Lois and Clark: The New Adventures of Superman Page #3
Season #1- Year:
- 1993
- 1,660 Views
METROPOLIS - CLARK'S POV
A city of majesty: shiny spires atop state-of-the-art
buildings of glass and steel, crowded sidewalks, blasts of
neon advertising, taxi cabs, subway stations. Clark
remains still as walkers brush by him, everyone in a hurry.
Life teems in this, the biggest city of them all, and its
pulse is infectious. Clark checks his watch, looks down
the street toward the Daily Planet, continues walking.
11 OMITTED 11
-- page break -- Rev. 3/9/93 5-6.
12 EXT. DOWNTOWN METROPOLIS INTERSECTION - DAY 12
Clark waits with a crowd at a busy intersection for the
light to change. He casually glances around him: an OLDER
WOMAN with an armful of shopping bags, a young mother
wheeling her infant twins, two school girls in newly ironed
uniforms, a hip-hopper with a boom box, several businessmen
and women.
A CITY BUS, barreling down the boulevard.
The Driver, humming merrily, speeds along, then, seeing the
red light up ahead, casually steps on his brakes. When his
foot goes all the way to the floor, he panics, frantically
pumping, then trying the emergency brake. Nothing works.
His eyes widen as he sees the red light straight ahead.
15 AT THE INTERSECTION 15
Clark and the group start across, the older woman and young
mother with twins just to Clark's right. When Clark looks
left, he sees the bus, inches away, coming straight toward
them.
The Driver is astounded when the bus suddenly stops dead
right at the intersection. He waits until Clark and other
pedestrians safely cross, then opens the door to the bus,
jumps outside.
17 EXT. STREET - CONTINUOUS 17
The light has changed, but the driver stands motionless,
staring at the front of the bus. Beside him, the older
woman with the shopping bags looks like she's seen... a
_miracle_. She looks at the bus driver, then across the
street, where Clark seems to have disappeared into the
crowd. She points...
OLDER WOMAN:
He... he...
-- page break -- Rev. 3/9/93 7.
17 CONTINUED:
17Cars start honking, but the driver and the older woman are
frozen, staring at a hand print embedded in the grillwork
of the bus.
17A CLARK 17A
ducks into an alleyway, hoping he wasn't noticed. He peeks
his head out to see if anyone has followed him. No one
has. On his sigh of relief we
CUT TO:
17B INT. DAILY PLANET NEWSROOM - SAME TIME 17B
The newsroom is business as usual when suddenly the SOUND
of YELLING causes everyone to turn. A wild-eyed crazy
man (SAMUEL PLATT), filthy, ragged, in a long trench coat,
bursts into the newsroom frantically in search of...
PLATT:
Lois Lane!
When he spots her, he races for her desk, followed by two
Security Guards.
PLATT (CONT'D)
It's going to explode! Here...
He reaches into his trench coat and someone yells...
NEWSPAPER WORKER
He's got a bomb!
Instant pandemonium.. Everyone drops to the ground. Platt
looks around, confused, slowly removes a brown
paper-wrapped package from under his coat.
PLATT:
It's my credentials.
He takes another step closer to Lois, and is grabbed by the
guards. His package falls to the floor in the ruckus.
PLATT (CONT'D)
You don't understand! The space
station has been sabotaged! The *
Messenger is going to explode! *
Miss Lane! You must tell my story!
SECURITY GUARD:
(to Perry)
Sorry, sir. He ran right past
reception.
The Guards cuff him, and start to drag him away as he
continues to rant. Lois protest the rough treatment.
-- page break -- Rev. 3/9/93 7A.
17B CONTINUED:
17BLOIS:
Wait a minute, don't...
SECURITY GUARD:
We've had trouble with him before.
The guy's a box short of a variety
pack.
They continue to haul him off, but he's still desperate to
get his message to Lois.
PLATT:
Please! You have to believe me!
The space program is doomed!
The security guards drag him into the elevator and the
doors close. Perry breaks the silence.
PERRY:
Okay, folks. Show's over.
Everybody back to work.
The staff returns to work, chatting about the intrusion.
Lois sits down at her desk, watches as a secretary picks up
the package left on the floor, dumps it in a nearby trash
can. Lois, always on the trail of a possible story, walks *
nonchalantly from her desk to the trash can and retrieves *
the package... *
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