Lost: The Story of the Oceanic 6 Page #5
- TV-14
- Year:
- 2009
- 60 min
- 40 Views
Well, it's withdrawal.
Anyone who has been kept under
that much medication for...
I know what the definition
of "withdrawal" is, thank you.
just a little vulnerable right now.
So, you knew this might happen?
Your sister has been held here
in a chemical straitjacket, all right?
I'm just trying to pull her out of it.
- If you can't handle it...
- If I can't?
Doctor, I don't think you can handle it.
In fact, I think you're
in way over your head.
In fact, I don't think you know
what you're dealing with here.
You didn't know what you were dealing with
three years ago
when you misdiagnosed her
in the first place.
You still don't know what's going on,
and I am not going to just stand here
and let you keep doing...
What are... What are you doing?
What?
"History of epilepsy. " That's impossible.
Tachiki, Kaya.
Worked this one for about a week.
then fired me because of the cops.
Where did you get these?
- I drew them.
- You drew these?
- What are they supposed to mean?
- Not sure. Taken from the clip.
I used to do what's called "psychometry. "
Give me a personal item.
If there's an energy there,
a connection to the person that I can read...
In this case, it was the girl's hair clip.
A piece of evidence.
You gonna say what this has to do with me?
a multiple personality disorder,
and all three of them have
identified themselves as being missing,
and one of them is this girl.
Kaya.
And she draws this, you know?
I mean, over and over and over again.
I mean, is there anything
you might have drawn off this clip,
maybe, that you could share with me?
It was a while ago.
A while ago? And do you know
what might have occurred?
If I knew that,
Molina wouldn't have given me the axe.
I just see victims,
the one associated with the object.
You've got a half an hour
till next shift change.
After that, you may have a guard
asking questions about your friend.
- Okay?
- I appreciate it.
If you want them to leave her,
then I'm guessing
you need to find out what they want.
In this case, they are trapped.
Unable to move on.
You've got three dead girls but no bodies.
I'd say you need to find some bodies.
Why did they pick me?
Hard to say.
Maybe you remind them of someone,
maybe you've come into contact
with people they knew,
with places they lived,
with places they died.
Places they died?
Yes.
Maybe they were trapped
between this world and the next,
and you happened to be
in the right place, at the right time.
Or the wrong place.
It's really hard to say.
It depends on so many different factors.
Heredity, religion,
- a near-death experience.
- Wait.
Your accident at the lake.
Gil, we've worked very hard, all right,
to try to communicate
with these alters, these girls.
Can you make an attempt,
at least make an attempt,
to communicate with them? Please?
What makes you think
they'll tell me anything?
Could you try? Please.
Please.
Just try to communicate with them.
- It's like you said, they can't remember.
- Gil, this is what you do.
- You need to remember for them.
- Remember what?
- You need to figure it out.
- Try. You can do it. Just try.
Help me. Please.
No, I'm sorry.
- Gil.
- Sorry!
I mean, what kind of drugs they got you on?
Look, I cannot do
what you're asking me to do.
I told you,
you bring me a personal item and I read it,
hopefully give you an idea
of what happened to the person.
Enough of this psychometry
bullshit scenario.
Even the cops had you pegged
as a con man.
and I don't have to prove anything to you!
You don't, huh?
Well, why don't you prove it to yourself?
You know what,
prove to me you're nothing but
a broken-down valise all right?
Here. Take that.
- What's that?
- It belonged to my wife.
- Who?
- My wife.
- Your wife?
- Who she run off with?
Who she run off with? Take it.
Take it. Divine it!
It's no good.
- It's been too long.
- Yeah.
So, do you
think there's anything to what he said?
Finding the bodies?
I think this is all we've got to work with.
I'm at a loss.
You know,
I think tonight, we should try to focus
on the living. What do you say?
Yeah, me too.
You know, you haven't told me her name.
Who?
Your ex-wife.
Andrea.
I woke up one day, and she left me her ring.
And a note.
You didn't see it coming?
- I mean, there were no signs?
- I don't know.
Maybe I didn't give her
the life she deserved.
What do you mean?
I wanted my life.
I wanted my work,
I wanted my patients,
and I got it.
She didn't take much.
Just a suitcase.
Well, where did she go?
I haven't a clue.
Wait, so you didn't try to contact her?
Tried.
- I'm sorry.
- Hey, the mind compensates,
has this way of deflecting pain,
a remarkable instrument.
Thanks.
Well, thank you for a lovely evening.
The pleasure was mine.
Thanks for coming.
- Good night.
- Drive safe.
- Hey, do you mind if I grab my keys?
- You would be doing me a favour.
Thank you.
Excuse me, Doc.
Hey, Doc.
How you doing?
three years ago.
The time of the abductions.
Yeah, that's right.
Strange that kid's been waltzing around
with that same key chain
for the past three years, though.
Tornado employed a lot more people
in this town than just Alex Alonso.
There are probably 50 guys
who still have the same key chain.
Yeah, but he dated the kid.
He drove the blue car.
It just seems very strange.
Sorry to break it to you, Doc,
but blue cars aren't exactly uncommon.
Well, you said if I found evidence,
that I was to bring it to you
and you'd follow up. So I was trying...
When you bring me evidence, I will.
This is all just conjecture!
So you see no correlation to the fact
that this kid just might be
connected to these crimes
and the obvious symbolism
in these drawings?
Now, you listen to me.
I'm not going to bring someone in
for questioning
just because your patient draws something
you think resembles his key chain.
I need more than this, and you know it.
This Eneko Gil is putting crazy thoughts
into your head.
That's just going to lead you to trouble.
Hey, Doc. It's Eneko.
- Yeah, no sweat.
Hey, listen, I need your help,
and I want to talk to you about it.
Can we meet?
Hey, that's a new one.
Hey, easy.
I'm not gonna hurt you.
Okay, it's okay.
It's okay. It's okay.
It's okay.
You're sure this is it? 'Cause I'm going in.
Yeah, Rambla Jardn, that's it.
All right, my phone's on page.
Give me your cell.
Kevin,
listen, I have to talk to you.
- When we were at the hospital...
- Here's my number.
Now, you see anyone, just press "send. "
- You got it?
- Yeah, I got it.
- You got a light?
- Yeah.
Doc?
What the f*** are you doing here?
- Hello, Hugo.
- Hello.
I've been looking for you.
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