LONDON SPY Page #4
Episode #5- Year:
- 2015
- 60 min
- 702 Views
However, this time he’s nervous. In his own peculiar
speech pattern. An echo of Danny’s line.
JOE:
Otherwise, how do you know?
Danny nods, happy - he knew it.
INT/EXT. JOE’S CAR / VAUXHALL. DAWN
Joe’s driving. The car is expensive. In perfect
condition. Danny in the passenger seat.
Danny playfully admires the car. The leather trim. Not
beguiled by wealth, soaking details as character.
The car’s music library: Bach. Nothing else. Joe waits
for some comment. But Danny doesn’t remark.
INT/EXT. JOE’S CAR / MOTORWAY. MORNING
Joe and Danny in the car.
DANNY:
At some point you’re going to talk
about yourself, right? Not your
work, I understand. That’s
‘secret’. But the other stuff?
JOE:
Why?
15
LONDON SPY -EP 1 -SHOOTING SCRIPT
DANNY:
Isn’t that what you do when you
meet someone? I tell you stuff.
You tell me stuff.
Joe ponders.
JOE:
Like facts?
DANNY:
(amused)
Facts. Sure.
Joe ponders some more. But does not offer any facts.
INT/EXT. JOE’S CAR / COUNTRYSIDE. ESTUARY. MORNING
The countryside. The car’s parked. There’s nothing
around. Joe steps out. Danny follows.
EXT. COUNTRYSIDE. ESTUARY. MORNING
Picturesque landscape. Bleak. Steel edged. Unusual.
Joe’s at the back of the car. Danny walks towards him.
INT/EXT. JOE’S CAR BOOT / COUNTRYSIDE. MORNING
An antique boarding school trunk in the boot. Cracked
leather trim. Rusted metal locks. Seventy years old.
Joe rummages through. A pair of hiking boots. There are
numerous ordinance survey maps - at least fifty.
Danny’s intrigued by this many maps.
DANNY:
You’ve walked all these?
Joe’s nervous it implies he’s weird. Danny reassures him.
DANNY:
A lot of miles.
Joe calculates the exact amount but catches himself.
Instead, he takes out the relevant map for their walk.
JOE:
This is us.
They sit side by side, map open, each holding half.
16
LONDON SPY -EP 1 -SHOOTING SCRIPT
EXT. COUNTRYSIDE. ESTUARY. DAY
Danny and Joe walking. Not typical English countryside.
Nothing quaint. Odd. Powerful.
Though Danny might not be expertly dressed, he’s fit
and enjoying the walk.
EXT. COUNTRYSIDE. ESTUARY. DAY
Danny and Joe at the water’s edge. The mud flats. The
water’s ebb. A kind of magic here.
Danny turns, looking at Joe as he observes the view. Joe
turns to Danny. Both looking at each other, not the view.
Danny wants to thank Joe for taking him here but doesn’t
quite have the words.
EXT. COUNTRYSIDE. ESTUARY. DAY
Huddled behind the remains of an old fishing boat. Joe
has a backpack. Takes out an elegant thermos. Danny
watches him fuss with the picnic apparatus.
EXT. COUNTRYSIDE. ESTUARY. DAY
They’re eating a handmade sandwich. Not thin processed
bread. Wedges from a nice loaf. They sip tea.
DANNY:
(through a mouthful)
You’re so grown up. You drink tea.
Out of a thermos. You go on
country walks. I must seem young?
Compared to the people you work
with?
JOE:
You do.
There’s an autistic yet ever gentle directness about Joe.
Danny - far from being offended - seems to enjoy it.
DANNY:
Why are you so grown up?
JOE:
I skipped childhood.
DANNY:
You’re not joking, are you?
17
LONDON SPY -EP 1 -SHOOTING SCRIPT
JOE:
A joke? No. I started university
when I was fifteen.
DANNY:
You’ve never... messed around?
JOE:
In what sense?
DANNY:
Any sense.
