Looking for Lenny Page #2
and talking about the world
you're living in,
and politicians
and racism
and class, it's like,
that's unbelievable.
Lenny went beyond
what any other mainstream
comics had done at the time.
[Lonow]
the verbiage
that they would speak
at a table at canter's,
which nobody did.
You know, can I say
the word "f***"?
Yeah.
Well, I couldn't
say the word "f***"
in 1952, or four or five
before Lenny Bruce,
because they were
banned words.
It was a banned word.
And there were many.
But what happened
was his patter,
the type of speech
he used,
became very personal
on a level that
all the comics
of the fifties,
couldn't do, wouldn't do,
and they were, you know,
protective of the fact
that they wouldn't do that
in public.
You know, people
would be offended.
Holy sh*t, I can't
say that on stage.
Well, I guess Lenny
either wasn't offended,
or provoked it.
He went into a direction
no one had really gone into.
And, uh...
And mort Saul
in a sense was doing it,
but Lenny was pushing...Um,
pushing further.
He responded to injustice.
And suffering,
and I think of him
as an alchemist,
that he transformed
horror into humor.
What Lenny was doing
was talking about
what was happening
in the world.
He wasn't making
up bits.
He wasn't a comedian
that wrote routines.
He was doing an interesting
thing, and that is
what he was saying
to the audience
was the most important thing
on his mind at that time,
and he tried to make it
your most important thing.
He also attacked things
in his comedy
like the catholic church
in Boston,
the police commission
in New York.
He took on catholics,
Jews, protestants,
he took on everybody.
So they made him
the martyr,
but artistically speaking,
he went way beyond
anything that anyone
had done up until
that time.
Completely broke
every taboo pretty much.
"The bad taste award,
"should be given
to Lenny Bruce,
"who out shuttered
every other comedian
on television this year."
Okay, now another nice,
warm review.
But then finally a newspaper
with some integrity came forth,
and...
[Audience laughs]
"Last night,
a star was born."
It's almost always
a comedian
that is the first guy
to talk about social issues
that we don't
want to talk about.
Just because of the nature
of their job,
they stand on the stage
and they talk to people,
eventually it's
gonna get set.
Filmmakers take
a little while,
'cause doing a film
takes a lot longer,
uh, commentators
won't grab onto it
until it's been said
by a comedian.
Rock stars play music,
you know,
so it's comedians
that for the most part
in my book, tackle
the social issues
that we don't want
to discuss.
The job of comedy
is to attack the powerful.
To examine them.
To hopefully make them
examine themselves.
But more importantly
to make us
examine ourselves
and how we fit into this--
this huge thing
called life.
What Lenny did
was exactly that.
He challenged authority.
He held up a mirror
to what was going on
in society,
and the be-alls
of society
did not want this mirror
being held up.
He did a lot
of bits on religion,
the hypocrisy of some
of these evangelists who...
Preach give your money
to God,
and he pockets 70%,
stuff like that, you know.
We take you now
to the headquarters
of religions incorporated.
And seated around the desk
on Madison Avenue
sit the religious leaders
of our country.
Religion, big business,
we hear h.A. Addressing
the tight little group
on Madison Avenue.
For the first time
in 12 years,
catholicism is up
nine points.
[Audience laughs]
Judaism is up 15.
The big p, the pentecostals
are starting to move finally,
and now, gentlemen,
we've got Mr. netaya,
from our religious
novelty house in Chicago,
he's got
a beautiful seller.
The genuine Jewish star,
lucky cross,
and cigarette lighter combined.
[Audience laughs]
Lenny Bruce took
stand-up comedy
in dimensions
it had not been taken
since, in a smaller way,
lord Buckley did.
He wasn't just
being dirty,
he was using words,
you know...
Pointing out
the hypocrisy of words.
Like the--
he goes, you know--
f***.
Oh, I'm sorry, I thought they
were talking to me, you dick.
[Laughs]
Homosexuality,
sexuality,
these things that conservative
America doesn't like to discuss
and definitely doesn't like
to discuss in detail
amongst even each other,
never mind bringing it out
in a public forum,
which Lenny was doing.
[Cymbal dings]
[Bruce]
two prepositions
"Two" is a preposition
"come" is a verb.
"Two" is a preposition.
"Come" is a verb.
"Two" is a preposition.
"Come" is a verb.
The verb intransitive.
To come.
To come.
I've heard these two words
my whole adult life,
and as a kid when I thought
I was sleeping.
To come, to come.
It's been like
a big drum solo.
Did you come?
Did you come, good?
[Drum beats, cymbal crashes]
Did you come good?
Did you come good?
[Audience laughs]
Did you come good?
[Drumbeats continue]
Did you come good?
[Drumming]
Did you come good?
Did you come good?
Did you come good?
...I come better
with you, sweetheart
than anyone in
the whole God damn world.
[Audience laughs]
I really came so good.
I really came so good,
'cause I love you.
[Singing]
I really came so good
I come better with you,
sweetheart
than anyone
in the whole world
I really came so good
so good
But don't come in me.
[Drum beats, audience laughs]
Don't come in me.
[Frantically]
Don't come in me
me-me-me
don't come in me
me-me-me,
don't come in me.
Don't come in me.
In me don't come...
In me in me.
[Cymbal crashes]
I can't come.
[Audience laughs]
'Cause you don't love me,
that's why I can't come.
I love ya, I just can't come,
that's my hang up.
I can't come
when I'm loaded, all right?
'Cause you don't love me.
Just what the hell
is the matter with you?
What has that
got to do with loving you?
I just can't come,
that's all.
[Audience laughs]
Now if anyone
in this room...
Finds those two
words decadent,
[Drum beats, cymbal dings]
Obscene,
[Cymbal dings]
Immoral, amoral,
asexual,
the words "to come"
really make you
feel uncomfortable,
you probably
can't come.
[Audience laughs]
And then you're
of no use,
'cause that's the purpose
of life.
To recreate it.
[Klein]
Lenny Bruce's political bent
and social consciousness
was not an accident.
It was a metamorphosis
of sorts.
[Titus]
He started in like
'46 and died in '66.
If you look at where
he goes,
right about 12 years, in,
bam, he starts writing
that's the colored people...
How to make your
colored friends
comfortable at parties.
He starts writing about--
takes about 10 to 12 years
to become
a really good comic.
The problem today
is a lot of comics
get onstage at
a coffee house
and already think
they're Lenny.
I want to hear your pain,
I want to hear your story,
but put it in joke form.
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"Looking for Lenny" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/looking_for_lenny_12800>.
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