Logan Page #5
LOGAN:
And by people, you mean fat
fucktards living in their parents’
basements playing with dolls?
GABRIELA:
Whoever it was, they were right.
She has a point. THE SOUND OF SHATTERING GLASS.
LADY MANAGER:
Hey!
THE GIRL IN THE SLICKER HAS SMASHED a motel window with her
ball. The Manager advances on her with a broom. The girl
stares, fascinated and perhaps amused by the angry woman.
LADY MANAGER (CONT’D)
Wipe that smile off your face,
Missy!
(MORE)
Final Shooting - 8/23/2016 20.
LADY MANAGER (CONT’D)
I told you to stop it with that
ball. Bad girl. Mamacita is gonna
have to pay for that!
GABRIELA:
(rushing forward)
No. Please. Stop!
Gabriela falls face down on the pavement. The girl runs to
her but freezes when Logan looks up at her. He kneels down.
Sees blood staining Gabriela's raincoat sleeve. BULLET WOUND.
LADY MANAGER:
They have to pay for damages. She’s
got cash. I seen it.
LOGAN:
Get your fat ass back in your
office. You’ll get your money.
The MOTEL MANAGER flees to her office.
GABRIELA:
(panicked, terrified)
Don’t let her call anyone. They
will find us. They will kill us.
INT. LIBERTY MOTEL ROOM -- NIGHT
Logan helps Gabriela to the bed. He takes in the mess of
files, print outs, clippings, toys. He notices a medical kit.
Cracks it open, fully stocked, looks at Gabriela.
GABRIELA:
I‘m a nurse.
(then)
Was. In Mexico City.
Logan watches as Gabriela lifts her sleeve, takes things from
the kit, ministering to her wound.
LOGAN:
When did that happen?
GABRIELA:
This morning. Near the border. I
got away from them. But they know
my car now.
She reaches for the NIGHT STAND, pries open its cheap side
paneling, and pulls out a bloody envelope hidden there. Hands
it to Logan. There’s an address on the outside and a set of
numbers beneath it. Inside, bundles of greenbacks.
Final Shooting - 8/23/2016 21.
GABRIELA (CONT’D)
Take it. Please. Bring us to this
address. It’s twenty thousand. You
can have thirty more when we get
there. My friends will-
LOGAN:
Where did you get this?
GABRIELA:
It doesn’t matter.
LOGAN:
Does to me.
GABRIELA:
My boyfriend. He wants to kill me.
And take her.
He eyes the girl standing in the door.
LOGAN:
That’s your daughter?
Gabriela and the girl exchange looks.
GABRIELA:
...yes.
(quietly)
He wants to hurt her.
(takes Logan’s hand)
I know you are still good inside.
I know you want to help.
(looks in his eyes)
Please. There won’t be any
problems. Not if we leave now.
LOGAN:
GABRIELA:
We have to be there Friday.
LOGAN:
Or what?
GABRIELA:
Or we miss our chance. To cross.
(a coughing fit, then)
Our... family. They will be there
that day. No other day.
Logan glances at the girl and back to Gabriela. The money in
his hand. Enough to buy the boat.
Final Shooting - 8/23/2016 22.
LOGAN:
I can get you there Friday. But I
need to go home first, take care of
some things.
GABRIELA:
Bring us with you. Please. We can
help with whatever you need to do.
Logan moves to the door. Gabriela sobs, closes her eyes.
LOGAN:
I’ll be back in a few hours.
(looks at the girl)
Keep this locked. And tell your
mommy I know she’s lying.
Logan exits and we move CLOSE ON--THE GIRL. She crosses to
the window, looking out like a sentinel, as Logan’s limo
drives away.
EXT. ABANDONED SMELTING PLANT -- NIGHT
Logan pulls in. The trunk pops open and Logan walks around
and grabs several bags from the back. Then slams it closed.
INT. SMELTING PLANT -- KITCHEN -- NIGHT
As Caliban goes through all of the GROCERIES Logan has
brought. Steaks. Ice Cream. Cereal. Bourbon.
CALIBAN:
Tell me you didn’t rob a bank.
Logan tosses him a white paper bag. Caliban looks inside--
it’s stuffed full of meds.
CALIBAN (CONT’D)
So you did rob a bank.
LOGAN:
I got a job that's gonna pay enough
to change things. But I have to go
away. For a week.
Caliban takes this in, watches as Logan opens a Tequila
bottle and continue out the door.
EXT. ABANDONED SMELTING PLANT -- NIGHT
Caliban pokes his head out into the desert night, watching
Logan heading toward Charles' tank.
Final Shooting - 8/23/2016 23.
INT. SMELTING PLANT FUEL TANK -- MOMENTS LATER
Logan finishes giving Charles his pills, lays him down on his
bed. Charles is a bit dazed. Logan’s phone buzzes. He pops on
his new eyeglasses, looks down at it.
THE TEXT READS -- “Please hurry.”
CHARLES:
I like those. They make you look
younger.
Logan types back, “On my way.”
Caliban arrives in the hatchway, watching.
LOGAN:
Charles. Listen. I gotta go for a
few days. I got a long ride for
some good money. When I get back,
we’re getting out of here, okay.
Gonna drive down to Yelapa and get
ourselves a boat. Live on the
ocean.
CHARLES:
And... you’ll be safe there? From
Logan meets Charles’ eyes. He looks to Caliban in the door.
LOGAN:
Yeah. I’ll be safe.
Charles looks up at him, pleased. Logan considers his old
friend, then heads for the hatch, moving past Caliban.
EXT. LIBERTY MOTEL ALLEY AND ROAD -- DAWN
Logan pulls into the lot. Everything peaceful and wet. A TV
glows in the manager’s office. Logan crosses to the door to
Gabriela’s room. He knocks.
LOGAN:
Ready to go?
But he gets no answer, his eyes finding the splintered wood
around the doorjamb. He pushes the door open...
Final Shooting - 8/23/2016 24.
INT. LIBERTY MOTEL ROOM - MORNING
The room has been trashed. Blood everywhere. The bed is
empty. Gabriela is tied to a chair, eyes unblinking, face
blue, body riddled with bullets and cuts.
LOGAN:
...F***.
Logan makes a sweep of the room. Then recalls -
The NIGHT STAND. Pries the side panel free. There, wedged in
the gap-- A PHONE IN A PINK CASE. He takes it.
Sees her last text was to him. “Please hurry...”
He pockets the phone.
EXT. LIBERTY MOTEL - MORNING - RAIN
Logan closes the door behind him and steps into the rain,
scanning the lot. No sign of the girl anywhere.
He looks down, noticing gouges on the concrete, slashes,
filling with rain and blood. Then he spots --
A BLOODY CYBORG FINGER on the pavement. High Tech. Severed at
the knuckle, wires trailing. He picks it up. The f***?
SIRENS BEGINS TO RISE. He quickly crosses to his car, now
noticing the MOTEL MANAGER DEAD BY THE VENDING MACHINES.
EXT. ABANDONED SMELTING PLANT -- DAY
Logan barrels through the gate and screeches to a stop.
Gets out and heads for the small structure behind the tank
that contains his bedroom--
CALIBAN:
Hello! Logan! --What happened?
Caliban rounds the corner in his big hat and goggles,
approaching from his "garden" with a bunch of beets. Logan
starts to climb the steps but turns as Caliban follows.
CALIBAN (CONT'D)
Did something go wrong?
LOGAN:
(moving away again)
The job was wrong to begin with.
Caliban turns away with a sigh, heading to the main building.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Logan" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/logan_1438>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In