Looking for Grace

Synopsis: After a teenage girl named Grace goes missing, her parents along with the help of an investigator seek to find her, while also juggling their own secrets and stories between them.
Genre: Drama
Director(s): Sue Brooks
  3 wins & 7 nominations.
 
IMDB:
5.5
Rotten Tomatoes:
44%
Year:
2015
100 min
67 Views


Hey man.

How are you doing?

Doing good.

How are you?

Pretty good.

Anywhere you want.

Jamie.

Thank you.

My mother has big tits.

My mother has big tits.

False.

True.

Really?

Yes, really.

I like my ice cream

hard, not soft.

I like my ice

cream hard, not soft.

False.

True.

True.

I've never slept with a boy.

I've never slept with a boy.

True.

True.

True.

True.

I like having my toes sucked.

I like having my toes sucked.

False.

Maybe false, maybe true.

I'm busting.

Can you hand me my bag?

No.

No way.

Saph, don't be a wimp.

You getting off?

Yeah.

After you.

Now?

I'm out.

No, have one more go.

No, I don't understand.

It it's stupid.

Yeah, I don't get it either.

Just do it.

Now.

How'd you do that?

All right, your turn.

No, I said I didn't get it.

It's stupid.

Goodnight.

Goodnight.

You all right?

Yep, got it.

Goodnight.

Grace.

Yeah?

Nothing, just, sweet dreams.

Sweet dreams.

OK, goodnight.

Where do you put your towel?

In the shower.

Did you sleep?

Yeah.

Did you?

Yeah.

The bed was weird.

Yeah.

So when'd you go?

What?

When'd you go?

I don't know.

A long time ago.

Got eight stitches.

You all right?

Saph?

Please, Sapphie.

Saph, I can't just

leave you here.

Don't even know if

it'll stop here for you.

It'll stop.

You don't know that.

Don't worry.

It'll stop.

What about Death Dog?

I don't care.

Yes, you do.

I don't.

Saph, please.

I can't leave you here.

What do you Care

I care.

I just want to go home.

I know.

We will.

Just get back in the bus.

All right.

Time to go.

Um.

You going to be OK?

Yeah.

Promise?

Promise.

All right.

I'll call you, OK?

Check.

Saph, are you there?

What?

He's a kid.

Do you wanna come sit down?

You OK?

Yeah.

You miss your friend?

No.

Sweet dreams.

Where have you been?

Morning love.

Out the back.

This girl wants to know

if her boyfriend paid

for his part of the bill.

No, haven't seen him.

Where is he?

He's gone, apparently.

When?

Early this

morning, apparently.

Sorry.

No, didn't even see him.

I'm sorry.

It doesn't matter.

I just thought he might have.

I'll pay.

That's all I've got, sorry.

It's $3.60 short.

I know.

I'm sorry.

Go on.

Tell me something I don't know.

Go on.

Get out.

What?

Don't look at me.

I didn't check him in.

He's not there.

Right.

He'll be back around two.

That's fine.

Do you want me to call him?

No, no, it's all right.

Do you want to

leave a message?

I'll come back.

Are you OK?

Yeah.

Yeah, I'm fine.

I'll come back.

I could call.

What's your name?

Doesn't matter.

Just your first name will do.

It's all right.

I'll come back.

Are you sure?

Yeah.

Thank you.

Sh*t.

Grace.

Grace.

Where are you going?

Grace.

Grace.

Dan.

What?

Damn it.

Sh*t, sh*t, sh*t, sh*t.

Grace.

Hey, come on.

Angus.

A:

lazy waddle down the Monash

during peak hour was always

going to ruffle a few feathers.

But darting didn't

stop these little guys

from breaking free from mom

to embark on some line hoping

of their own.

Come on, mate, you

eat some of that?

I don't really like it.

Come on.

Good day.

Look at this.

Peter, what's the kid's name?

Philip.

How many legs has it got?

No, I'm serious.

Has it got pinchers?

Has it got wings?

Just trap it.

Get a jar, put the jar over

the top, get a piece of paper,

slide it behind, put the jar--

hun, stop screaming.

Stop screaming.

Stop screaming.

Yeah, OK.

I know you're scared.

The spider's probably scared.

Listen, just go and stay

in Phillip's room tonight.

Look, hun, I'm going to be

back in a couple of days.

