Lone Star Page #5

Synopsis: John Sayles' murder-mystery explores interpersonal and interracial tensions in Rio County, Texas. Sam Deeds is the local sheriff who is called to investigate a 40-year-old skeleton found in the desert....As Sam delves deeper into the town's dark secrets, he begins to learn more about his father, the legendary former sheriff Buddy Deeds, who replaced the corrupt Charlie Wade. While Sam puzzles out the long-past events surrounding the mystery corpse, he also longs to rekindle a romance with his old high-school flame. Sayles' complex characters are brought together as the tightly woven plot finally draws to its dramatic close.
Genre: Drama, Mystery
Director(s): John Sayles
Production: Sony Pictures Home Entertainment
  Nominated for 1 Oscar. Another 15 wins & 17 nominations.
 
IMDB:
7.5
Metacritic:
78
Rotten Tomatoes:
94%
R
Year:
1996
135 min
1,269 Views


BEN:

I hear they're closing that post

down.

SAM:

September '97, that's all she

wrote.

BEN:

Gonna pull a lot of jobs out of

this county.

SAM:

Yeah, we'll have folks swimming

over to Mexico to work in the

sweatshops.

Sam looks at the folder of reports.

SAM:

That the word on our boy?

BEN:

Yeah, this is Skinny.

SAM:

Skinny?

BEN:

We find a body, it's either Skinny

or Stinky, depending on how much

meat there is on the bones.

SAM:

Nice job.

BEN:

(Opens folder)

Male, 40 to 50 years old, five-

foot-eleven, chewed tobacco--then

we get into the dental records--

SAM:

Charley Wade.

BEN:

(Nods)

That badge--

SAM:

--it didn't come out of a cereal

box.

BEN:

Yeah.

SAM:

You know the popular version of

how he left town.

BEN:

Everybody on the border knows

that story.

SAM:

You got a cause of death?

BEN:

Skull was intact, no soft tissue

left--not much to go on.

SAM:

So he could have gone out to the

base, hopped the fence, dug down

into the dirt on the old rifle

range and had a heart attack.

Ben smiles, closes the folder--

BEN:

You uhm--you remember what old

Buddy carried for a side arm?

SAM:

Colt Peacemaker.

BEN:

A .45--

SAM:

He swore by it.

(Ben frowns)

What?

BEN:

Just wondering.

SAM:

So is Buddy on your short list?

BEN:

If it was some poor mojado, swam

across at night, got lost in the

scrub and starved out there, we

wouldn't go any further. But

this is a formerly prominent

citizen.

SAM:

You got to investigate. No

question about it.

BEN:

What I will do is keep names out

of it till we got some answers or

hit a dead end. You know how the

press is with a murder story--

even if it's forty years old.

SAM:

Yeah, it's a pretty cold trail.

They sit in awkward silence for a moment. Ben feels bad

about it.

BEN:

I remember Charley Wade come to

my father's hardware store once

when I was a little boy. I'd

heard stories how he shot this

one, how he shot that one--man

winked at me and I peed in my

pants.

(Shakes his head)

Winked at me.

INT. CLASSROOM -- DAY

Pilar stands at the blackboard by her outline of 19th century

Texas history.

PILAR:

Okay, we have the fight against

the Spanish with bloody conflict

for dozens of years till they're

finally defeated in 1821 and

Mexican independence is declared.

Anglo settlers are invited--

CU DRAWING:

Somebody making a skillful pencil drawing on the corner of a

sheet of lined notebook paper. A bald, muscular shotputter

after releasing the shot, his hand large in the f.g.

PILAR (O.S.)

--to colonize the area and by the

time they begin the movement

against Santa Anna they outnumber

the Mexicans here by four to one.

The war between Mexico--

CHET:

Drawing intently. He takes the notebook and lays his thumb

over the corner

PILAR (O.S.)

-and the Anglo forces ends in

1836 with the formation of the

Texas Republic. Texas joins the

United States as a state where

slavery is legal in 1845--

NOTEBOOK:

Chet "flips" the corner of the notebook and the series Of

drawings he's made form a brief cartoon of the shot-putter

blowing his cheeks out and heaving the shot right past us.

Extremely well-drawn--

PILAR (O.S.)

-after the so-called Mexican war

and then secedes to join the

Confederacy in 1861. The

Confederacy is beaten, and the

Reformation period here is marked

by range wars and race wars--

PILAR:

Looking out at the class --

PILAR:

--and all this paralleled by

constant battles between both

the Mexican and Anglo settlers

and the various Indian nations in

the area. What are we seeing

here? Chet?

