Lord of Illusions Page #8

Synopsis: Lord of Illusions is a 1995 American horror film written and directed by Clive Barker, based on his earlier short story, The Last Illusion (from Books of Blood Vol. 6). The film presents Barker's signature character Harry D'Amour onscreen for the first time. It stars Scott Bakula as D'Amour, alongside Kevin J. O'Connor, Famke Janssen and Daniel von Bargen. Barker asserts that the director's cut of this film is his definitive version, as the theatrical release does not represent his true vision.
Production: MGM Home Entertainment
  2 wins & 1 nomination.
 
IMDB:
6.1
Rotten Tomatoes:
61%
R
Year:
1995
109 min
497 Views


Harry looks past Eddison and sees an ashen, tearful Dorothea

being taken into another office.

HARRY:

Are you finished with me?

EDDISON:

For now. Are you planning to go

back to New York?

HARRY:

(watching Dorothea)

No. Not yet...

INT. POLICE STATION - OTHER OFFICE - NIGHT

Dorothea sits alone, staring at the wall. Harry enters.

HARRY:

Are they treating you okay?

DOROTHEA:

(nods)

I heard what happened. It looks

like somebody murdered him.

HARRY:

I'm sorry I got into this too late.

But if you want me to stick around,

maybe dig where the cops don't

look...

DOROTHEA:

I don't know where you'd start.

HARRY:

Well... how about some of the other

illusionists?

DOROTHEA:

They won't tell you anything.

HARRY:

I can be very persuasive.

DOROTHEA:

(a beat)

Yes. I think you probably can.

(another beat)

We'd need to talk about your fee.

HARRY:

Forget the fee. If I find

Butterfield, maybe we'll talk about

money. If I don't...

(he shrugs)

...my gamble. Either way... I

get to spend some time... here.

The way he says this, it's plain "here" doesn't mean L.A., it

means near -Dorothea. And by the tiny smile on her face,

it's also plain she knows it.

CUT TO:

EXT. MAGIC SHOP - HOLLYWOOD BLVD. - DAY

Noon. Bright sun. Busy street. Harry, now wearing a

bandage on his cut face, enters.

INT. MAGIC SHOP - DAY

A wonderland for illusionists. Books, props, masks, tricks,

etc. Two or three CUSTOMERS browse. Harry glances at them

all, then targets a MAN in late middle age, who is browsing

through books, one-handed. His other hand constantly

manipulates a card, concealing and revealing it in a dozen

ways. He doesn't even look at his hand. His name is WALTER

WILDER.

Harry stands beside him. Scans the shelf.

HARRY:

Where'd you learn that?

WILDER:

What?

HARRY:

(points)

That.

WILDER:

At birth. I don't know you --

HARRY:

Harry D'Amour.

WILDER:

I know all the kids coming up. Got

to stay ahead of the game. But I

don't know you.

HARRY:

I'm in from New York. I came to

see Swann.

WILDER:

What a tragedy. It was just a

matter of time, of course, but it's

not good for the business.

HARRY:

Was he taking a lot of risks?

WILDER:

You don't know the half of it. I'm

Walter Wilder, by the way.

HARRY:

Not the Walter Wilder?

Walter beams.

WILDER:

The one and only.

He hands Harry a card.

WILDER:

Want to try?

Harry tries to emulate Wilder's card manipulation through the

rest of this conversation.

WILDER:

You know Vinovich?

HARRY:

(not a clue)

Sure. Vivovich.

WILDER:

He knew Swann way back. He says

there were a lot of drugs, a lot of

crazy sh*t.

HARRY:

I'd love to... you know... hang

with some of you guys.

WILDER:

People are pretty cagey. Who do

you know?

HARRY:

For what?

WILDER:

For an introduction.

HARRY:

Well... nobody.

Wilder takes a moment to assess Harry, who is attempting to

manipulate the card he's been given with charming ineptitude.

WILDER:

(magnanimously)

You do now.

EXT. MAGIC CASTLE - DUSK

The castle is faux, of course, but it has a Gothic charm.

Harry and Walter wander towards the front door. Harry is

knotting a newly-bought tie.

HARRY:

I only wear ties for funerals.

WILDER:

You don't get in without one. It's

like a gentlemen's club for

illusionists. Except most of us

aren't gentlemen.

INT. MAGIC CASTLE - CORRIDORS - NIGHT

The interior is murky and atmospheric, the walls covered with

illusionists' posters.

