Live or Die in La Honda Page #4
- Year:
- 2016
- 80 min
- 36 Views
how to do it.
You're bullshitting me, right?
Blake, if there
is a chance that
I love you.
F***, you're the only one
for me.
(country rock playing)
Let's get out of here.
(gun firing)
(gun firing)
You still got it, sergeant.
(Vic weeping)
(Vic sobbing and weeping)
[Blake] Vic never talked about
it, but she'd been having
nightmares since the war.
Hey,
hey Vic.
It's OK.
It's OK.
You're alright.
You're gonna be OK.
(Vic screaming and weeping)
I'm not going anywhere.
(Vic weeping)
[Vic] F*** me.
Did you see
the way she looked at me?
You don't like me much, do you?
I'm tapping out.
Give yourself a $100 tip.
For sure, Bruce. Get home
safe.
(engine starting)
(soft rhythmic music)
[Assassin]
Hey, do you need a lift?
[Bruce] Say what, man?
[Assassin] I said,
do you need a lift?
Oh no, I'm just up the hill.
You sure? It's no trouble.
F*** this hill.
(soft rhythmic music)
night than I had in years.
happened over the past two days.
I was just...
happy.
This is nice.
I missed you.
I missed you, too.
[Blake] On my way
to get breakfast,
that I could make a life
with Vic in La Honda.
Almost.
[Jack] Yeah,
he fell over the rail
and broke his neck in the creek.
[Tom] Bruce was pretty
annihilated last night.
I heard they found
two more dead bodies
thrown off a cliff by Pomponio.
Really?
Yeah, sh*t's getting a
You came.
Be here with me.
This is my home.
We could stay in La Honda,
start a life together.
Where's my breakfast?
I recall mention
of an Egg La Honda.
I didn't get them.
Am I mistaken
or am I detecting a bit of
a chill in your tone?
Oh no, you're not mistaken.
And here I thought I
turned a corner with you.
Are you gonna tell me
what's making you upset
or am I supposed to guess?
How?
Oh, come on, Vic.
You must think I'm really stupid
that I can't connect these dots.
What are you talking about?
You gonna to deny it?
I was with you all night.
someone else do it for you,
which means...
Go on, I can't wait
to hear what it is
that you think I'm up to.
OK.
This was a murder made
to look like an accident.
That's not something you
trust someone else to do
unless they're a pro.
Why would I be associating
with professional assassins?
Because you're
a f***ing drug dealer.
I'm a businesswoman who's
diversified her interests.
Goddammit, Vic.
It's not like
A little pot never hurt anyone.
Six people are dead!
Bruce was trying
to blackmail me.
I was defending us.
You were protecting us,
that doesn't mean
you go and kill him.
If I thought
But Bruce is a wild card,
and I can't trust
a wild card,
not in this business.
Was Ryan business?
Ryan made his own bed,
And that's why
you're not worried.
Because you're working for them.
They're a necessary evil
as we become the pipeline
from Santa Cruz to the city.
I knew that Joe and Rita
would move against us
sooner or later, and that's
when I realized I need
a partner to make this work.
I got big plans for us, baby.
I don't give a sh*t
what your plans are, Vic.
I did not sign up for this.
Well, it's too late now, you're
up to your neck in it now.
No.
I am done.
You're done
when I say you're done.
Don't bet on it.
Oh, I'll bet my life on it.
Because we'll always
have Fallujah.
What the f*** are you
talking about? That was war.
Things happen in a war.
Oh, you don't have to
convince me, I'm on your side.
things a little differently,
especially considering the
efforts we took to cover it up.
Why are you doing this to me?
Did I ever hesitate
to help you?
Did I ever question your ethics?
No.
You know why?
Because I've got your back.
And you'll have mine.
These past few days have
proven you're the perfect man
for the job.
Hell, you're the only man
for the job.
But I don't want it!
It's alright
if you don't like the work.
I don't like it either.
But these next few years
we'll make more money
than we ever dreamed of.
After everything
that we have done,
what we've seen,
we've earned this.
We deserve this.
Not like this.
The guilt will pass, trust me.
What about
becoming better people?
We'll have time for that.
But we've got a lot of work
ahead of us.
And I'm starving.
Can I get you an Egg La Honda?
I've lost my appetite.
I'll get you one
for when it comes back.
Was last night business
or pleasure?
Last night was love.
(soft music)
(ringtone sounding)
[Blake] Hello?
Hey, it's Lindsey
from the San G Store.
Is he there?
Sure is.
(phone ringing)
San Gregorio Store.
Hey there,
is he still in there?
Roger.
Thanks.
(phone ringing)
Are we friends again?
You say you own me?
Well, I own you.
If I'm going down, I promise
I'm not going down alone.
What's that supposed to mean?
I mean I'm gonna have
a lot to say
if the police show up
at my door.
Remember who I work with.
Who you work for.
How fast do you think
if the DEA
starts sniffing around?
Or what if the county
sheriff's office gets a tip
about the location
of two buried bodies?
You'd be digging
your own grave.
I'm digging it anyway.
This is disappointing.
I thought we had something.
Oh, you've made it very clear
where we stand.
Well, let me be clear. F*** you!
If I knew you'd be
so sensitive,
my sales pitch.
You're poison, Vic.
And I don't want you in my life.
Yeah.
So long, Vic.
F***.
(phone ringing)
Yeah.
I've got one last job for you.
(phone ringing)
San Gregorio Store.
Hey, is that him just leaving?
[Lindsey] Yep.
Alright, thanks.
Thanks a lot.
No problemo.
(folk band music)
Don't f***ing move.
Turn around, slowly.
You got a phone?
- Yeah.
- Let me see it.
Slow, slow.
(gun firing)
(blues music)
(blues music continues)
Give me another.
You sure?
Give me another!
(no audible dialogue
over blues music)
(folk band music playing)
(crowd cheering)
Pat, just,
I'll finish your drawer.
Just give me another drink,
and get out of here.
Are you sure?
Stop asking me if I'm sure.
Give me another drink,
and get the f*** out of here.
You're the boss.
That's right.
To Sergeant Baker.
Ooh-rah.
(soft rhythmic theme)
It was you or him.
(soft rhythmic theme)
(pool balls knocking)
Bar's closed!
Fancy meeting you here.
Hey, Vic.
Have a seat.
Put your hands on the table.
I was under the impression
that we wouldn't be
seeing each other anymore.
What changed your mind?
[Blake] I took that
from a friend of yours.
How did you find him?
Does it matter?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Live or Die in La Honda" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/live_or_die_in_la_honda_12703>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In