JOE:
I’ve been serious. For a long
time.
DANNY:
Why did you change your mind?
JOE:
About?
DANNY:
Me.
JOE:
I wondered what it would be like
to do one of these walks with
someone.
DANNY:
For a moment I was worried you
were going to say it was because I
made you laugh.
Joe considers this seriously. And literally.
JOE:
I don’t think you’ve ever made me
laugh.
Mathematically correct. Danny smiles. Joe worries.
JOE:
I’m not saying you won’t --
DANNY:
I understand.
JOE:
I’m sure you will -
DANNY:
(amused)
I understand.
Joe accepts that Danny isn’t upset. And that’s new.
18
LONDON SPY -EP 1 -SHOOTING SCRIPT
EXT. COUNTRYSIDE. ESTUARY. DAY
Danny and Joe returning to the car. Danny’s increasingly
excited with how the date’s going. Not fatigued by walk,
his pace and energy increasing, orbiting Joe.
DANNY:
(playful - mid-flow)
-- you show up, on my doorstep -
never told you where I lived - so
I’m wondering - and just to be
clear, in advance, I don’t mind -
but did you carry out some kind of
‘background check’ on me?
Joe seems unsure how to respond.
JOE:
The way we met was unusual.
DANNY:
(playful)
Right. I get it. You thought -
stranger, seduction - not that
I’m presuming you’re seduced by
me - process ongoing - and...
what was I saying...? Okay, you
thought, what? Our meeting was
part of, like, a ‘set up’?
Danny spots Joe’s anxiety.
DANNY:
It’s fine. It’s fun. I just
thought you said I was easy to
read?
Joe slowly understanding that Danny doesn’t care one bit
about the oddness. He begins to play along.
JOE:
That would’ve been the reason
you were selected. The
appearance of innocence.
DANNY:
Oh. I’m not innocent.
JOE:
You might be the only innocent
person I know.
Danny’s stumped.
DANNY:
Can you tell me what your real
name is now?
19
LONDON SPY -EP 1 -SHOOTING SCRIPT
Joe looks at him - bewildered and impressed. Danny has no
empirical evidence, he just sensed ‘Joe’ was a lie.
JOE / ALEX
My name’s Alex.
From now on JOE is referred to by his real name ALEX.
DANNY:
Nice to meet you, Alex.
EXT. COUNTRYSIDE CAR PARK. EVENING
Sitting at the back of the car, taking off their muddy
shoes. Danny has no spare set.
Alex gives Danny a fresh of pair of lush, thick hiking
socks, to replace his flimsy destroyed trainers.
DANNY:
They’re better than my shoes.
ALEX:
You can keep them.
DANNY:
That’s the second gift you’ve
given me and I’ve given you
nothing.
It’s clearly a line, Danny’s about to kiss him.
Alex fathoms this. Wants it. And panics.
He breaks the moment, standing up, his mind on the kiss
that didn’t just happen, stuttering --
ALEX:
For a gift to truly be a gift
there should be no expectation of
it being reciprocated.
Danny amused. Mostly. But he did really want to kiss him.
DANNY:
Right.
INT/EXT. ALEX’S CAR / MOTORWAY. EVENING
Danny and Alex in the car.
London ahead, lights glittering in the distance.
The energy of this journey is different to the energy of
the journey up. Danny’s excited, apprehensive too,
clearly mulling sex. He glances at Alex, unsure.
20
LONDON SPY -EP 1 -SHOOTING SCRIPT
Alex catches his glance.
EXT. DANNY’S APARTMENT. NIGHT
Danny and Alex standing outside the apartment. An
awkward pause turns into a silence.
DANNY:
I’d like you to come up. If you
want. Obviously. If you don’t want
- that’s cool. I didn’t mean to
say ‘cool’. I meant to say ‘fine’.
Can I try that again? It’s fine if
you don’t want to come up.
ALEX:
I want to...
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"LONDON SPY" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/london_spy_1037>.
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