Walter leads the way through the long corridors, past rooms

where illusionists are performing close-up magic for

audiences of well-heeled patrons. Walter nods and waves to

half a dozen people on their way through the house, up the

stairs and towards the bar.

HARRY:

Are they all in the business?

WILDER:

It's not a business. Harry. It's a

vocation.

Wilder points to a locked door.

WILDER:

That's what they call the

Repository. Every magic secret

known to man's locked up in that

room.

HARRY:

Have you been in?

WILDER:

No. There's only three keys.

Vinovich has got one, of

course.

(beat)

He's a little crazy, by the way.

And he's a mean drunk. Otherwise,

he's a real charmer.

CUT TO:

INT. MAGIC CASTLE - BAR - NIGHT

Later. A drunken VINOVICH is holding court. He's in his

40's:
a flamboyant and loquacious man with a heavy (and

fake) middle-European accent. At the table - besides Harry

and Walter - are: Vinovich's starlet/nymphet girlfriend

LAURA; an Asian-American illusionist called BILLY WHO; and

two of Vinovich's adoring courtiers, an overblown,

overdressed female illusionist - DEBRA DEVINE - and a thin,

waspish fellow in a spangly suit: the AMAZING QUENTIN.

In the conversation that follows we go back to Harry

repeatedly as he studies this extraordinary group.

VINOVICH:

It's more than entertainment. We're

opening people's heads up. Putting

miracles back into their boring

little lives.

BILLY:

But they're fake miracles.

VINOVICH:

Houdini believed he had spirit

guides.

HARRY:

You believe that?

VINOVICH:

I think we walk a narrow path,

between... between...

HARRY:

Heaven and Hell?

Vinovich stares hard at Harry, trying to figure out whether

he's being sarcastic or not.

VINOVICH:

Trickery and divinity.

HARRY:

Are you saying that sometimes

the miracles are real?

VINOVICH:

No. I'm saying they were always

fake. The saints, the messiahs,

they were just illusionists.

HARRY:

So could you walk on water?

VINOVICH:

(deadly serious)

I could reproduce any miracle

that's ever been performed, with a

little preparation.

HARRY:

What about Swann's miracles?

The smug smile on Vinovich's face dies. Furtive glances are

exchanged around the table. Only Billy Who makes a tiny

smile.

VINOVICH:

They weren't worth a damn.

HARRY:

(goading)

I heard he was the best.

VINOVICH:

If he was so good why's he so dead?

Vinovich begins to look suspicious.

HARRY:

You tell me. No? I thought you'd

maybe have a theory.

VINOVICH:

Oh, I've got plenty.

HARRY:

I'd like to hear them.

Vinovich rises.

VINOVICH:

I'm not saying another word.

(to Wilder)

You damn fool. He's a

journalist.

HARRY:

Just tell me about Swann. Or are

you too scared?

VINOVICH:

He was a freak. Everything he did

was tainted.

Harry rises. Looks straight at Vinovich, unintimidated.

HARRY:

With what?

VINOVICH:

Evil. He was evil.

(to Laura)

Come on.

She rises.

VINOVICH:

(to the rest)

Say nothing to this man if you wish

to keep my company.

He stalks away. Harry calls after him, across a now-

silenced bar.

HARRY:

Great accent, by the way. Is it

Brooklyn?

VINOVICH:

(pure Brooklyn)

F*** you.

EXT. MAGIC CASTLE - PARKING LOT - NIGHT

Harry heads to the car.

BILLY (V.O.)

Harry!

Harry turns. Billy approaches, glancing behind him to see

that he's not being watched.

BILLY:

I gotta be careful. If Vinovich

sees me talking to you. He's an

a**hole, but he's a powerful

a**hole.

HARRY:

They go together.

BILLY:

(lowered voice)

I've heard a name. Someone they

talk about in whispers.

HARRY:

Who?

BILLY:

Nix.

HARRY:

Nix?

BILLY:

Like in nothing. Nobody. Nix.

HARRY:

Who is he?

BILLY:

I think maybe he taught Swann.

(hands Harry a card)

This is me. See ya around.

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Clive Barker

Clive Barker (born 5 October 1952) is an English writer, film director, and visual artist best known for his work in both fantasy and horror fiction. Barker came to prominence in the mid-1980s with a series of short stories, the Books of Blood, which established him as a leading horror writer. He has since written many novels and other works, and his fiction has been adapted into films, notably the Hellraiser and Candyman series. He was the Executive Producer of the film Gods and Monsters. more…

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