Logan Page #13
Struggling to the elevators, pressing the button.
Doors open and more people fall out.
INT. OKLAHOMA CITY CASINO ELEVATOR
As Logan rides up, RINGING GETS LOUDER.
LOGAN:
Come on, come on!
And BING the doors open and -- THE SOUND DEAFENING-
Final Shooting - 8/23/2016 58.
INT. OKLAHOMA CITY CASINO/HOTEL - 12TH FLOOR - LATE DAY
AS LOGAN LEAPS OFF THE ELEVATOR and fights his way through
the rippling force, past A MAID, FROZEN beside her cart,
struggling for air to make it around the corner and down the
hall toward-
THE CRACKED SUITE DOOR WHERE TWO ARMED REAVERS stand frozen
and gurgling for air, their weapons pointed inward.
SNIKT! -- LOGAN’S TARNISHED CLAWS EMERGE AND --
HE GUTS THE TWO FROZEN HELPLESS REAVERS IN TWO QUICK THRUSTS.
Their blood and guts pour to the floor, their eyes wide as
they perish in a standing rigor mortis.
INT. REAVERS COMMAND TRUCK -- LATE DAY
PIERCE, HIS ASSOCIATE AND CALIBAN, still paralyzed the wave.
We see on their body cam monitors as Logan skewers the men,
their life support monitors blinking -- AGENT TERMINATED.
INT. OKLAHOMA CITY CASINO/HOTEL -- SUITE -- LATE DAY
Logan pushes through THE DOOR TO FIND-- A SURREAL SCENE:
THREE MORE REAVERS FROZEN IN MID ATTACK. The room service
cart up-ended.
CHARLES sits slumped in his chair, near the window, mouth in
a rictus-like grimace, body quivering, rippling waves of
force emanating from his skull.
LAURA, HER CLAWS OUT, is on the floor, semi-paralyzed,
struggling to pull herself toward Charles’ meds. She reaches
the hypodermic, attempts to hand it to --
Logan who falls to his knees from the shrieking wave. He
fumbles, almost dropping it, eyes starting to roll up in his
own head as he lunges and jams the needle into Charles’ neck.
After a moment, RINGING stops -- Logan falls back-- the
remaining Reavers fall to the ground and, as they gasp for
air, Laura and Logan kill them all. Brutal.
Charles is spent dazed, gasping for air.
Logan peers down at one of the dead Reavers, checking him
out, peering into his BODYCAM.
LOGAN:
We have to go.
Final Shooting - 8/23/2016 59.
INT. OKLAHOMA CITY CASINO/HOTEL -- LOBBY - MINUTES LATER
Dealers, Bellhops, patrons all stumble about in a daze --
children crying -- some people are vomiting or clawing at
their heads. SIRENS IN THE DISTANCE.
As Logan comes out of an elevator pushing a dazed Charles in
his chair, Laura follows. Charles is horrified.
CHARLES:
I’m so sorry. Oh God...
INT. OKLAHOMA CITY CASINO/HOTEL - CASINO FLOOR - DAY
Logan pushes Charles, fast, and Laura follows, dragging her
backpack, making their way toward the glass doors.
They zig zag through the crowd of recently unstuck patrons
and employees, many sick and stumbling, choking, some crying,
Bouncing in his chair, Charles stares at the suffering around
him, stricken with empathy-- and guilt.
Laura lingers, watching A FAT MAN GET CPR FROM A PANICKED
COCKTAIL WAITRESS. The man suddenly comes to life, sucking
air. The waitress’ face fills with wonder. Laura stares.
LOGAN:
Hey! Now!
EXT. OKLAHOMA CITY CASINO/HOTEL - VALET - TWILIGHT
Catching up, Laura follows Logan and Charles out the casino
doors. We hear the rising sirens of approaching first
responders as the trio moves to the new pick up truck.
LOGAN:
This way!
