

- McClane.

Listen to me,

Gabriel is on the 695,

headed north, in a

haz-mat truck.

Wait, Gabriel has left Woodlawn?

We were heading there right now.

Bowman, he's got my daughter.

Listen, this haz-mat truck, it's a

government vehicle so it is tracked, right?

Track that down,

should take you right to him.

- Gimmie the tag number?

- Alright,

Here it comes.

Golf, Tango...

Got it.

McClane, where is Farrell?

He is with them.

Listen to me, I'm gonna

go in there and get Lucy out.

But if something happens to me...

you gotta send in the cavalry,

do you hear me?

I mean everybody, don't let that

maniac get my daughter, you hear me?

John, don't worry.

I want your word, Bowman.

Yeah, you have it.

Why not?

There's the F-35.

Did you get the go codes?

- Trey! Did you get the go codes?

- Yes, I got the go codes.

Can you connect me to the pilot?

Isolating his radio.

Sending him the go codes.

AV-81.

AV-81, this is Marine Airway. ATC.

i Gofer, AV-81.

Confirmed terrorist vehicle has been

located in your sector. Big-Rig Truck.

- We are in pursuit of a Haz-mat vehicle.

- I'm hearing you, ATC.

You are authorised to engage and destroy.

i Copy that,

AV-81 engaging.

What...

God damn it!

You're shooting the wrong guy!

I don't think Daddy's

coming, honey.

Hey! Jackass!

Is that it?

Is that your best shot?

Come on, get out. That way.

We are leaving in 3 minutes.

You have 1.

The rules didn't change man, you're

gonna kill me as soon as I unlock it.

- Ah, sh*t!

- Matthew?

Matthew! I really need

you to pay attention.

The rules can always change.

- OK OK.

- I will shoot in her in 10 seconds.

- Wait, wait.

- Nine.

- I can't...

- Eight.

I can't...

Oh, God!

OK!

OK OK OK!

Six.

OK, stop stop,

I'm doing it.

I'm doing it. Oh, God!

The Feds are heading this way.

Get everything on the plane.

- Dad?

- Careful.

Don't worry baby,

Everything is going to be alright.

Daddy!

Hold this.

Jesus Christ!

You got her?

You sure?

Nice effort though.

Matthew?

Sh*t. OK.

I'm doing it,

I know.

McClane...

Would you do me

a favour?

I know the lights are

beginning to dim...

but if you can just hang

on for a second...

as soon as Matts finishes,

I'm gonna kill him and your daughter

And I would love for you

to see that.

God damn it. Mathew?

and you will have all your money.

You can just leave, nobody

has to get hurt, OK?

A few seconds. Stay

with me, McClane...

- Stay with me.

- Dad?

On your tombstone

it shall read:

"Always in the wrong place, at the wrong time"

How about:

"Yippi-kai-ay, mother fu..."

Daddy?

- Are you OK?

- Yeah, I'm fine...

I knew you would come for me.

Of course I would come for you.

It's OK.

Freeze!

Hold up, Hold up!

He's OK.

Help Daddy up.

I think I'll just stay

here for a minute.

Daddy, you are out of your mind.

- What are you talking about?

- You shot yourself.

It seemed like a good idea at the time.

Don't tell these guys

that I did that, OK?

Is he OK?

Lift your arms up,

Now put them down, further.

He might die from shock

on the way to the hospital.

Alright.

I'll be right back.

- Hey.

- How does it feel to be shot?

Actually it feels great. He gave me...

What's it called? Morfon...? Morphine.

- Well, you got your merit badge now?

- Yeah... I don't know what that means.

- Plus, you know, chicks dig scars.

- Really?

- Not that one.

- what?

- Don't even think about it.

- How did you know what I was thinking?

What, did she say something to you?

I felt, we had a vibe...

Take it easy, it's

just the morphine kicking in.

Besides, after all we've

been through,

I'd hate to have to

beat you to death.

That would suck.

- Good to go?

- Yes, all set.

Take care of yourself

I'll see you in the hospital.

Hey. Thanks for saving

my daughter's life.

What was I gonna do?

That's what makes

you "that" guy.

Yeah.

Did he say anything about me?

Jesus, Lucy!

what? I'm sorry,

I'm just asking.

I'm in enough pain already.

Hospital...

SubTitled by Asif2bd

Visit For Latest Software & Many More

DownloadBD.info

Rate this script:4.0 / 1 vote

Mark Bomback

Mark Bomback (born August 29, 1971) is an American screenwriter, originally from New Rochelle, New York. Bomback is a graduate of Wesleyan University, where he studied English Literature and Film Studies. more…

All Mark Bomback scripts | Mark Bomback Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Live Free or Die Hard" Scripts.com. STANDS4 LLC, 2024. Web. 8 Nov. 2024. <https://www.scripts.com/script/live_free_or_die_hard_12702>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is one key element that makes dialogue in a screenplay effective?
    A Excessive use of slang
    B Natural-sounding speech that reveals character and advances the plot
    C Overly complex vocabulary
    D Long monologues