CHET:

Startled, he hides the notebook under his hands --

CHET:

Uhm--everybody is killing everybody

else?

EXT. LAKE -- DAY -- CU FISHING LURE

A nasty-looking thing. Only a bass would want to eat this.

Hollis leans in to peer at the thing dangling before his

face.

WIDER:

Hollis sits in the swivel chair of a bass boat tied to a

dock at the lake, going through his box of lures. Sam appears

on the dock and steps down.

SAM:

I always wondered what you Mayors

do when you're not cutting ribbons.

HOLLIS:

Sam! Hey podner! You caught me

playing hooky--

SAM:

(Looks across lake)

Floating around out here, playin'

hell with them bass--play a little

cards, play a little golf, drink

some beer--

HOLLIS:

Sounds great. Where do I sign

up?

SAM:

I haven't been out here for a

while.

HOLLIS:

You go by your old house?

SAM:

No.

HOLLIS:

Just as well. The new people

just painted it some God-awful

color--

SAM:

We found a body out by the Army

base yesterday. Been there for a

long time.

Hollis squints at a rubber lure, rejects it--

HOLLIS:

Was it Davy Crockett or Jim Bowie?

SAM:

(Smiles)

You recall if Charley Wade was a

Mason?

HOLLIS:

Charley? I believe he was. Used

to go for lodge meetings over to

Laredo. What's he got to do with

your body?

SAM:

All it was wearing was a big old

Masonic ring and a Rio County

Sheriffs badge.

Hollis reacts. Sam puts a foot on The gunwale of die boatSAM

You don't remember anything else from that last night you

saw him, do you?

HOLLIS:

I told the story enough times--

hell, we were just in the car, he

was stewing about the fight with

Buddy while we drove over to

Roderick Bledsoe's--

SAM:

Bledso

HOLLIS:

He owned the colored roadhouse

before Big O--

SAM:

He still living?

HOLLIS:

No. I think his widow's still in

their place in Darktown, though.

(Shakes his bead)

You think it's Charley Wade, huh?

SAM:

Forensics people are sure of it.

You have any idea who might have

put him there?

Hollis makes a great show of considering--

SAM:

Besides my father, I mean.

HOLLIS:

There's no call for that, Sam,

Fella made himself a pile of

enemies over the years.

SAM:

And Buddy was one of them.

HOLLIS:

We got that dedication tomorrow.

This is a hell of a time to be

draggin' up old business

SAM:

People have worked this whole big

thing up around my father. If

it's built on a crime, they deserve

to know. Now I un derstand why

you might want to believe he

couldn't do it

HOLLIS:

And I understand why you might

want to think he could, This is a

low blow, but accurate enough to

shake Sam.

SAM:

Thanks for your time, Hollis.

Hollis holds up a double handful of lures--dozens of rubber

and plastic worms and shiners and frogs and spinners--

HOLLIS:

Look at all this, would you? My

tackle, the boat, all to catch a

little old fish just minding its

business on the bottom of the

lake.

He gives Sam a look--

HOLLIS:

Hardly seems worth the effort--

does it, Sam?

Sam walks away--

INT. CLASSROOM -- ARMY BASE -- DAY -- CU ATHENA

Athena stands at attention, trying to keep her composure --

CLIFF (O.S.)

So you knew this young man before?

ATHENA:

From back in Houston. We both

come up on Fifth Street.

PRISCILLA (O.S.)

Did you know he was going to be

there last night?

ATHENA:

If I had I wouldn't have gone in.

PRISCILLA (O.S.)

And you and Private Graves--

ATHENA:

We were just dancing--

WIDER:

Cliff leans against a desk, a blackboard covered with radar

diagrams behind him. Priscilla sits nearby, both of them

focused on Athena

PRISCILLA:

We're not running a dating service

here.

Rate this script:3.5 / 2 votes

John Sayles

John Thomas Sayles (born September 28, 1950) is an American independent film director, screenwriter, editor, actor and novelist. He has twice been nominated for the Academy Award for Best Original Screenplay for Passion Fish (1992) and Lone Star (1996). His film Men with Guns (1997) has been nominated for the Golden Globe for Best Foreign Language Film. His directorial debut, Return of the Secaucus 7 (1980), has been added to the National Film Registry. more…

All John Sayles scripts | John Sayles Scripts

0 fans

Submitted by aviv on January 30, 2017

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Lone Star" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/lone_star_899>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Lone Star

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which screenwriter wrote "Casablanca"?
    A Billy Wilder
    B John Huston
    C Raymond Chandler
    D Julius J. Epstein, Philip G. Epstein, and Howard Koch