Logan lifts Charles into the back seat, throws the chair in
back bed and gets in. Laura climbs in beside Charles, who
stares out the back window at the chaos as they pull away.
The camera pans with them as they depart, then finds--
SEVERAL REAVER VEHICLES parked at the side of the building.
MOVING IN ON -- THE REAVER COMMAND TRUCK. THE BACK DOORS
suddenly BURST OPEN. PIERCE stumbles out, dazed, sweaty. He
looks to emergency trucks approaching, cherry topped. Then
his eyes find-- FIVE REAVERS.
Final Shooting - 8/23/2016 60.
PIERCE:
Get the bodies.
Restrained in the back of the truck, Caliban, blistered and
weak, watches PIERCE, who leans against the truck to support
himself, chugs some water until he feels Caliban's stare and
SLAMS THE DOOR.
INT./EXT. PICK UP - FARM COUNTRY HIGHWAY -- DAWN
CLICK. CLACK. CLICK. CLACK. Logan drives. A good distance
from the Oklahoma City, topography has changed.
The sun breaks over the horizon. The radio chatters with
breaking news reports on the event at the Casino--
speculation of a gas leak or food poisoning.
REPORTER (ON RADIO)
...some noting a similarity to the
incident last year in Westchester,
New York that left 50 dead, and
twice that many injured-
Logan SNAPS off the radio, quickly looks in back to see if
Charles overheard it. Charles was sleeping. Opens his eyes.
CLICK. CLACK. CLICK.
Logan’s eyes flit to Laura playing with the door lock.
LOGAN:
Knock it off.
She stares at him in the mirror, CLICK, does it again.
LOGAN (CONT’D)
I said knock it off.
Charles takes a breath, closes his eyes.
CHARLES:
She’s a child, Logan.
In point of fact she’s-
LOGAN:
How long has it been since you took
your meds?
(no response)
Charles. How long?
CHARLES:
...I don't know. Two days.
Final Shooting - 8/23/2016 61.
LOGAN:
You saw what happened last night.
If that sh*t had gone on longer,
everyone at that casino-
He stops himself.
CHARLES:
I did what I had to do to stop
those men from taking Laura.
LOGAN:
You didn’t do anything. You freaked
out and had a f***ing seizure.
CHARLES:
pharmaceutically castrated,
rambling on like some lunatic.
So much easier on you.
LOGAN:
Easier? There’s nothing easy about
you.
CHARLES:
Yes, Yes please, be like the rest
of the world and blame someone else
for your boring sh*t.
LOGAN:
Yeah, I know, Pop, I’m such a giant
disappointment-
CHARLES:
Self loathing. Anger. Disdain.
Cowardice. Oh yes. Your peaks and
your valleys. Mostly valleys-- it’s
all so Goddamn boring.
Laura looks from one to the other, nervous for the first time
since she climbed into the car with these two. She starts
flicking the locks again.
CHARLES (CONT’D)
You honestly derive no sense of
purpose from what we’re doing?
LOGAN:
What are we doing?!
CHARLES:
There is a young mutant. Sitting in
our car.
(MORE)
Final Shooting - 8/23/2016 62.
CHARLES (CONT'D)
And where we are taking her, there
are more of them. Does that mean
nothing to you?
LOGAN:
Yes. It means nothing to me.
Especially since Nurse Gabriela
made all this Eden sh*t up from
f***ing comic books.
CHARLES:
What are you talking about?
Logan realizes he’s gone too far, tosses the bottle of pills
to Laura, which, as usual, she catches like Willie Mays.
LOGAN:
Give those to him. Take out two and
give them to him.
CHARLES:
What do you mean-
LOGAN:
Now. For f***’s sake. Take the
pills. Now.
CHARLES:
Logan.
LOGAN:
Take them.
(to Laura)
Give him the pills.
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"Logan" Scripts.com. STANDS4 LLC, 2025. Web. 15 Jan. 2025. <https://www.scripts.com/script/logan_1438>.
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