It'll move around.

I'm sure it's going to

avoid you like the plague.

It was a joke.

It was a-- It was a--

hello?

Do that.

Come on.

Clean up.

Do you want to go first?

All right.

Not

much to crow about.

Especially as they're

on the 82 shore.

Honey?

I don't think this

stuff's working.

I don't think this

stuff's working.

What?

Nell?

What?

This new toothpaste you

bought, I don't think it's

making any difference.

Well you've only

just started using it.

It's supposed to make

teeth whiter, isn't it?

Something like that.

Well, it isn't.

Well, don't use it then.

Well, because it says

it makes teeth whiter.

It should make them whiter.

This stuff got a guarantee?

Nah.

Can you see my

teeth when I talk?

What?

Can you see my

teeth when I talk?

I don't know.

Have you wiped that mirror?

Yeah, yeah.

What do you think?

Any whiter?

I'm not sure if it

works on false teeth.

Oh, why not?

False teeth a little whiter?

Got you.

Oh, what are you doing?

What about a bit of crumpet?

No.

Come on.

No, Tom.

It's delightful

in the morning.

Tom.

What?

Oh.

No, no.

Tom.

Could you, could you get up?

You're on my bad knee.

Oh, sorry.

Oh.

Are you all right?

Oh, Tom.

Darling.

What?

It was just a fun.

You OK?

Oh, there-- there's not

much happening here.

So look, I could come home.

At the office.

I could pop home.

Oh, fair enough.

Yeah.

Oh, oh.

I suppose I'd better let

you get on with your day.

Yeah.

All right.

Lazy waddle down

the Monash during peak hours.

Yeah, yeah, fine.

No problem.

Much obliged.

Thank you, thank you

very much indeed.

All right, bye.

That's a job.

David's passed it on.

Oh, what is it?

Missing teenagers.

Girls.

How old?

I don't know but they've

stolen some money, too.

Oh, how much?

Quite a bit, I believe.

Poor parents.

Yeah.

I'll go with them.

Not at this hour.

Look, they'll be

in a hell of a state.

They want someone to talk to.

Surely Davis already

talked to them.

No, look, he said that

there's no more the police

can do at this stage.

Tom.

Don't worry.

Don't worry.

I promise you, I won't

be long, all right?

Bye.

Three pairs.

Maybe I should take five.

Why would you need five?

Well, I don't know how

long I'm going to be, do I?

Well, it's not going to

take that long, surely.

No, probably not

but you never know.

Well, you can't be away

from the office for five days,

can you?

No.

Well then, what's

the point of taking

five pairs of underpants?

Well, it's only underpants.

You don't have to

do this, you know.

I know.

Then why do it?

Money, I guess?

No, we've got enough.

Look, do you

want me not to go?

That's not the point, surely.

Look, I'll give

it up next year.

You say that every year.

Anyway, what else would I do?

Read a book?

You can't read a book all day.

Better make more use than that.

Oh, well, if you want to

be useful, mow the lawn.

But you've got the

lawn looking so lovely.

Oh, I don't know, Tom.

Are you, are you going

to go and stay at Chery's?

Why would I do that?

Well, I thought

you might be lonely.

Oh, for goodness sake.

All right.

So, do I pay for you, too?

No, no.

It's all part of

the arrangement.

Are you sure?

Yes.

All right.

Look, I'm going to

go out to the car.

All right, bye.

No, Dan, it's not all right.

Jesus.

Better get going.

Two spring rolls.

Tom.

Can't sleep?

Can't sleep.

Rate this script:0.0 / 0 votes

Sue Brooks

Sue Brooks (born 1 May 1953) is an Australian film director and producer. She has directed five films since 1984. She won the "Golden Alexander" (first prize) for Best Feature-Length Film at The International Thessaloniki Film Festival for her film Road to Nhill (1997). Her film Japanese Story was screened in the Un Certain Regard section at the 2003 Cannes Film Festival. more…

All Sue Brooks scripts | Sue Brooks Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Looking for Grace" Scripts.com. STANDS4 LLC, 2024. Web. 3 Dec. 2024. <https://www.scripts.com/script/looking_for_grace_12799>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which of the following is a common structure used in screenwriting?
    A Four-act structure
    B Three-act structure
    C Two-act structure
    D Five-act structure